Interview: Ryan White on "Good Night Oppy" and recording Angela Bassett

by Nathaniel R

Director Ryan White and his new film "Good Night Oppy"

In October I had the pleasure of introducing director Ryan White to a warmly receptive audience at the 10th annual Middleburg Film Festival. They'd just screened his buzzy documentary Good Night Oppy and there was lots of love in the room. That's been a through line with the film wherever it's shown. The space exploration documentary has since received glowing notices and several awards including five wins at the Critics Choice Documentary Awards. The charming doc about two sister robots on Mars, "Opportunity" and "Spirit", who wildly surpassed initial expectations, also represents a change of pace for the director. He's always had range. His previous lauded projects have included films as varied as the Oscar finalist short Coded (2021) about the gay golden age illustrator J.C. Leyendecker, the Emmy-nominated political doc The Case Against 8 (2014), the Emmy nominated unsolved crime doc-series The Keepers (2017), and profile docs like Ask Dr Ruth (2019) and Serena (2016). 

When we first met Good Night Oppy had not yet reached Amazon Prime but it was headed there for the Thanksgiving holiday. A feast it would likely be to families that gave it a try. I was delighted to catch up with White to talk about the film again now that it's available to a wide audience...

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Best International Film Reviews: Armenia, Canada and Paraguay

by Cláudio Alves

Submitting a documentary is a risky strategy in the Best International Film race. Since Waltz with Bashir in 2008, only four other non-fiction features have been able to score nominations in the category – Cambodia's The Missing Picture, North Macedonia's Honeyland, Romania's Collective, and Denmark's Flee. None of them won. Still, hope is everlasting, and one often finds that some of the year's most fascinating submissions happen to be documentaries. The same is true for our current season, with two titles going as far as incorporating animation, like Waltz with Bashir and Flee. Mayhap they can repeat their antecessors' success at getting nominated. It's unlikely but not impossible…

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Oscar Volley: How do you choose only 15 finalists for "Best International Feature"?

Team Experience will be discussing each Oscar category as we head into the precursors. Here’s Elisa Giudici and Abe Friedtanzer…

Argentina, 1985

ELISA: Abe, have been handed one of the toughest Oscar volleys of the year. The Best International Film category is maddening: more than 90 possible contenders, the majority of whom are still unavailable. My first impression this year is that no movie has already locked up a nomination. There is no Parasite, no Another Round, no crystal-clear, 100% sure contender who can sleep tight until the nomination morning. Do you have the same impression? 

There are of course some strong contenders in the category, such as Argentina, 1985. I saw this movie in Venice and underestimated its crowdpleasing power...

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Best International Film Reviews: Colombia, Ecuador, and Venezuela

by Cláudio Alves

Sometimes, it feels as if Latin-American cinema is doomed to be forever underappreciated. Earlier this month, the Sight & Sound list notably ignored films from the Americas beyond US-made pictures. At the Oscars, the situation isn't much better. Since 2010, one can only find six Latin-American nominees out of sixty in Best International Film. (Sadly, the problem persists, though Argentina, 1985 and Bardo both might make the shortlist this year.) In no way does this reflect the realities of international cinema or even the quality of Latin submissions for the 95th Academy Awards. There are plenty of outstanding achievements to appreciate once you look beyond the buzzy titles…

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Oscar Volleys: How Many Pop Hits in Best Original Song?

Team Experience will be discussing each Oscar category as we head into the precursors. Here's Eurocheese and Baby Clyde...  

"Ciao Papa" in GUILLERMO DEL TORO'S PINOCCHIO

EUROCHEESE: Well Baby, It's Cold Outside and you know what that means - we're Falling Slowly into awards season, and it's time to name the songs seeking Glory in the City of Stars. There are a few big hits that Take My Breath Away: Rihanna's "Lift Me Up," which seems to be everywhere at the moment; Lady Gaga's "Hold My Hand" in the year's biggest hit that just won't slow down; and the standout song from Del Toro's Pinocchio, "Ciao Papa," which I expect will make the cut. Do you agree these three are solid initial nominees, or do you have High Hopes that rest elsewhere? Any Secret Love that you see near the top of your list?

BABY CLYDE: Hey Mr Cheese, I Just Called To Say I Love You. The Academy must be salivating at the prospect of this year’s nominees. Am I correct in thinking that Rihanna, Gaga, Taylor and Billie Eilish are all legit contenders in this category...

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