Best International Film Reviews: Colombia, Ecuador, and Venezuela

by Cláudio Alves

Sometimes, it feels as if Latin-American cinema is doomed to be forever underappreciated. Earlier this month, the Sight & Sound list notably ignored films from the Americas beyond US-made pictures. At the Oscars, the situation isn't much better. Since 2010, one can only find six Latin-American nominees out of sixty in Best International Film. (Sadly, the problem persists, though Argentina, 1985 and Bardo both might make the shortlist this year.) In no way does this reflect the realities of international cinema or even the quality of Latin submissions for the 95th Academy Awards. There are plenty of outstanding achievements to appreciate once you look beyond the buzzy titles…

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Doc Corner: 'A la calle'

By Glenn Dunks

It’s funny, isn’t it? The subjects that become popular in non-fiction (and film more broadly, I suppose). The ongoing civil war in Syria was surely the most prominent subject of the 2010s while many other global conflicts remained relatively unexamined. This decade has begun with multiple films about Hong Kong. Venezuela is a country that has been discussed a lot in erroneous right-wing viral memes about the pitfalls of socialism, but strangely has made little impact on filmmakers beyond last year’s Oscar qualifying documentary Once Upon a Time in Venezuela, which I reviewed here.

A la calle (In the Streets) embeds the viewer deeper into the fractious political situation than that 2020 title. Maxx Caicedo and Nelson G. Navarrete’s film gets up close and personal within the protests, the political turmoil and the familial anguish that has engulfed the Central American nation now for years.

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Doc Corner: Three International Feature Oscar Contenders

By Glenn Dunks

Documentaries have been popping up more and more in the line-ups for Best International Feature (née Best Foreign Language Film) since Cambodia snagged a remarkably unlikely nomination for The Missing Picture. Last year’s double-whammy nomination for Honeyland in both the international and documentary categories (from an equally unexpected country, North Macedonia) has no doubt emboldened national selectors to choose non-fiction titles, which I am certainly happy about.

Three such selections are playing DOC NYC, the New York documentary festival that opened its virtual doors yesterday. It may be too early to see what the Best International Feature category delivers us this year (as of right now the number of submissions sits at 43), but the three films here representing Kenya, Romania, and Venezuela are all strong and fine contenders. In fact, there is at least one title here that I reckon could deliver for its home country—one that has been routinely ‘snubbed’ by the category, so much so that they changed the rules. Could this be their year for redemption with one of the best movies of 2020?

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Why Aquarius's Trouble in Brazil Could Bolster Its Oscar Chances (and other foreign film Oscar buzz)

It's that exciting time of the year again when we start hearing the names of the films selected to compete in this year's Oscar race for Foreign Language Film. It's our signature category at TFE (outside of Lead and Supporting Actressing of course and arguably the eye candy tech categories). All four of the foreign charts are now up and will be frequently updated when news comes in. We currently have 9 official submissions but dozens more will be named in the next three weeks. 

Current Predictions
100% likely to change since only about 10% of the field is known at this point.
Chart 1 (Afgahnistan - Finland)
Submissions from Australia, Croatia, and Cuba. Finalists from Brazil and Denmark
Chart 2 (France through Morocco)  
Submissions from Georgia & Germany. Finalists from Israel.
Chart 3 (Nepal through Vietnam)
Submissions from Romania, Saudi Arabia, Switzerland, and Venezuela. Finalists from The Netherlands and Spain.

Last year Jose and I interviewed representatives from 17 films and the team reviewed another dozen still and we hope to provide similarly extensive coverage again this year. Check out the charts above and do share with your friends and countrymen! 

the great Sonia Braga at Cannes in May

Germany's Toni Erdmann is currently leading the Oscar buzz but the other topic on everyone's lips in this category is what will happen with Brazil's Aquarius. More on that and a couple of other speculative bits after the jump...

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