Supporting Smackdown '68: Lynn, Sondra, Kay, Estelle and Ruth

The revival of "StinkyLulu's Supporting Actress Smackdown" now in its new home at The Film Experience continues. The year is... [cue: time travelling music] 1968.  Oscar skipped the Globe nominees in this category from For the Love of Ivy, The Lion in Winter and Finian's Rainbow and despite their love of Oliver! AND of women in musicals AND of prostitutes with hearts of gold they also skipped newcomer Shani Wallis. Instead they went with these five...

Tony Curtis presented the 1968 Best Supporting Actress Oscar

THE NOMINEES

Estelle Parsons, the previous year's winner in this category for Bonnie & Clyde returned for a victory lap (though she skipped the ceremony). She was joined by two showbiz veterans: Ruth Gordon, a three time nominee for screenwriting who was in the middle of a surprising golden years reinvention as a beloved character actress, and Kay Medford, who had previously experienced her greatest successes on stage. Filling out the shortlist were two fresh faces nominated for their film debuts: Sondra Locke (who would later partner up with Clint Eastwood both on and offscreen for 14 years) & Lynn Carlin (who would later vanish into a series of guest spots on television).

Who will win the Smackdown? Read on 

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Vintage 1968: Ten Most Awesome People (And Other Lists)

Each month's Supporting Actress Smackdown inspires us to go back to the year in question for a little context. When the movies of 1968 were playing in theaters, making their case for Oscar glory the following spring, the world was experiencing a time of great unrest. The Vietnam War was raging; The Prague Spring was happening; Martin Luther King Jr was killed; Racial tensions ran high in the Civil Rights fight; student protests in France raged (derailing the usual Cannes process - no Palme D'Or that year); the Zodiac killer began his murder spree; Andy Warhol was almost killed. (All of these events have received cinematic treatments over the years in films like The Dreamers, Zodiac, I Shot Andy Warhol and countless historical epics and war films.)

1968 introduced Goldie Hawn, The Big Mac, "Hey Jude" and TV's first interracial kiss 

But our focus is on the movies, so let's investigate the cinematic crop.

Best Movies According to...
Oscar: Funny Girl, The Lion in Winter, Oliver!, Rachel Rachel, and Romeo & Juliet were the Best Picture nominees but Oscar obviously also really enjoyed Star! (a flop that still managed an incredible 7 nominations), 2001: A Space Odyssey (4 nominations) and the foreign film classic The Battle of Algiers (3 nominations) which finally opened in America.
Golden Globes: Hollywood's Foreign Press Association liked Charly, The Fixer, Heart is a Lonely Hunter, The Lion in Winter and a movie I've never heard of called Shoes of the Fisherman (Drama) and they also sang and laughed with Finian's Rainbow, Funny Girl, The Odd Couple, Oliver!, and Yours Mine and Ours (Comedy/Musical)

Awesome people, dance parties, and more '68 trivia after the jump

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Monologue: "As Long As He Needs Me"

[This article was originally published in 2010 but we're adapting/rewriting it a bit for our celebration of the 1968 film year as we march towards the latest Supporting Actress Smackdown.]

1968's Best Picture Oliver! is commonly disparaged these days as an Oscar blunder and a typical example of the bloat that eventually derailed the musical genre. Musicals were big business back then and like animated family features now or action films roughly a decade ago, the running times got more and more padded. It's a common hubris problem for whatever genre is the reigning box office champion. 1968 featured at least four big ticket musicals -- Funny Girl, Finian's Rainbow, Star! and Oliver! -- and they all clock in well over 2 hours with all but one of them tipping over to be closer to 3 hours in length.  Combine this problem with the critical endurance of 2001: A Space Odyssey's legend and add in that six Oscar haul and what do you get? Critical animosity. Oscar enthusiasts are familiar with this phenom and they know that winning the big prize isn't always good for your place in film history. 

So Oliver! will have to settle for its place in personal histories and in mine it looms large. (It's weird that as a child I had such a long attention span. As an adult I get antsy once you've past the 110 minute mark but wee Nat couldn't get enough of all 153 minutes of this musicalized Oliver Twist whenever it played on television.) It probably won't surprise you to hear that literally every one of my favorite scenes was focused on Nancy, the prostitute with the heart of gold (Shani Wallis). 

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Introducing... Five Nominees 1968

I've hinted at it before but we're going to try "Introducing..." as a series, since we love contemplating how actors and filmmakers introduce us to key characters in the movies. There's a real specific art to it if you want the character to stick. So herewith, as prelude to Wednesday's Smackdown, is how the five Supporting Actress nominees of 1968 are introduced in their films. In future non-Smackdown episodes we'll just concentrate on one entrance. But for our purposes here, quintuplets!

I've listed the nominees by how soon they show up in their respective films.

8 minutes in... Estelle Parsons as "Calla" in Rachel Rachel
This entrance is smartly staged by first-time director Paul Newman. It has the clarity of a theatrical entrance albeit without any heightening or glamour. As Rachel (Joanne Woodard) leads her schoolchildren downstage right with some silly arm wavings, an atypically 'light' gesture from this uptight teacher, Calla descends stage left from a higher floor into view, with her own flock, as if conjured by that sudden shift in tone. You immediately sense that they're very different women but as Calla gets closer to the camera, her shift from screechy schoolmarm to close co-worker chum is complete; the women lean in together co-conspiratorially.

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The Smackdown Cometh

Guess what's on its way?

That's right. Supporting Actress Smackdown 1968 coming at'cha on Wednesday October 30th. If you haven't yet voted on the Reader Ranking portion of the Smackdown, please do so by Monday. Rank only the performances you've seen on a scale of 1 to 5 hearts (5 being stupendous, 1 being totes unworthy and so on)

Let's meet our panelists shall we? Their bios and "what 1968 means to them" after the jump.

SPECIAL GUESTS

Manuel Muñoz
Manuel is the author of three books, including the Hitchcock-inspired novel, What You See in the Dark.  He teaches creative writing at the University of Arizona in Tucson and is a judge for the 2014 PEN/Faulkner Award for Fiction.

What 1968 Means To Me

❝It’s the Year of the Tie.  If nothing else, 1968 drives me bonkers when it comes to wish fulfillment for a tie in some other year when a split decision could ease the nagging feeling that Oscar couldn’t get it right no matter the outcome.  (I’m thinking of you, 1987.)  The sight of Ingrid Bergman opening that envelope with a look of delighted awe registers, for me, as a big ol’ can of worms for those of us wacky enough to reimagine these outcomes.  What a tantalizing, frustrating possibility—that you could reward a truly major performance and get the warm buzz of sentiment all on the same night, sometimes without knowing which is which.  Burstyn/Rowlands?  Dunaway/Spacek?  Hunter/Close?  Roberts/Linney?  It just kills me.  Better to just call it for Glenn Close in Fatal Attraction and leave it that.❞

Angelo Muredda 
Angelo is a contributor to Film Freak Central and Torontoist and a doctoral candidate in Canadian literature and film at the University of Toronto. He has his father's eyes. Follow him on Twitter 

What 1968 Means to Me

❝Sally Draper slumps back in her seat and takes her first hit of LSD as Keir Dullea goes beyond the infinite. She is fourteen years old. Unlike Sally, I wasn’t around for 1968, so I’m speaking in strictly retrospective terms when I say that for me it’s the year of the Star Child and Rosemary’s unholy issue — a good time for weird births.❞   

RETURNING PANELIST

Brad Griffith
Brad is a blogger/actor/writer/producer/etc living in Los Angeles and working at a large media institution that he's not sure he can name, but for sure can have no official opinions on their movies. Other than that, he spends his relaxation time being busy, and taking in as much culture as he can.

What 1968 Means To Me

❝1968, besides being the year of my birth, gave us "Funny Girl", which helped along a youthful appreciation (obsession) for Barbra Streisand. I used to ask to stay up late to watch it during its annual TV broadcast. Our nominee from that film has one of my favorite comebacks in cinema:

Fanny: A gentleman fits in any place.
Rose: A sponge fits in any place. To me, a stranger should act a little....strange.

What a wacky year 1968 was cinematically - from early independents to the grand scale musicals... and the Smackdown won't even include The Producers, The Lion in Winter, or Herbie the Lovebug.❞

YOUR HOSTS

Nathaniel Rogers
Nathaniel is the founder of The Film Experience, a reknowned Oscar pundit, and the web's actressexual ringleader. Though he holds a BFA in illustration, he found his true calling when he started writing about the movies. Follow him on Twitter but do not stalk him in New York City.

What 1968 Means to Me

Please sir, I want some more.

❝That's how I feel about every grand cinematic year but since Oliver! was my third favorite movie of all time as a child (Yes, listing predated blogging) the quote is especially relevant. I was shocked to discover much later in life that it was very uncool to love Oliver! but I love what I love and proudly. Aside from prematurely empty bowls of gruel there is no 1968 without: a pendant filled with tanas root, the voice of HAL 9000, the Statue of Liberty buried in sand, and a vinyl recording of Babs singing "My Man"❞

Brian Herrera (aka StinkyLulu)
Brian convened the first Supporting Actress Smackdown and hostessed more than thirty. He is a writer, teacher and scholar presently based in New Jersey, but forever rooted in New Mexico. Follow him on Twitter. 

What 1968 Means To Me

❝One of these movies came out the weekend I was born. I saw it about fourteen years later, on the evening of the very day I happily lost my virginity. Yet, as that remarkable day ended, I realized a life-altering fact. I was more thrilled by my first time seeing this movie than by my actual "first time." My name is Brian and I am an actressexual.❞

THE SMACKDOWN ARRIVES ON OCTOBER 30TH
Until then, daily at noon, little helpings of 1968 for context.
(Since reviving the series we've done 1980 and 1952)