Box Office: Everybody Cut, Everybody Cut... Your Budgets

In this battle of the 80s remakes weekend, Footloose vs. The Thing, it was actually a 1960s derivative, the rock-em sock-em'ish robot movie Real Steel that triumphed.

Box Office (U.S.) Baker's Dozen -Actual Grosses
01 REAL STEEL $16.2  (cum. $51.7)
02 FOOTLOOSE new-ish $15.5 
03 THE THING new-ish $8.4 
04 IDES OF MARCH [capsule] $7.1 (cum. $21.7)
05 DOLPHIN TALE  $6.2 (cum. $58.5)
06 MONEYBALL [review] $5.4 (cum $57.6)
07 50/50 [review]  $4.2 (cum $24.2)
08 COURAGEOUS  $3.3 (cum $21.2)
09 THE BIG YEAR new $3.2 
10 THE LION KING 3D [review] re-release $2.7 (cum. $90.5 for the rerelease)
11 DREAMHOUSE  $2.4 (cum $18.3)
12 CONTAGION $1.8 (cum $71.9)
13 ABDUCTION [review] $1.4 (cum $25.7)

Talking Points
• Footloose's gross is far from spectacular but given the likelihood of solid word of mouth (I keep hearing "surprisingly good!" proving that basement level expectations can totally be a plus!) and considering they kept its budget down, it should turn a profit before it even leaves theaters. So don't expect the 80s remakes to stop.

• Speaking of turning a profit, 50/50 has already tripled its wisely wee budget. Well done.

• Pedro Almodóvar is the most dependable of foreign auteurs on the US box office charts, again opening with a fine per screen average; The Skin I Live In earned nearly a quarter million on just six screens. Whether or not it will hold well is another issue since it seems more divisive than recent Almodóvars. Skin... has alread earned over $19 million overseas. Pedro's biggest post Women on the Verge hit by a significant margin is Volver which earned over $85 million worldwide. 

• Moneyball just entered the top 40 of the year, stealing past Midnight in Paris (which is incredibly STILL on over 100 screens). Don't you think both of them will be Best Picture nominated?

WHAT DID YOU SEE THIS WEEKEND?
As usual, we love to hear what you thought of the new releases. Especially on days when you're suspicously quiet (speak up!)  And given the ever crucial budgets to profit equations, which movie have you seen recently that showed you every penny onscreen?

Cast This! All Black "Steel Magnolias"

Everyone is doing it... why shouldn't we? I caught the news on Twitter where everyone I follow (but particularly Joe & Mark) were sounding off about who they'd like to see in the just announced remake of Steel Magnolias (for Lifetime) which will use an all black cast. Since blacktresses and the unfortunate dearth of roles for them are one of our pet topics here at The Film Experience we can't really let this one go without a discussion.

Clockwise from top left: Hannah (Annelle), Maclaine (Ouiser), Parton (Truvy), Field (M'Lynn), Dukakis (Clairee), and Roberts (Shelby)

The original film, a big hit in 1989 that has had an infinite DVD shelf life with the gays, gave Julia Roberts her first Oscar nomination. It was another Oscar vehicle at the time for Sally Field, a star-laden adaptation of a hit play that opened in November, but the only thing Oscar ended up noticing was Julia Roberts all fresh faced and quivering ginormous lips. At the time Sally Field loved to lay claim to discovering Julia though it was the nascent superstar's fourth film to hit theaters.  

She's mine!

Yes, I saw it in theaters. Shut up. I know my 80s movie stories are totally aging me. It can't be helped! This will happen to some of you when they start remaking 90s and 00s movies like Total Recall and  Spider-M (oh wait. damn). The cast at the time was NOT listed alphabetically but had to deal with old fashioned 'whose the biggest star right now?' billing so it went like so...

• SALLY FIELD as "M'Lynn" the no nonsense mom who worries herself sick over her reckless life-loving diabetic daughter 
• DOLLY PARTON as "Truvy" the big haired big hearted owner of the beauty shop where the cast continually congregates.
• SHIRLEY MACLAINE as "Ouiser" the mean spirited wealthy brunt of many of the jokes 
• DARYL HANNAH as "Annelle" the bumbling beauty shop apprentice and born again Christian. 'Her personal troubles will not interfere with her ability to do good hair.'
• OLYMPIA DUKAKIS as "Clairee" Ouiser's wise-cracking bestie, also rich, but infinitely better-tempered.
• ...and JULIA ROBERTS as "Shelby" a fragile young bride who is desperate to have a normal life

The cast (sans Dukakis) at the NYC premiere in November 1989

So which black actresses would you cast in these roles?
EXTRA POINTS to anyone who manages to recast Tom Skeritt's and Dylan McDermott's parts, too. [Psssst. Shamelessly name dropping alert: Dylan McDermott was at that Hugo screening on Monday night, just 8 seats away from me!]
DOUBLE EXTRA POINTS to anyone who manages to recast it without using Viola Davis or Octavia Spencer who, trust, aren't going to be hurting for offers post The Help.
TRIPLE EXTRA POINTS to anyone who can do it using Steel Magnolia's formula at the time (4 previous Oscar nominees or winners, 2 absolute legends, 1 current sex symbol de-glammed and 1 newbie who is clearly on her way to major stardom)

Go!

Oscar Submission Curio: "The Silent House"

Chalk this one up in the Most Curious Foreign Film Oscar Submission News column, should you have such a thing. Uruguay has submitted The Silent House for Oscar consideration. "Why that's just boring only regular news!" you say? Oh, but it's not skim-reader, it's not! 

The Silent House is a horror movie, based on a famous "true" story from Uruguay in the 40s. A father and daughter settle into a cottage for the night where horrible murders once took place and... well, you know how things go down in haunted houses. Here's the teaser.

I've followed this category closely for ten years (this was the first website to make it a total cause/habit... now everyone notes each submission) and horror films are a total rarity, not just in terms of nominations but in terms of the annual 60+ film list, too. But the "my how unusual" feeling doesn't end there. The movie is also filmed in one continuous shot (always good for novelty factor) and there's already an American remake! The American remake starring Elizabeth Olsen (currently Oscar buzzing for Martha Marcy May Marlene) debuted at Sundance. So between May 2010 (when the original debuted at Cannes) and January 2011 (Sundance) it was remade.

Elizabeth Olsen in Silent House (2011)

Is the rapidity of cultural appropriation the true horror tale here?

THE OSCAR FOREIGN FILM CHARTS

Remaking Kurosawa? People Have Been Doing It For Years

Akira Kurosawa's Centennial last spring is still causing ripples. Splendent Media extends the celebration in a potentially controversial way. They have the rights to an enormous part of the Kurosawa catalogue should anyone want to purchase them for a remake. Kneejerk reaction is NOOOOooooooooo. But then you realize that Rashomon, The Hidden Fortress, and The Seven Samurai (and to a lesser extent many of his other films) have already been ripped off hundreds of times for movies and television. Hell, I've even seen an Off Broadway musical based on Rashomon!

So why would a straight up remake be any different? 

Here are the 26 Kurosawa directed pics (of the 32 he made) that they're offering rights to:

Sanshiro Sugata (1943)
The Most Beautiful (1944)
Sanshiro Sugata Part2 (1945)
The Men who Tread on the Tiger’s Tail (1945)
No Regrets For Our Youth (1946)
One Wonderful Sunday (1947)
The Quiet Duel (1949)
Stray Dog (1949)
Scandal (1950)
Rashomon (1950) -- Honorary Oscar Foreign Film
Idiot (1951)
Record of a Living Being (1955)
Throne of Blood (1957)
The Lower Depths (1957)
The Hidden Fortress (1958)
The Bad Sleep Well (1960)
Yojimbo (1961)
Sanjuro (1962)
Red Beard (1965)
Dodes’Ka- Den (1970) -- Best Foreign Language Film Oscar Nominee
Dersu Uzala (1975) -- Oscar Winner, Foreign Film
Kagemusha (1980)  -- Best Foreign Language Film Oscar Nominee
Ran (1985)  -- Best Director Oscar Nomination
Dreams (1990)  
Rhapsody in August (1991)
Madadayo (1993)

QUESTION: Wouldn't it be strange to buy the rights to remake Ran or Throne of Blood when you can get their source material (King Lear and Macbeth) for free?

What's your favorite Kurosawa? Sometimes I wish I'd seen them all -- since I've yet to be disappointed -- but it's so daunting given how prolific he was.

Box Office Bloodbath: The Help Cleans Up.

This weekend was a bloodbath for new releases, and not because Conan the Barbarian and Fright Night's Jerry the vampire were spilling so much of it. Both of them bombed. Though I enjoyed Fright Night, can we at least hope that the combined failure here makes Hollywood question the need to remake every 80s hit? Maybe not. With The Smurfs chuggling along nicely despite virtually no one enjoying it, we'll still get name brand regurgitation until all of them start bombing. 

Box Office U.S. Top Ten (estimates)

01 THE HELP [review] $20 (cum $71.3)
02 RISE OF THE PLANET OF THE APES [articles] $16.1 (cumulative $133.5) 
03 SPY KIDS: ALL THE TIME IN THE WORLD $11.6 
04 CONAN THE BARBARIAN $10 
05 THE SMURFS $7.8 (cum $117.5)
06 FRIGHT NIGHT [review] $7.7 
07 FINAL DESTINATION 5 $7.7 (cum $32.3)
08 30 MINUTES OR LESS $6.3 (cum $25.8)
09 ONE DAY $5.0 
10 CRAZY STUPID LOVE [articles] $4.7 (cum $64.2)

Three Talking Points:
Emma Stone hits are bookending the top ten this week, her star shines ever brighter.

In fact, though one can hardly name Emma the reason for its success, The Help barely dropped at all, doing a rare climb to the number one spot after its debut week (a rarity). In other words, it's shaping up to be a long legged big hit. And people are still definitely talking about it, even if it's mostly to call each other names (such as: this article which has upset some people.) 

The biggest news though occured outside the top ten as Woody Allen's Midnight in Paris crossed the $50 million mark this week. To celebrate, Sony Pictures Classics announced that the comeback hit will be going wide AGAIN (even more of a rarity) next weekend.

Shall we celebrate?

If so, how?

If you haven't yet seen it, here's your last (theatrical) chance essentially. Movies don't generally lose hundreds of theaters and then return to them but the film has had such great legs that SPC is obviously bullish about its Oscar chances at this point. If you don't adjust for inflation this is Woody's biggest US hit ever and if you don't adjust for inflation it will soon be his second biggest hit ever worldwide where it has grossed $84 million; any second now it will pass Match Point though surpassing Vicky Cristina Barcelona's nearly $100 million take might still be a considerable challenge.

What did you see this weekend? Are you also bullish on Midnight's Oscar chances at this point?