Sunday, April 14, 2019 at 8:45AM Just 37 seconds of Amy Adams asking questions: pic.twitter.com/eLu0JaQ7E6
— Netflix Film (@NetflixFilm) April 8, 2019
After the jump three truths that jump right out, Disney remakes, the zombie carcass of Europe franchise (?), Tessa Thompson being a snack, and more...
Wednesday, April 10, 2019 at 11:00PM by Murtada Elfadl, Chris Feil, and Nathaniel R
Now that 2019 movies are more than underway, a new season of the Podcast is upon us!
Index (55 minutes)
00:01 Julianne Moore is Gloria Bell
12:30 Jordan Peele's Us starring Lupita Nyong'o [MAJOR SPOILERS]
33:30 Tim Burton's Dumbo
40:00 Randomness
42:50 Harmony Korine's The Beach Bum and Matthew McConaughey's strange year
52:00 Randomness
Supplemental Reading
• Film Comment Gloria Bell review
• Murtada's Beach Bum review
• Chris's Us review
• Jason's Serenity review
• Paulina García's great performance in the original Gloria
You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you?
Monday, March 4, 2019 at 10:52AM by Nathaniel R
As you have no doubt heard, the 1993 stage musical Sunset Blvd., Andrew Lloyd Webber's adaptation of the film noir classic Sunset Boulevard (1950) now has a green light for the movies. The stage musical premiered in London in '93 with Patti LuPone in the lead role before a legally-fraught switcheroo to Glenn Close for its Broadway debut in '94. The musical would go on to win 7 Tonys (including Best Musical and Best Actress) and roughly ever since then (we're talking 25 years now!) there's been talking of adapting it back to the screen, its original home and subject matter. This wouldn't be the first time that's happened of course. The most recent example is Hairspray which proved a hit in all three incarnations: 1988 / 2002 / 2007.
This project has been talked about for years and now a sudden green light with shooting scheduled for October. Was it Glenn Close's year long comeback of sorts as she undoubtedly came close to winning that elusive Oscar that finally did it...
Saturday, January 26, 2019 at 7:00PM Abe Fried-Tanzer reporting from Sundance
Danish director Susanne Bier won an Oscar for her incredible film In a Better World (2010), her second time contending for Best Foreign Language Film. The first was her equally involving and magnetic After the Wedding (2006). That earlier film is actually one of two popular foreign hits remade for US audiences with Julianne Moore in the lead role this year (recent Oscar winner Sebastián Lelio remade his own 2013 Chilean film Gloria as Gloria Bell, due in March this year). Taking over Bier’s duties on this other do-over is Moore’s husband Bart Freundlich, whose last film was the underrated 2016 Tribeca entry Wolves. In addition to bringing this story back on the screen, this is a reunion for the real-life couple with leading man Billy Crudup after the three of them collaborated on both World Traveler (2001) and Trust the Man (2005).
What’s most changed – of surprisingly few modifications overall – from the Danish original to the 2019 remake that premiered at Sundance are the genders...
Tuesday, January 15, 2019 at 8:00PM by Lynn Lee
Among the sharper observations I’ve seen regarding Mary Poppins Returns is that it is to Mary Poppins what The Force Awakens was to Star Wars: A New Hope. In each case, the sequel feeds shamelessly off fans’ nostalgia by recreating every beat of the original film – the plot arc, the character dynamics, even the distinctive look of the original, tweaked to reflect the changing mores of the past several decades. In short, it’s the same movie, just repackaged.
Setting aside whether it needed to be made at all, does Mary Poppins 2.0 improve at all on the original formula? In The Force Awakens, the one real added value was the new characters. In many ways they felt like rebooted archetypes from A New Hope, yet for the most part they also felt fresh and intriguing. Is the same true for Mary Poppins Returns? Let's do a side-by-side comparison...
