Team Experience Oscar Reax Pt 2: Good Times, Speech Writers, and Noticeable Absences

As is our practice we polled the team and a few friends shortly after the Oscars to get their takes. You already saw part one on joyful and horny moments so here's part two. We hope you'll answer the same questions in the comments. 

1. Who was having the very best time in the theater?
2. Who most needed a speechwriter?
3. Without a host who was the MVP guiding you through the night?
4. Whose absence did you most feel during the broadcast?

Our answers are after the jump...

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Richard Met Barbra!

Sometimes Oscar night offers a silver lining to those who go home empty handed. Case in point: Richard E. Grant may have not won Best Supporting Actor for Can You Ever Forgive Me? but he did get a prize of sorts that was a lifetime in the making. He finally met Barbra Streisand!

Being Oscar nominated was pretty amazing, but meeting with @barbrastreisand and having a proper conversation was an absolute astonishment. 40 carat Gold 🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟 pic.twitter.com/7ahBzdjg9j

— Richard E. Grant (@RichardEGrant) February 25, 2019

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Winners of the 34th annual Independent Spirit Awards

by Nathaniel R

Richard E Grant getting his supporting actor trophy from Glenn Close at the Spirit AwardsBy the time the Spirit Awards roll around each year we've completely forgotten about their nominations. They're the group with the the longest annual stretch between nominations and trophy handouts each year! As a reminder We the Animals led in number of nominations this year despite not showing up in the top category. Unfortunately it was entirely shut out of actual wins. The nomination leaders within the Best Feature category were Eighth Grade, First Reformed, and You Were Never Really Here, which all at least won something.

After the jump the winners list and cute photos and such...

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Interview: Richard E Grant on lucky breaks, film diaries, and "Can You Ever Forgive Me?"

by Nathaniel R

Richard E Grant's timing was impeccable during my own journey into cinephilia. I was in the process of falling madly deeply in love with movies when he made his debut in the cult classic With Nail and I (1987) and as I became more invested in not just movie stars but the crucial contributions of character actors to rich movies, he was everyone in so many movies I loved: Henry & June (1990), L.A. Story (1991), Bram Stoker's Dracula (1992), The Age of Innocence (1993). I bought his first book "With Nails: The Film Diaries of Richard E Grant" in hardcover right when it was published and later bought it again in paperback. I bring up this chronological personal fandom so that'll you'll understand that I was surely as visibly thrilled to sit down with Richard E Grant as he has appeared to be for the entirety of this awards season. We're both giddy about the Oscar nomination for his incredible performance as the slippery but loveable Jack Hock in Can You Ever Forgive Me?

But we began by discussing the book. I'd read it too often to begin anywhere else...

[The interview has been edited for length and clarity.]

One of the funniest film books you'll ever read. A must-have for fans of 1990s cinemaNATHANIEL R: Do you still do film diaries or did you do it only for your book 'With Nails: The Film Diaries of Richard E Grant"?

RICHARD E GRANT: I've kept diaries since I was 11 years old, since I saw my mother shagging my father’s best friend on the front seat of a car, by accident. I tried religion, got no reply, couldn’t tell my friends, certainly couldn’t tell my parents what I’d seen, so I kept a diary to keep sane, and it has kept me relatively sane all these years. I was on the ill-fated  Ready to Wear (Prêt-à-Porter) movie for Robert Altman, and a newspaper in England asked me if I would write a diary, so I did, and they published it...

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Blueprints: "Can You Ever Forgive Me?"

by Jorge Molina

Marielle Heller’s Can You Ever Forgive Me? is a subtle study of a woman clinging to relevance in a world that not only has forgotten about her, but never took her into consideration in the first place. It’s about isolation, and loneliness, and people that already live at the margins marginalizing themselves even more. But it is also a rare, realistically moving portrayal of queer friendship; of the friendship of a woman with a man that’s just as forgotten and isolated as she is.

The screenplay adaptation of Lee Israel’s memoir by Jeff Whitty (of Avenue Q fame) and Nicole Holofcener (of many great pictures fame) tackles the relationship between Lee and Jack (Melissa McCarthy and Richard E. Grant in career-best performances) with nuance and bite, and never gives in to "likeability". Whitty and Holofcener know that sometimes friends happen to just not like each other...

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