Wish You Were Linked

Pajiba on the staggering popularity of Adam Sandler movies on Netflix
EW super cute unseen photos from the production of La La Land (it's on DVD very soon)
THR a Richard Gere profile on the new indie phase of his career and why he isn't in the big studio pictures anymore
i09 a tour of Marvel Studios with peeks at all six movies in various stages of production
The Guardian on the making of the wonderful British comedy Wish You Were Here (1987) for its 30th anniversary. God, Emily Lloyd was sensational in that. Remember her? The '87 Oscar Actress lineup was special but I still missed her there.

Tracking Board Bill Condon who did the James Whale biopic Gods and Monsters is in talks to direct Universal's remake of Whale's Bride of Frankenstein. Shouldn't he feel queasy about this as a fan? 
Awards Daily on the TV Drama Series Actress race. Will it be Claire Foy, Keri Russell, or...? 
Variety Guardians of the Galaxy Vol. 2 will feature five, yes five post-credit scenes. Are we really still counting these in the running time? It's probably time to acknowledge them for what they are: commercials. 
The Guardian they're still planning a sequel to Labyrinth (1986)? What is the point? (sigh) 
Coming Soon. Is King Kong in the public domain all of a sudden or something. Hot on the heels of Kong Skull Island there's an unrelated TV series in the works on the big ape and his home island
Coming Soon Taraji P Henson is now trying her hand as an action lead. Proud Mary about a hitwoman with a job gone wrong is now filming 

Theatahhh People
Theater Mania Tony/Oscar winner Kevin Spacey will host the Tony Awards, claiming he was "their 15th choice"
Playbill Sutton Foster is a new mom!
Playbill The complete cast recording of Groundhog Day starring Andy Karl (Rocky, Twentieth Century). He's headed for another Tony nod for sure. I attended opening night and he was terrific. I wish I got invited to more opening nights because it was jampacked w/ celebs: Anna Wintour, Maggie Gyllenhaal, Kate Burton, Hope Davis, lots of people I half recognized (as my friend StinkyLulu who I went with would say "30% famous")... and in my row Christian Slater! 
Broadway Blog If you're near St Louis, you should check out The Tennessee Williams Festival May 3rd-7th. It sounds amazing 

HMWYBS: A Sensational Diane Keaton in "Looking for Mr Goodbar"

Best Shot 1977 Party. Chapter 3
Looking for Mr Goodbar (1977)
Directed by: Richard Brooks
Cinematography by: William A Fraker

Finally with chapter 3 in our look back at the Cinematography nominees of 1977 -- a little prep work for the Supporting Actress Smackdown (last day to get your ballots in) -- a real threat to Close Encounter of the Third Kind for the Best Cinematography crown. Close Encounters won the Oscar, its sole competitive Oscar, but William A Fraker was more than worthy as a nominee for his evocative experimental work on Looking for Mr Goodbar. The cinematography (along with its swinging partner, the editing) are ready and able to capture the whirlwind moods, liberated momentum, self-deprecating humor, and multiple flashes of fear within this time capsule of the sexual revolution.

My only regret in showcasing the cinematography for this series is that good images are hard to come by. More (a little bit NSFW) after the jump...

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Linker in the Rye

WTF w/ Marc Maron talks to Peter Bogdanovich
Yahoo! has the first image of Michael Fassbender in Assassin's Creed but don't get too excited because it could be anyone, given that the character loves those face covering hoods
EW everything Mads Mikkelsen wore on Hannibal thanks to costume designer Christopher Hargadon. So much fine suitage!
Awards Daily Nicolas Hoult to play JD Salinger in a biopic Rebel in the Rye. Danny Strong is on writer/director duties
Variety Penny Dreadful S3 adds Wes Studi (remember how good he was in Last of the Mohicans), Shazad Latif, Jessica Barden, and Patti LuPone (!) as a regular now, albeit in a new role since her witch died last season

Deep Dish [nsfw] celebrates 66 factoids about Richard Gere for his recent birthday - I didn't know a lot of the off-movie stuff
Tracking Board Michael J Fox is voicing a robotic canine for a new film called A.R.C.H.I.E. as befits an 80s sounding high concept comedy
Empire Sam Worthington and Ruth Wilson to headline a new sci-fi picture called The Titan about a military family participating in an experiment in space
Empire French filmmaker Pascal Chaumeil (Heartbreaker) dies at 54 
Film School Rejects has a bathe with A Room With a View... such a great movie 

We ♥ to Watch
Gizmodo Amazon Prime now first subscription service to offer download / watch offline
Cinematically Insane looks at the changes at TCM and what that might mean down the road. I'm so wary of this because even if they rebrand to be less about "old" movies then agreed upon "greats" how will we see the really old movies that are harder and harder to find with the death of DVD? I know I'm not alone among cinephiles in the desire to see less-than-great films regularly so as to get context for a career (director or actor) or timeframe at the movies 
/Films warns you about all the films leaving Netflix in September. (I'm so glad i never gave up my dvds since the range of their streaming options get grosser and grosser beyond their original content)

For LOLz
The Toast A League of Their Own inspired thinkpieces. Inspired silliness.
MNPP Michel Huisman strutting around New Orleans 
Back of the Cereal Box discovers an old Meryl Streep joke that still holds up 

Off Screen
Boy Culture a-ha's "Hunting High and Low" to receive 30 year anniversary rerelease. Such an amazing album - pity that people only think of "Take On Me"
Playbill Jim Broadbent returns to the West End toplay Scrooge in A Christmas Carol this season
Towleroad author Oliver Sacks who wrote Awakenings (which became an Oscar nominated movie) recently died (RIP)

Finally
The trailer to the final season of Downton Abbey. So many big shows wrapping up lately.

Animated Feature Contenders: Henry & Me

Tim here. With the Oscar nominations coming in just under a week, this is our last chance to look at the little odds and ends on the list of 20 films submitted in the Best Animated Feature category, and pretend that the race isn’t down to The LEGO Movie and five movies vying for four runner-up slots. And of all the odds and ends, they don't come a whole lot odder than our final subject, Henry & Me.

Henry & Me is a direct-to-DVD feature that finagled a courtesy theatrical release, no doubt in part so that it would show up in articles like this one, and win some free publicity as a calling-card for young Reveal Animation Studios, and raise the profile of a release that’s seeing a healthy chunk of its sales going to charity. The risk of such a gambit is that it relies on the reviewer playing nice with a sweet-minded but rather dim bit of nonsense.

More...

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NYFF: Out of Sight, Time Out of Mind

NYFF continues. Here's Glenn looking at Richard Gere in 'Time Out of Mind'.

“The Richard Gere homeless movie” is a bit of a glib way to describe Time out of Mind, but that is the moniker that Oren Moverman’s third feature has found itself labelled with. I mean, it’s not like it’s without merit; Richard Gere does indeed play a homeless man, something far removed from the type of roles we’re more typically used to seeing the 65-year-old actor portray – and something one critic at the post-film Q&A attempted to allude to by asking the actor to compare this role to that in Paul Schrader’s American Gigolo, much to the actor’s and the crowd’s confusion.

I wish I could say there was more going on in Oren Moverman’s film, but I’m not sure I can. At least outside of the formal aspirations, which are admittedly very impressive and the sort of thing that made me wish for a meatier film to support them.

Moverman’s third film after the Oscar-nominated The Messenger and the contemptuous Rampart is a simple one, preferring to simply observe rather than truly examine the plague of homelessness. Large chunks of the film play out at a distance both emotionally and physically as Moverman’s camera stares at him from across the street, through windows, behind doors and in crowds, a visual concept that works technical wonders. In comparison to another homeless-on-the-streets-of-New-York film at NYFF, the Safdie brothers’ Heaven Knows What, which favored intense close-ups and bleak 16mm imagery, cinematographer Bobby Bukowski views from afar and when coupled with the enveloping diegetic sound design helps create a spellbinding technical achievement that is far beyond the film’s otherwise meagre we-are-the-world aspirations.

Politically, Time out of Mind has the same sort of goals as Bob Dylan from whom the film gets it title. Shining a light on a shameful part of American (and indeed global) society, but doesn’t really go far enough. On a dramatic level the film works better when Gere is allowed to share the screen with and interact with others. Jena Malone as the daughter he follows while she’s on a date and at work at a dive bar. Bob Vereen as a fellow shelter-seeker. And most impressively Kyra Sedgwick who is virtually unrecognizable as a woman of the streets who pushes around a cart of cans, sharing a moment of emotional and physical intimacy with the lead character that speaks to the universal nature of wanting to connect.

The film’s style will undoubtedly frustrate many who would likely favor something more immediate that would allow Gere the chance to scream and yell about the plight of being homeless. While I certainly don’t quite want that, more an emotional anchor would have been appreciated. As it is, Time Out of Mind is too long for something with such a slim emotional trajectory. As is common with films of this type, the moment it ends is perhaps the moment it gets the most interesting dramatically. As a technical demonstration, however, Moverman and his crew have achieved something special. It’s an awkward balancing act that doesn’t always work, but there’s a lot here to admire. B-

Time Out of Mind screens on Sunday Oct 5 (6pm) and Thursday Oct 9 (8.45pm)