NYFF: "Sibyl"

by Jason Adams

Living in a big city is a great incentive to get lost in other people's stories. Just walk outside and you can see people falling in love, people falling out of love -- I once saw a couple have an insanely over-the-top meltdown banshee screaming in the middle of Sixth Avenue in the pouring rain as taxi cabs honked to pass. It's a wonderful way to distract you from yourself -- turn on the public television right at the stoop or in the subway station. And it's why lots of writers move to cities -- all that inspiration smashing you in the elbow. 

I can only imagine then what kind of a double draw, a draw squared, it would turn out to be if you were openly invited right into those people's personal dramas. What if you were both a writer and a psychotherapist, desperately trying to keep your own demons at bay at the same time?

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Female Performance Heaven Across Mediums

Our Year in Review is doubling up now, two "best of" lists a daily to wrap up. This afternoon Matthew Eng exercizes his actressexuality.

Here are 25 scenes, songs, shots, reactions, line-readings, gestures, and whatnot that have stuck with me the longest from some — but not all — of my favorite female performances across film, television, music, and theater this year. Remember these? They are... in alphabetical order:

01 Kate Beckinsale and Chloë Sevigny’s bravura comic badinage is the main engine driving Love & Friendship, which only ever threatens to turn softhearted when these two catty soulmates are finally forced to part. Beckinsale and Sevigny carefully modulate their straight-faced hauteur during this fond farewell, but refuse to let even an ounce of sentimentality disrupt their regal self-possession. It’s one final, triumphant occasion for game to recognize game.

02 “Value,” the sixth episode of Donald Glover’s extraordinary first season of Atlanta, opens with an extended showcase scene of friendly rivalry between the luminous Zazie Beetz (as long-suffering public school teacher Van) and one-episode wonder Aubin Wise (as her childhood pal, now an “Instagram escort”). Both actresses tear into the scene with a comical trenchancy that scores its necessary laughs but also establishes a layered and fleetingly poignant background of affectionately-waged one-upmanship.

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NYFF: "Toni Erdmann" is Astonishing

Here's Jason reporting from the NYFF on a Cannes favorite and Oscar hopeful

It's not often you hear an audience of movie critics gasp out loud at something on-screen, but Toni Erdmann, the new comedy of forced familial closeness from German director Maren Ade, has a comic moment so perfectly timed that it got the civilized cinema-set of New York City to jump out of their seats like this was an Evil Dead movie in 3D. You know you've got 'em hooked when you can conjure up such a response - Hitchcock called it playing the audience like a piano. The fact that it comes via a comic-beat here, and not via a cat jumping onto a final girl's shoulder or a shower stabbing, makes it all the more astonishing.

And make no mistake - Toni Erdmann is astonishing...

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