Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
COMMENTS

 

Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Entries in sci-fi fantasy (192)

Thursday
Nov292018

Months of Meryl: Into the Woods (2014)

John and Matthew are watching every single live-action film starring Meryl Streep.  

#48 —The Witch, a witch.

JOHN: In his reserved review of the original 1987 Broadway production of Into the Woods, Frank Rich summed up the plot of Stephen Sondheim and James Lapine’s beloved musical as such: “Cinderella and company travel into a dark, enchanted wilderness to discover who they are and how they might grow up and overcome the eternal, terrifying plight of being alone.” Rich noted that, “in remaking Grimm stories, Mr. Sondheim's lyrics and Mr. Lapine's book tap into the psychological mother lode from which so much of life and literature spring.” Sondheim and Lapine’s dextrous, intertwined reimagining of classic Grimm fairy tales, from Little Red Riding Hood to Cinderella, offers a subversively adult version of these hallowed childhood fables and an artistic vision that seems fundamentally at odds with family-friendly Disney, the machine behind Rob Marshall’s 2014 screen translation.

When unhappy fans pressed Sondheim upon the film’s release to defend what felt like a compromised adaptation, he admitted that concessions were in fact happily made to secure a PG rating...

Click to read more ...

Thursday
Nov222018

Months of Meryl: The Giver (2014)

John and Matthew are watching every single live-action film starring Meryl Streep. 

#47 —The Chief Elder, leader of a dystopian society.

MATTHEW: In Lois Lowry’s 1993 young adult novel The Giver, a society recovering from near-ruination divides its people into communities and, in the process, mistakes sameness for equality. In the 2014 film adaptation of Lowry’s Newbery Medal-winning classic, a production team looking to make a quick buck on the under-18 set mistakes glossy superficiality for storytelling simplicity and basic filmmaking competency. Despite its undeniable following and long-held status as a formative literary staple for American adolescents, The Giver was somehow omitted from my middle school reading list. I’m positive Lowry’s tale has its merits, but whatever those may be, they are almost entirely undetectable in this version from journeyman director Phillip Noyce (Rabbit-Proof Fence, The Quiet American).

Noyce’s iteration centers around Jonas (Australian twink Brenton Thwaites), a 16-year-old who we are told possesses uncommon brilliance and “a capacity to see beyond,” assets that earn him the title of his community’s Receiver of Memory...

Click to read more ...

Wednesday
Nov072018

goodness gracious, great links of fire

Variety Susanne Bier to direct Nicole Kidman in the miniseries The Undoing about a therapist whose husband goes missing
Paste Kyle Turner on the "literary drag" of Can You Ever Forgive Me?
Decider Julia Roberts 'queen of comebacks she never had to make'
Pajiba an ode to Missy on Big Mouth (also my favorite character on the show)
AV Club Emma Thompson wore sneakers to her damehood ceremony
IndieWire it's foolish to bet against James Cameron even if you think the idea of four more Avatars is insane

• Remezcla why was the Cuban submission Sergio & Sergei left off the Oscar Foreign Film list?
THR will Netflix caving on an exclusive theatrical window for Roma mean more films will get that treatment?
Vulture on the extreme closeups in this season's awards contenders
i09 interesting piece on why we need more utopian fiction (it's all dystopias out there currently)
Vulture unexpectedly good article "in defense of the medicore music biopic" on Bohemian Rhapsody, Great Balls of Fire, The Doors, and more...
People Idris Elba named "sexiest man alive" for 2018
Gizmodo MoviePass didn't kill the dream of subscription-based moviegoing. A new competitor Sinemia has lots of tiered pricing options and a $24 monthly charge if you want unlimited one non 3D movie a day.
/Film Nothing ever stays dead onscreen. Breaking Bad will now get a film version with Aaron Paul expected to return (as a sequel to the series)
Broadway World Angela Bassett and Cicely Tyson named honorary chairs of the 60th anniversary gala of Alvin Ailey American Dance Theater

Post Election Blueishness
Slate offers a practical optimistic way to look at the election results yesterday
New Yorker "Putin Loses Control of the House" - funny piece!

Saturday
Oct062018

Yes No Maybe So x 4: The Mule, The Happy Prince, Mortal Engines, and Aquaman (again) 

Let's get caught up on movie trailers. Clint Eastwood is dropping another December surprise, Rupert Everett reminds us that Bradley Cooper isn't the only actor stepping behind the camera, and there's always another would be franchise or two on the horizon. Four trailers after the jump starting with the Eastwood...

THE MULE

Yes - Very effective trailer opening with that car trunk mishap and the barking dog. Perhaps it's a bit vain, given that he is directing and starring, but we admire the honest of Clint only giving himself a solo title card at trailer's end despite major stars and cherished character actors supporting him (Bradley Cooper, Michael Peña, Dianne Weist, and Laurence Fishburne) since that's probably the truth of the movie. It'll live or die based on Clint's work behind and in front of the camera...

No - This isn't fair to the movie but I dont think I can take Clint Eastwood dashing lots of other people's Oscar dreams AGAIN with a sneak attack in the last two weeks of the year...

Click to read more ...

Wednesday
Oct032018

NYFF: Claire Denis and the "High Life"

Jason Adams here reporting from the New York Film Festival...

We're all dying. That's the grand rule of everything that we do all we can to distract ourselves from. It might seem like some of us are dying faster than others from the position we're standing in at any precise moment, but time is, as the saying goes, relative. We're all of us on track to stardust, circling the drain of a black hole out here, hair stiff on end.

Leave it to Claire Denis to dream-weave a perverse space opera all about that stuff, then. Who else, really? High Life on its gorgeous scuffed up Rothko painting of a surface has all sorts of distractions from that central mission statement - Horny convicts in outer space! Juliette Binoche's infinite ponytail! Something called a "Fuck Box!" - that a smaller-minded filmmaker would've gotten caught up on...

Click to read more ...