Team Top Ten: The Greatest Comic Book Adaptations of All Time

Amir here. It’s the first Tuesday of the month and we’re back with another edition of Team Top Ten. In case you haven’t caught up with the series yet, you can see our first episode here (best new directors of the 21st century) and the second here (greatest Best Actress-losing performances). 

With the summer movie season finally upon us in full force, I thought it’d be as good a time as any to discuss what has become one of the premier ways for Hollywood to take every last penny out of collective pockets: comic books! So let’s have a look at what Team Experience considers The Greatest Comic Book Adaptations of All Time.

While spandex-and-cape-clad superheroes and over the top villains usually come to mind when “comic books” are mentioned, the range of films adapted from this source is as wide as films adapted from any other pre-existing material, really. If we had waited a year to do this poll, Blue Is the Warmest Color, Abdellatif Kechiche’s three hour, Francophone epic about a teenage lesbian love affair could have possibly made the top ten and that should tell you all you need to know about the variety of films at our disposal – and mind you, we needn’t wait for Kechiche’s Palme d’Or winner to put lesbians on our list.

For various reasons including several ties, additional weight given to films placed first on a ballot and late submissions by procrastinating Team Experience members we’ve ended up with a list of 11, but even so, we’ve had to leave out some pretty terrific titles. Last month, many of you were surprised at the absence of Glenn Close from Dangerous Liaisons on our list. I found this month’s list to be even more surprising so I’ve listed some of the curiosities of our votes in a trivia section after the list. For now, let’s get right to it with...

11. Akira (Katsuhiro Otomo, 1988)
Adapted by Katsuhiro Otomo from his own epic manga, Akira is a sprawling and hyperviolent tour through a post-apocalyptic Tokyo. It's the original "darker and grittier," set in a dystopia dominated by self-interest, whether among the city's corrupt officials or its teenage motorcycle gangs. An angry youth movie, a work of cosmic sci-fi, and a colossal audiovisual achievement, Akira was really the ideal introduction for American audiences to anime's capabilities as an art form.
-Andreas Stoehr

10 more after the jump with misfits, assassins, and superheroes galore

Click to read more ...

and you can't link me down...

Nick's Flick Picks extensive thoughts on Jennifer Lawrence's (Winter's Bone) career to date.
IndieWire "a modest proposal" a chilling essay about how the new Justin Beiber movie is more of a time capsule for the here and now than The Social Network is.
Acidemic retraction. Scott Pilgrim vs. The World racks up more points.
Roger Ebert apparently if you guess ALL of the Oscar winners correctly, you can win 100,000 bucks courtesy of Ebert and MUBI. Though strangely the article has no link to an actual contest. Curious.
ABC News Elizabeth Taylor very ill in hospital. I can't deal when thinking about losing La Liz. I really can't. It'll be the end of a monumental Hollywood era. GET WELL SOON.
Movie|Line I knew that Andy Rooney 60 minutes King's Speech endorsement I mentioned earlier was going to spread online.
Vulture Channing Tatum on The Eagle and his bromance with Jamie Bell. Fun interview
Scott Feinberg on the recent new arguments that The Social Network can still win Best Picture

Finally, I saw this video at Critical Condition and wanted to share it since I know many of you reading are "Wicked" fans. An artist Heidi Gilbert storyboarded it imagining it as a movie. This was done in September I guess but if it's new to me, it's  new to some of you, too. And who can't use a bit of "Wicked" to brighten a Monday?

Defying Gravity Storyboards from Heidi Jo Gilbert on Vimeo.

Ear Candy: Best Sound, Score, Songs of 2010

I really am trying to get a move on with my Film Bitch Awards. If you're new to The Film Experience that's this site's annual awards. We've been doing it for (gulp) 11 years... Each year I promise myself to spend more time listening to the movies since my eyes are so greedy and always want to watch watch watch. But movies are not only eye candy. They can also provide significant aural pleasure. 

Some films that sound gooooooooood

So I've now announced the nominees in all the sound categories. mixing, editing, original song, original score and my own special category "best adapted or song score" which is a highly necessary category given that  so many films now use a mix-tape approach rather than relying on one person to provide the music. This weekend we'll try to wrap all the other "standard" i.e. Oscar categories -- as well as do final Oscar predictions -- since that's all gotta be out of the way before Oscar nomination morning. (I don't expect my lineups to match Oscar's much in sound and score but they rarely do so I won't be hurt too much on Tuesday.)

Come back and let me know what you think of the soundscapes of movies like Black Swan, I Am Love, Salt, The Social Network, The Ghost Writer, Burlesque and many more in the comments. (My ears are not as well trained as my eyes but each year I think I listen a little better. Progress)

After the Oscar nomination brouhaha winds down late next week, we'll hit the "fun" categories like Diva, Villain, Best Action Sequence. You know how we do.

Academy's F/X Branch Votes Movies Off Their Magical Island

The idea of "bakeoffs" that some of the technical Oscar branches use, wherein voting members check out showreels of various films and narrow down the field, is interesting. I'm glad they don't do it with most categories but it's interesting. But when it comes to finals within those semi-finals it just seems... rude. It seems humiliating like Reality TV humiliating. For the first time, we'll have five nominees this year in the Visual Effects category and most people agree that's a smart move given how many movies employ visual f/x these day.

For reasons we don't understand, they've narrowed down their 15 wide finalist list to 7 films, eliminating the new Narnia, wannabe franchises like Prince of Persia and Percy Jackson, jeered 3D efforts Clash of the Titans and The Last Airbender, the Nic Cage sorceror movie and the hit action film Unstoppable. So now we're down to... 

• Eyesore in Wonderland
• Harry Potter and the Deathly Tent Moping Part ∞
• Hereafter
• Inception
• Iron Man 2: The Avengers Cometh. You Saw The Shield and the Hammer, Right?
• Scott Pilgrim vs. The World
• Tron: Legacy

Which means that two of those movies will be snubbed on January 25th and that just seems so mean-spirited. Like "PSYCHE! You thought you were going to be an Oscar nominee. And now you're not. HAHA. You lose!" Note to these AMPAS branches: Only narrow it down once. Don't be a jerk! This isn't reality TV. 

Or maybe we're just in a bad mood because we figure be nice. Put the totally deserving Scott Pilgrim out of his misery early. Don't make him think you're going to honor his creative, funny, stylized effects only to cast him aside for something infinitely more derivative.

Current Predictions