Heath Ledger: A Celebration

Here's abstew with a tribute to an actor we lost too soon.

Today, April 4th, 2014, would have been Oscar winner Heath Ledger's 35th Birthday. Tragically, the talented young actor's career was all too brief. (It's crazy to think that 2 of the 5 Best Actor nominees from 2005 are no longer with us.) But let's not dwell on the sadness, but celebrate the life and work of this amazing Aussie.

This past week marked the 15th anniversary of the film that brought Heath to movie-goers' attention, 10 Things I Hate About You. (No, the Fox show Roar does not count as his breakthrough. Even though it co-starred TV's Felicity and I do actually remember watching it.) 

At the time, 10 Things seemed like just another late 90s teen movie based on a Shakespeare play. (You'd be surprised how much that was a thing back then. And they all starred Julia Stiles.) But there was something about Heath's charismatic turn in the film that made you just know he was destined for better things. (It would take us a little longer to realize this about co-star Joseph Gordon-Levitt.) Perhaps because Heath, even while playing a teenager, seemed to already be a leading man, carrying a maturity and a masculinity rarely found in one so young. 

My favorite scene in the film has to be when Heath serenades Julia Stiles' Kat with a rendition of "Can't Take My Eyes Off Of You" by Frank Valli, complete with marching band back-up:

Heath had actually auditioned for the part of Christian in Moulin Rouge! but was deemed too young to play Nicole's love interest. Imagine how great he would have been in a movie musical. Perhaps playing one of the princes in the upcoming film version of Into the Woods?

At the time of his death, he had also started to explore different aspects of his artistic career, directing some music videos and expressing a wish to do a documentary about singer Nick Drake. Having already worked with such great directors as Ang Lee, Todd Haynes, and Terry Gilliam, I'm sure he learned a thing or two from watching them on set.

What might have been?
What other directors would you have loved to have seen Heath work with? What roles do you think he would have tackled? Let's celebrate Heath in the comments

Linkomaniac Pt. 1

The Daily Beast talks to Uma Thurman about Lars von Trier and gender politics
Five Thirty Eight parses Shakespeare and finds that Romeo & Juliet have a relationship that's not totally based on getting to know one another. Duh!
The Wire reviews Doll & Em, a new miniseries starring Emily Mortimer 

Playbill Katharine McPhee has landed a series lead gig in a CBS show called Scorpion. (I guess they never saw Smash?)
Salon on the eve of the release of Divergent, a reminder that not every YA best-seller aiming for Hunger Games phenom status succeeds: Beautiful Creatures, City of Ember, The Host and more...
The Guardian Brittany Murphy's final film, Something Wicked, is completed four years after her death
Vulture 294 "issues" Glee has addressed in its first 99 episodes
Variety they went really young casting Peter Pan for that self proclaimed "international" and "diverse" Pan film which keeps casting white people in all the roles (so I guess what they mean by diverse is international and all ages). The boy's name is Levi Miller

Today's Long Read
The complete short story "The Birds" which inspired Alfred Hitchcock's 1963 classic and will inspire the remake (argh) which might star Naomi Watts and be directed by Diederik Van Rooijen -- which I keep hoping will be cancelled -- is available online if you've never read it. It's from Daphne du Maurier who Hitchcock obviously liked as she also wrote Rebecca. (Thanks to Sasha for pointing it out.)

Stage Door: Romeo and Juliet x 3

In the Stage Door series we look at current theatrical productions with our cinematic eye. Here's Jose on Romeo & Juliet

Some time within the last 14 days, I subjected myself to three versions of William Shakespeare's Romeo and Juliet playing in NYC. "Subjected?" you ask, well dear reader, each of them was perhaps more horrifying than the previous, leading me to ask if I wasn't an unwitting participant in some Shakespeare-meets-Halloween project. However in the name of scientific research I've come back with some results.

The versions in question are...

1) a Broadway update (the first in over four decades) starring Condola Rashad and Orlando Bloom as the infamous lovers from Verona.
2) a new film (written by Julian Fellowes) starring Oscar nominee Hailee Steinfeld as Juliet and Damian Lewis as her dad
3) an off-Broadway version with Elizabeth Olsen and newcomer Julian Cihi as the title characters.

Both theater versions feature anachronisms and are set in unspecified times, the film version inversely has a time-appropriate setting yet somehow it doesn't feel like the most old fashioned of them.

The Best and Worst of each pair after the jump...

Click to read more ...

Top Ten Olivias

Here's a top ten stream of thought quickie for you. Let's just say it's in honor of Olivia Wilde who has been bouncing around in my head since that Boogie Nights live read last week and who won the StarMeter award from the IMDb last night. Congratulations on being so eminently, um, searchable, Livvy.

Olivia Wilde in Rush

I have to admit I don't quite get her appeal but Congratulations! Her career is white-hot right now (Rush is playing at TIFF and winningly surprisingly strong reviews) and she's engaged to Jason Sudeikis. Without further ado, off the top of my head and just for fun... 

The Ten Greatest "Olivia"s

10 Olivia Pope on Scandal
I don't watch Scandal (forgive) and the one episode I did see was atrocious and made me wonder what everyone is smoking when they praise it (blasphemy?) but I've been rooting for Kerry Washington since the very beginning of her film career (Our Song, holla!) and don't really wish to jump ship despite a few stumbles. Plus, she's up for an Emmy in this year's small screen Best Actress competition for this role, which is really quite historic if you check, television wise. If you love Scandal PLEASE explain why in the comments. [TFE's Interview]

09 Olivia Hussey
Romeo & Juliet need, desperately need, to be played by very young actors to maximize the authenticity and resonance of their tragedy. But it wasn't until Franco Zeffirelli's gorgeous gorgeous gorgeous 1968 adaptation that people finally understood this en masse. I am on record as complaining about the constant revivals of Shakespeare on stage and in the movies. But Romeo & Juliet I especially don't understand any more at least in movie form. [more...]

Click to read more ...

Stage Door: Asher Lev, The Jungle Book, Love's Labour's Lost

How has "My Name is Asher Lev" never been made into a movie? The novel by Chaim Potok, about a young Hassidic Jew who becomes a controversial and successful fine artist (painting crucifixations of all things) is one of those mainstays of primary education so you'd think that there would be a movie. Most of those get-em-while-they're-young classic novels can claim multiple film versions. But there's only been runs at the stage. I recently saw a new adaptation by Aaron Posner at the Westside Theater. 

The production was minimally staged but the set was a moody beauty. The night I attended the understudy for the female roles (there are only three actors in the production) went on. Turns out she was Chaim Potok's actual daughter! Imagine that.

Ari BrandAri Brand was constantly on the stage in the title role but adeptly swung around between various ages from little boy to grown man to track Asher Lev's artistic awakening and simultaneous emancipation from and acceptance of his faith. But the chameleon in the cast was Mark Nelson who plays quite a few characters including Asher's father and is particularly memorable as his jovial uncle and Asher's mentor artists who speaks largely in manifestos about what art is and how artists should live. Asher's struggle couldn't be more specific (a Jew painting Christian iconography) but the themes are wildly flexible to any coming of age or coming into one's own spiritual or ideological journey which is surely why people love it when they're young. 

It's Your Last Chance: My Name is Asher Lev plays through September 1st at the West Side Theater. 

Movies and TV Moving to the Musical Stage
Playbill warns that there's a GLEE stage musical in the works? God Antoinette Perry help us all. We've really gone over the top and back down again with the cross pollination of mediums. In September HONEYMOON IN VEGAS hits Paper Mill in Jersey and over in Boston at the Huntington Theater Company they're launching Disney's THE JUNGLE BOOK which is aiming for Broadway (eventually) and one supposes they're dreaming of another Julie-Taymor-does-Lion-King size hit. Here's a Making Of with director Mary Zimmerman, whose biggest hit Metamorphosis was so good. Let's hope she doesn't fall into the Julie Taymor trap of not being able to edit herself. Bostonian readers who've seen the show do tell us what you thought! 

The great Norbert Leo Butz in BIG FISH

The migration continues directly on Broadway with Big Fish (Sept 2013), The Bridges of Madison County (Jan 2014) and Rocky (Feb 2014) among others. Which are you most interested in hearing about?

Exit Music
And did any of you get a chance to see the final Shakespeare in the Park for the season: Love's Labour's Lost? I'm still humming this particular show stopper. 

Heavy rotation on my playlists.