Split Decision: "TÁR"

No two people feels the exact same way about any film. Thus, Team Experience is pairing up to debate the merits of each of the awards movies this year. Here’s Chris James and Cláudio Alves on TÁR.

CHRIS: It’s no mistake that people mistook Lydia Tár for being a real person. There’s something authentic and substantiated about TÁR, Todd Field’s third film which centers around a complicated famed conductor. Lydia Tár (Cate Blanchett) doesn’t necessarily have delusions of grandeur, she simply has an inability to see anything below her ivory pedestal. As much as Field and Blanchett have a laser focused idea of this character, the movie never spoon feeds us the narrative. We enter her journey in media res, trying to piece together her home life, her work life and whether the visions in her head are delusions or real threats. It’s a refreshing and engrossing way of telling this woman’s story the way she would want it told, while leaving ample room for interpretation and opinion.

I could go on and on about my favorite movie of the year, as one often does. However, tell me Cláudio, why don't you love TÁR? What elements give you pause?

Click to read more ...

Split Decision: "The Whale"

No two people feel the same exact way about any film. Thus, Team Experience is pairing up to debate the merits of each of the big awards season movies this year. Here’s Abe Friedtanzer & Eric Blume on The Whale

ABE:  Eric, I distinctly remember last year when I mentioned that my favorite movie was CODA that you wanted to start a series where you just kept telling me how bad it was. Well, fortunately or unfortunately, I hear you detest my favorite movie of 2022 just as much, so now you get that chance! I was recently a guest on The Rolling Tape podcast where we had five panelists discussing The Whale and expected someone to be in the "hate it" camp, but it turns out we all loved it. For me, the experience of seeing it in a completely packed press and industry screening at the Toronto International Film Festival back in September was an astounding one, and I left feeling entirely impressed with pretty much everything about it. I soon read about the issues some people had with it, but rather than guess what rubbed you the wrong way, I'll invite you to say your piece before I get to defending my top film of the year.

ERIC:  Abe!  It's a good thing we genuinely like each other enough to dive into this all in good fun.  It's not my fault you like badly-written films! 

Click to read more ...

Split Decision: "Triangle of Sadness"

No two people feel the same exact way about any film. Thus, Team Experience is pairing up to debate the merits of each of the big awards season movies this year. Here’s Nathaniel R and Cláudio Alves getting shipwrecked... 

CLÁUDIO: Like many international cinephiles, my first encounter with the work of Swedish director Ruben Östlund was his 2014's breakthrough hit Force Majeure. Unlike others, however, I was mildly disappointed by what I encountered. Don't get me wrong, the main set piece that ignites the narrative's conflicts is astounding, the acting marvelous, and the staging coldly precise. My main issue was with the screenplay, which I found to be shallower than the film's reputation suggested, smugly superior, inflated with airs of self-importance without much to show for it. Comparisons to the similarly structured The Loneliest Planet didn't help, though I admit I might be one of the only ardent fans of that Julia Loktev picture.

In any case, I found myself excited by Östlund's potential, hoping to be dazzled by subsequent efforts now that he seemed poised to become one of Europe's most acclaimed filmmakers. But, sadly, such miracles did not come to pass. Not for me, at the very least…

Click to read more ...

Split Decision: “Everything Everywhere All at Once”

No two people feel the same exact way about any film. Thus, Team Experience is pairing up to debate the merits of each of the big awards season movies this year. Here’s Abe Friedtanzer and Baby Clyde talking about Everything Everywhere All at Once.

ABE: Baby Clyde, I hope all is well! I'm eager to start talking about a film that I absolutely loved, Everything Everywhere All at Once. I actually am very late to the party on this one. I wasn't seeing films in theaters yet back when it was originally released. I finally caught it about two months ago in early November and was impressed that it more than lived up to the hype. The performances are all phenomenal, and it's just drowning in creativity in a way that so few films are these days. But, if I'm to understand correctly, you don't agree. Before I get in to what else I loved about it, can you tell me what you didn't?

Click to read more ...

Split Decision: "The Fabelmans"

No two people feel the same exact way about any film. Thus, Team Experience is pairing up to debate the merits of each of the big awards season movies this year. Here’s Ben Miller and Eurocheese to argue over The Fabelmans

EUROCHEESE: Ben, I've never been a huge Spielberg defender, so here's my chance! I was bound to see The Fabelmans through rose-colored glasses because I saw its glowing reception with Steven Spielberg and John Williams in person at the AFI Festival.  Even so, scene after scene landed with me and I left the theater smiling ear-to-ear. I'm curious to hear what didn't land with you...

Click to read more ...