20:20 (Pt 4) Contrarian takes, gay comedies, and a KStew double

Part One | Part Two | Part Three 
We're occassionally surveying the films of 2020 that are already streaming, whether they're great, terrible or anywhere inbetween in case you're looking to get caught up on the film year before December/January's "year in review" style media mania. We're freezing them at the 20th minute and 20th second just for streaming roulette kicks. How many of these twelve 2020 pictures have you seen?

-What are we getting?
-Uh... nothing good.

UNDERWATER (William Eubank, US)
20th Century Fox. Original release date: January 10th. Streaming on HBOMax

KStew's dialogue right there is suddenly how I'm feeling about the cinema of 2020. I know I know we're supposed to be saying it was rich. Well, I was feeling like it was rich until I started drafting up the annual Film Bitch Awards and realized it was a wasteland once I removed all the festival titles that don't have distribution in 2020. Still have to get through another 20 pictures though and if half of them are wonderful the problem will be solved?  I promise that I'm not just in a grumpy mood though the following text might suggest otherwise as I had an entirely lovely Thanksgiving. How about you? 

They were actually hillbilly royalty because my pawpaw was related to the guy who started the Hatfield-McCoy feud.

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Review: Happiest Season

by Eurocheese

Yes, it’s that time. Even in this, the strangest year of most of our lives, there’s something comforting about knowing that holiday season always rolls around and we can put on our favorite holiday songs and movies to keep us company. Clea DuVall’s new film Happiest Season not only understands that we need this escape, but manages to find humor in a season that can also be high pressure and exasperating for those who don’t adore it.

Abby (Kristen Stewart) is one of these people. While her girlfriend Harper (Mackenzie Davis) seems over the moon for the holiday, it’s always been a tough time for her, connected to the loss of her parents. In a romantic moment, Harper impulsively invites Abby back to meet her family for Christmas. Abby jumps on the opportunity, and doesn’t pick up on Harper’s hesitance the next day… or her nervous vibe as they head out on the trip…

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Review: Dolly Parton's Christmas on the Square

by Christopher James

When someone tells you who they are, believe them. If the title Dolly Parton’s Christmas on the Square didn’t already clue you in as to whether you are within the target audience for the film, the opening minutes do. After credits play over the kitschiest of Christmas landscapes, Dolly Parton appears as the world’s comfiest homeless person in full hair and makeup. Her beautiful voice launches into an original song/life lesson that prompts the entire town to break out into a highly choreographed dance routine. This all takes place, you guessed it, in the titular Square. Over the next 98 minutes, Dolly Parton’s Christmas of the Square continues to deliver exactly what it promised you upfront. With __ original songs throughout, Christine Baranski doing a drag version of her gay Twitter persona and Dolly Parton as the chicest homeless person around, Christmas on the Square is Parton’s Citizen Kane...

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Review: Sarah Paulson in Hulu’s "Run"

By Abe Friedtanzer

Is there any project that wouldn’t be able to write in a great part for Sarah Paulson? The Emmy-winning actress is a frequent Ryan Murphy collaborator, most recently working with him in the title role of Netflix’s Ratched, which finds a role almost tailor-made for her as a passionate nurse with subversive aims and a formidable will to achieve them. She was also very memorable as one of the few fictional characters in Mrs. America, a stoic supporter of conservative activist Phyllis Schlafly who undergoes a fascinating transformation over the course of the limited series. Now, she’s back on streaming in the Hulu movie Run, a tense thriller not to be confused with HBO’s recent dark comedy effort.

Paulson stars as Diane, a woman who is devastated to learn upon giving birth that her daughter is afflicted with a number of conditions that will make her life very difficult...

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Review: Sophia Loren returns with "The Life Ahead"

by Cláudio Alves

The Movie Star and Her Director Son

Even before we see her face in The Life Ahead, it's impossible to draw the eyes away from Sophia Loren. Following in the tradition of European realism, Edoardo Ponti's camera captures an Italian marketplace with shaky energy. However, no matter how shabby the framing might be, the colors depart from the standards of realism. Angus Hudson's cinematography makes everything a bit too bright, the sun shining on the streets like golden flames, every saturated color intensified. It's reality as if painted with crayons by an enthusiastic child. 

In this sunny landscape, a shot of bright blue, bluer than the sky, stands out, crowned by a mess of gunmetal hair. Dressed in azure, Loren may have lost some of the youthful glow of her heyday in the midcentury, but the star power is intact, her magnetism as strong as ever. Furthermore, the director, her son, knows how to pay reverence to the screen legend without making it too obvious or too elegiac…

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