Tattooed Lady & Gent

The Film Experience does not endorse tattoos. That shit is crazy permanent and who wants to wear the same thing every day of one's life? But tattoos can sometimes look good in a photo shoot, with the right body, or work well in dramatic or comic context. Two current magazine covers remind us of the ink fad which shows no signs of abating. (When I was a wee bairn the only tattoos I ever saw were on bikers and Popeye the Sailor Man. Now every third person on the street is sporting them.)

Ass dimples forever!

You guys. I got the best swag in the mail yesterday. A copy of Veep Season 2 along with Vice President Selena Meyer's book "Some New Beginnings - Our Next American Journey" which I hope is a plot point on Season 3. The jacket is very funny, with choice pull quotes, and a lot of vague meaningless inspirational double speak.

Here is just one excerpt...

In "Some New Beginnings - Our Next American Journey", Selina Meyer sets out her vision for a journey that could start now, or in the not-too-distant future, with a single step, taken by us all, together. America, she says, is "both a nation of journeys and a journey in itself."

This is an invitation to be a part of that journey. A journey from an old New World to a new New World. A journey from USA to "USA Plus." "

The book, like the content of Meyer's brain, is blank inside. 

Those are some ugly tats but "ugly" is not a good word to use in a sentence with Tom Hardy. So glad he's slimmed down. I'm glad Esquire saw fit to add the question mark after "The Greatest Actor of His Generation" because, really, as much as I love him and he's impressed on a few occasions. He hasn't yet come close to proving that. He even has tough competition within his birth year alone which also brought us Chiwetel Ejiofor, Michael Fassbender, Édgar Ramirez, and Matthias Schoenaerts. 1977 was an extraordinary vintage.

JA has a comment about an interesting quote from Hardy in the cover story. Hardy is currently headlining the solo act film Locke and soon we'll see two gritty crime dramas The Drop and Child 44. In 2015: the long delayed if not necessarily long awaited Mad Max reboot, Mad Max: Fury Road. And then a possible Oscar grab in 2015 or 2016 as Elton John in the biopic Rocket Man.

Links & Ink

Awards Circuit is hosting a March Madness tournament featuring all the Best Actress winners ever - the games started yesterday
Rope of Silicon a special remix of "Hero": Mariah Carey feat. Matthew McConaughey
Daily News Cate Blanchett & Amy Adams went to a tattoo parlor together with their men in tow after the Oscars! I would never have predicted that for a double date between them, would you? The bandages indicate that at least Cate and Amy's man got tattooed.

D-Listed The gowns from the Vanity Fair party (I'm so far behind I'm still reading about Post-Oscar partying)
PopBytes sneak peak at Lindsay Lohan series on Oprah's channel (I forgot all about this!)
Hollywood Elsewhere blurry snapshots from the set of Warren Beatty's Hughes film 

<--- Variety Alfonso Cuarón on life post-Oscar. Um... it's been 72 hours! LOL. But we'll excuse it because isn't that cover image great?
The Cut Lupita Nyong'o breaking the mold of the "ingenue 'it' girl" as a dark skinned 31 year-old
Twitter... but apparently Christian Bale is not impressed?
EW why Vivienne Jolie-Pitt is in Maleficent
Pajiba on Anna Kendrick's Oscar weekend diary
Self Styled Siren interviews Mark Harris on his new book "Five Came Back" 
Defamer how much booze was consumed at Vanity Fair's Oscar party? Celebrate the excess. Hey, it's only once a year and it's all over. *sniffle*

Teen Wolf Returns, Gets "Tattoo"

With Smash gone to its grave and Mad Men nearing its end and still no official word on a second season of Bunheads (i'm losing hope) I need a new TV show to write about weekly. So indulge me in TEEN WOLF which has finally given werewolves a good name again. It's roughly three trillion times better than Hemlock Grove and roughly one billion times sexier than The Twilight Saga probably because the guys and girls are hotter and have personalities that extend beyond "mopey" and "lovestruck" though they amply cover those character traits, too.  I have flirted with covering it before writing up the first three episodes and ogling the muscles. But weirdly, though I realized the leaps and bounds it made in quality in Season 2, I didn't commit to blogging it. So... Season Three!

Teen Wolf Magical Logic #1: Werewolves can't get tattoos because they heal too quickly. Unless those tattoos are by torch in which case the healing just gives up or something?

"Tattoo"
In the first episode we pick up as the school year begins (teen shows always have this trouble of built-in expiration dates that they always botch by NOT allowing for a rotating cast of different-aged main characters right from season 1!). Scott and Stiles (Tyler Posey, Dylan O'Brien) are still pining for Alison (Crystal Reed) and Lydia (Holland Roden) who they've barely seen during the summer. Lydia's boyfriend and season 1 & 2's half villain / full hunk Jackson (Coulton Haynes) left the show *sniffle* so we learn that his rich daddy has moved him overseas. In a supernatural show where killing off a main character would be totally dramatic (and dramatically sensible) this feels like a cheat. It's obviously only Blighty so they can make an American Werewolf in London joke. That honor goes to Lydia.  [more...]

Click to read more ...

Links, Fences, Songs, Brainnnnns

Free Unqualified... The Artist = Anchorman ?
SuperPunch for your next horror movie party with friends, zombie chocolates with cherry brainnnnns! 
Carpetbagger talks to Stuart Craig on the challenges of art directing Hogwarts over eight Harry Potter films 
Antagony & Ecstacy offers up a great top ten list: ten best Oscar slates ever from 2009's animated feature to 1939's best actresses and everywhere inbetween.
Senses of Cinema looks at the question of identity in Splendor in the Grass (1961) 

Flavorwire Disney Princess tattoos. Why the hell not?
Movie|Line on Clint Eastwood vs the ever-nuttier GOP after his Superbowl commercial
Towleroad  No song performances at this year's Oscars? Christ, AMPAS really needs to call me. They could've had such a watercooler live tv moment with "Man or Muppet". I explain how.

Complex the '25 Hottest Women on Horror TV shows'. Fun list with shoutouts to two of the best TV shows of all time Buffy the Vampire Slayer and Twin Peaks 
World of Wonder three things
Empire clears up that silly rumor that Harrison Ford was going to be in the Blade Runner sequel that nobody should be making to begin with shame on you Ridley Scott do you really want to turn into George Lucas I'm just saying... 

Today's Must Read
Grantland Mark Harris writes a fabulous column on Viola Davis's extraordinary gift, the Best Actress race and Hollywood's race relations.

Faced with the peril of that archetype, Davis did the hardest job of anyone in the Best Actress category: She made the movie better — much better — without playing against it. Much of The Help is bright, candy-colored, and loud: It’s full of silly wigs and garish costumes, sitcom slapstick and shit pies, wicked old dears like Sissy Spacek, finger-snappin’ Designing Women tell-offs, and the kind of steroidal pivots from comedy to poignancy to melodrama that would shame an episode of Glee. What Davis gives the film is humanity. Aibileen is a gentle but wary woman — she’s lived long enough to know that in her world, you survive by bending, not breaking, by keeping your thoughts to yourself, by seeing and hearing everything while appearing to register very little, and by trying to apply your own sense of decency and kindness to a badly needed paying job in an often indecent and unkind world. When she’s on-screen, the hummingbird shrieks of the movie’s other characters are hushed; you’re reminded that the human toll of daily, casual racism doesn’t really get addressed by making Bryce Dallas Howard eat poo. Because Davis is a physically gifted actress who can incorporate the exhaustion and strain of being Aibileen into every motion and muscle, and also the rare performer — even in this year ofThe Artist and Max von Sydow — whose silences draw you even closer, she seems to correct The Help’s excesses without ever standing self-protectively outside it. At every turn, she un-simplifies the movie.

Nick and I keep wondering when Hollywood is going to make August Wilson's Fences (for which Viola won a Tony opposite Denzel Washington) into a movie and everyone I know who is into theater keeps wondering why this hasn't happened for Fences or really any of August Wilson's plays. So it's nice to see that subject is revived again here. Seriously what time like the present Hollywood? Get on that. How many times do we have to ask?

Scene Work: 'JBJ' in "Win Win"

We kicked off this new informal mini-series about key scenes we love in this year's movies chatting with Demián Bichir from A Better Life. Let's move on to another early release that is fighting for year end "remember us?" honors as precursor season begins. If Thomas McCarthy's well liked Win Win will compete anywhere it's likely to be in Original Screenplay category which still appears to be a free-for-all. Precursor prizes will undoubtedly narrow Oscar's focus but right now several combinations of the year's well received originals seem possible there.  

I was stunned to hear directly from Amy Ryan at a party that my favorite scene in the movie, wasn't even in the first version of the script. McCarthy added it later knowing something was missing and his instincts were spot on. So when I received the screenplay in the mail this weekend (swag pictured to your left) I opened immediately  to see that it was there in the "official" screenplay.

Up until this point in the movie Jackie, the plain spoken wife of Mike (Paul Giamatti as a lawyer/high school wrestling coach) has been trying and failing to make a connection to the young wrestler (Alex Shaffer) who is staying in her basement. They finally bond over tattoos after she sees several of his at the wrestling match. The dialogue in the scene (which I'd already transcribed) is mostly the same as in the official screenplay though the actors were obviously encouraged to play it as naturally as they could so there are a couple of different beats on screen.

Jackie: Okay so I gotta ask. Those tattoos must have hurt, right?
Kyle: Not really.
Jackie: Don't lie to me. Look.

Jackie lifts her pant leg. She has a small tattoo on her ankle.

Jackie: I got it on Spring Break. Hurt like hell.
Kyle: What does it say?
Jackie: "JBJ". Jon Bon Jovi. I'm a fan.
Kyle: Really?
Jackie: Yes, really. I'm a Jersey girl. You got a problem with that?
Kyle: No. I do not.

Jackie: That was fun today. You're good. I'm glad you started wrestling, again.
Kyle: Yeah, me too.
Jackie: No quitting this time, got that?

(The actors must have added the endearingly sarcastic "Really. Yes, really" exchange since it's not in the screenplay.)

At this point in the scene Kyle explains that he didn't quit his old wrestling team but was kicked off after stealing a teacher's car.  After telling him how stupid that was Jackie registers that Kyle already knows this. She softens and you can see in Amy Ryan's terrific performance (ordinary people portrayed with this much verve is all too rare at the movies) that she knows that he's basically a decent kid and feels pride in finally connecting with him.  

Jackie: Hey, we all do stupid things. The good news is you got another chance. And you're kicking butt. That's the way to do it.
Kyle: Yeah, I guess.
Jackie: Oh it totally is. You know who would agree with me? 
Kyle: Mike?
Jackie: No. JBJ. 

That scene sure is a winner. The next cut is to a wrestling meet, and we see Jackie newly enthused about the team and cheering Kyle on (to the tune of Jon Bon Jovi's "Have a Nice Day"). It's a perfect coda that plays way less sappy than it sounds; you want to pump your fist right along with her and JBJ.