The Furniture: Accuracy and Allegory in "The Poseidon Adventure"

Daniel Walber's series on Production Design offers a digestif for our Shelley Winters festival. Click on the images to see them in magnified detail.

Does it matter to you if a disaster movie is realistic? This is an honest question. How solid is your suspension of disbelief when it comes to airplane explosions and burning buildings, tsunamis and earthquakes? Do you sit on the couch fact-checking on your laptop while expensive catastrophes unfold on your TV?

I ask this because I was surprised to learn how much the team behind The Poseidon Adventure cared about accuracy. Paul Gallico, who wrote the original novel, was inspired by an actual trip on the Queen Mary he took in 1937, during which the ship turned on its side. And he did plenty of research to make sure it was possible for an ocean liner to be flipped entirely upside down by a rogue wave. 

Director Ronald Neame and production designer William Creber were equally concerned. By the time The Poseidon Adventure went into production, the Queen Mary had begun a long retirement docked in Los Angeles. Much of the film was shot on the real ship, including this pleasant glimpse at the deck...

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Oscar Trivia: Which films received the most nominations yet missed Best Picture?

by Nathaniel R

We love to throw random Oscar trivia at you. We love you for not even trying to dodge it! So here's a top ten for you. Here's something we were pondering the other day quite randomly: pictures that Oscar voters obviously loved but somehow skipped in the Best Picture race. This trivia is now a different game entirely given that there are so many Best Picture nominees each year. Unless Oscar returns to the days of 5 nominees, we aren't likely to see this list change ever again. But do you think any film this year might see a lot of nominations without a Best Picture bit. Anyway here is the all-timers list of such things...

The "Most-Nominated" Films That Missed Best Picture

01. Nine nominations
THEY SHOOT HORSES DON'T THEY (1969)
Director Sydney Pollack would make multiple classics in his career, among which The Way We Were (1973) and Tootsie (1982) are arguably the best loved today, and win two Oscars for Out of Africa (1985). His fifth, which preceeded those "greatest hits" catapulted him into greatness. This bleak masterpiece about a Depression-era dance marathon is still an intense watch a full half century after its debut. The performances by Jane Fonda, Susannah York, and Gig Young are sensational and the film is never less than riveting. It was nominated for 9 Oscars, more than any of the Best Picture nominees that year save Anne of a Thousand Days, but won only supporting actor for Gig Young. Perhaps it was too bleak... or those Academy members with a taste for grit and edge were all already in Midnight Cowboy's pocket that year?

02. [TIE] Eight nominations plus a non-competitive special achievement Oscar

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Podcast: Smackdown '72 Conversation

Part Two of the Smackdown of 1972. (Part One ICYMI)

 

You've read our blurbs about Oscar's Supporting Actress Nominees of 1972, a fascinating bunch. Now hear the in-depth conversation that goes along with it. Nathaniel welcomes actresses Donna Lynne Champlin (Crazy Ex-Girlfriend) and Kathy Deitch (American Horror Story: Freakshow) as well as writer/directors Arun Welandawe-Prematilleke and Eric Blume to discuss these talented women and their time capsule movies. Come with us to 1972! Find out which movie is accurately described as "hot garbage," which inspired a musical spoof, and marvel that the Smackdown winners were somehow the performances we were actually most divided on.

You can listen to the podcast right here at the bottom of the post or download from iTunes. 

Supporting Actresses of 1972

Smackdown '72: Jeannie vs Eileen vs Susan ...with Geraldine Page and Shelley Winters

An overprotective mother, a vain social butterfly, a swimming grandmother, a newlywed, and a barfly walk into an Oscar ceremony...

Geraldine Page did not attend the ceremony but the rest were there.

The 1972 supporting actress Oscar lineup is quite literally a singular group. It's the only one in all of Best Supporting Actress history to feature not a single Best Picture nominated film. There's always at least one Best Picture represented. Not so in 1972. Even The Poseidon Adventure missed that top category despite 8 nominations in total.

The panelists and part one of the Smackdown after the jump...

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Irwin Allen "Master of Disaster" Centennial

Tim here. Today we celebrate the 100-year anniversary of the birth of producer-director-writer Irwin Allen, one of the great junk-food purveyors in Hollywood cinema. It's by no means true that Allen invented the disaster movie (a genre stretching back into the 1930s), nor even the uniquely '70s-style incarnation of the form, with an impressively well-stocked larder of overtalented, underpaid stars filling out the clichéd melodramas of addiction and marital strife that tend to form the plots of these movie (Airport got there first). But it was under Allen's hand that disaster movies became the greatest, gaudiest spectacles of the decade.

Allen was not always a high-end schlockmeister. In fact, he began his career as an Oscar-winner, taking home a Best Documentary Feature award for 1953's The Sea Around Us, based on a Rachel L. Carson book. Curiously his first taste of the effects-driven spectacle that would typify his later films came in as a way of fleshing out his documentaries. One sequence of his 1956 film The Animal World, on dinosaurs, featured effects by the great Ray Harryhausen, and his very next film was his first all-star extravaganza, the cameo-packed The Story of Mankind.

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