50th Anniversary: The strange case of Gig Young's Oscar

As a sequel to our recent look-back at the 42nd Oscars , please welcome guest contributor Orrin Konheim...

Fifty years ago, the Academy Awards marked an odd milestone when they awarded a Best Supporting Actor Oscar to Gig Young for They Shoot Horses Don’t They (1969) although they didn’t know history was being made at the time. Eight years later, Gig Young would shoot his wife of three weeks (and then himself) in the only known instance of an Oscar-winning actor committing murder.

His tale is a disturbing one with few answers...

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50th Anniversary: The 42nd Academy Awards

by Cláudio Alves

Here we are again. After revisiting the Oscars of 1994 for their 25th anniversary, it's time to go further back to the 1969 Oscars, whose ceremony was celebrated 50 years ago today. Unlike the Forrest Gump year, when the Academy Awards were pretty much business as usual, the 1969/70 awards season was part of a transitional period. The tension between the decomposing corpse of the studio system and the brats of New Hollywood was on full show for these Academy Awards. Each victory represents a prickly negotiation between the new and old guards. On one hand, we have the only X-rated movie to ever win Best Picture. On the other, John Wayne is our Best Actor for True Grit.

Speaking of the Duke, there's no better way to understand the singular contradictions of these Oscars than to look at the cowboys of 1969…

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Oscar Trivia: Which films received the most nominations yet missed Best Picture?

by Nathaniel R

We love to throw random Oscar trivia at you. We love you for not even trying to dodge it! So here's a top ten for you. Here's something we were pondering the other day quite randomly: pictures that Oscar voters obviously loved but somehow skipped in the Best Picture race. This trivia is now a different game entirely given that there are so many Best Picture nominees each year. Unless Oscar returns to the days of 5 nominees, we aren't likely to see this list change ever again. But do you think any film this year might see a lot of nominations without a Best Picture bit. Anyway here is the all-timers list of such things...

The "Most-Nominated" Films That Missed Best Picture

01. Nine nominations
THEY SHOOT HORSES DON'T THEY (1969)
Director Sydney Pollack would make multiple classics in his career, among which The Way We Were (1973) and Tootsie (1982) are arguably the best loved today, and win two Oscars for Out of Africa (1985). His fifth, which preceeded those "greatest hits" catapulted him into greatness. This bleak masterpiece about a Depression-era dance marathon is still an intense watch a full half century after its debut. The performances by Jane Fonda, Susannah York, and Gig Young are sensational and the film is never less than riveting. It was nominated for 9 Oscars, more than any of the Best Picture nominees that year save Anne of a Thousand Days, but won only supporting actor for Gig Young. Perhaps it was too bleak... or those Academy members with a taste for grit and edge were all already in Midnight Cowboy's pocket that year?

02. [TIE] Eight nominations plus a non-competitive special achievement Oscar

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Worst Best Picture Snubs Ever?

by Nathaniel R

This week on Las Culturistas I froze on the question of "Greatest Oscar Snub of All Time?" so with 5 days out until the nominations (we know we know final predictions coming at'cha starting tomorrow), let's answer it! Restricting ourselves to Best Picture here because you gotta keep it tight when answering loose questions. 

SO WHAT WERE THE DOZEN WORST BEST PICTURE SNUBS EVER? Let's group them according to types of injustice...

TYPE 1. PLENTIFUL NOMINATIONS INCLUDING BEST DIRECTOR. SO WHY COULDN'T OSCAR GO THAT ONE SIMPLE HAPPY STEP FURTHER?  My Man Godfrey (1936) and Some Like it Hot (1959), 2001: A Space Odyssey (1968) and They Shoot Horses Don't They? (1969) and Thelma and Louise (1991)

In all five of these cases the Best Picture snubs are puzzling. It's not just that the movies are all so grand that you watch them with jaw dropped -- from laughter, cathartic despair, or sheer awe. It's also that the Academy loved them enough to recognize them across multiple branches...

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Susannah York (RIP)

Sad news to report. The lovely, talented 60s star Susannah York, aka Superman's Mom (the biological one back on Krypton) has died at the age of 72. Here's why she'll live on though... They Shoot Horses Don't They? (1969)

They Shoot Horses Don't They (1969)

They Shoot Horses is my personal favorite film of 1969 and an all-time Oscar record holder (most nominations without a corresponding Best Picture citation, a grand total of Nine!) but it's sadly underdiscussed these days. Susannah was nominated for playing Jane Fonda's main dancing rival in the marathon contest at the film's center, a neat metaphorical object, human suffering as entertainment. Susannah's psychotic break in the shower rivals any femme unravelling in Black Swan.

York also holds the distinction of being the only female cast member of Best Picture winner Tom Jones (1963) to not be nominated for Best Supporting Actress. I'm exaggerating but since an incredible three women were nominated from the film (the most ever -- though that 60% of the category trick has happened twice in Best Supporting Actor) it felt like it.

Other highlights include Freud (1962) with Montgomery Clift and Robert Altman's Images (1972) for which she won Best Actress at Cannes. She was so beautiful she could play an adult version of Michelle Pfeiffer in Falling in Love Again (1980, Michelle's first large film role after a few tv series and an itty bitty movie role)

Further Reading: Moving Pictures Blog and MUBI