Soundtracking: Randy Newman's Original Song Nominations

by Chris Feil

Happy 75th Birthday to Randy Newman!

Newman has had an extensive musical career, but in these parts we remember the musician as once one of the most Oscar nominated folks without a win - previously missing out on 14 bids in both Original Song and Original Score before finally winning for 2001's Monsters Inc. track "If I Didn't Have You". To date, he now has a total twenty nominations and two wins, and isn't slowing down anytime soon. Just last year he delivered some massively underrated work for The Meyerowitz Stories and will be returning to the Toy Story franchise for next year's fourth instalment.

Newman's impact on the movies is one of uplift and charm, and a current mainstay in the Mouse House. But Oscar history is the name of this week's Soundtracking game, so let's rank his Best Original Song nominations...

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Tim's Toons: Animated also-rans

Tim here. In his official Oscar predictions today, Nathaniel left out Best Animated Feature, but no matter. By this point, you'd have to hunt a while to find anybody predicting a winner other than How to Train Your Dragon 2, with a few Big Hero 6 holdouts just trying to pretend that things will be interesting. (Me, I'm thinking that we're about to see an unexpected explosion of write-in votes to make sure that Mr. Peabody & Sherman can finally get its due).

That level of predictability almost always ends up settling into this particular race (last year was an exception), which can make it hard, sometimes, to recall that the category has had a purpose beyond annually recognizing that yep, Pixar sure does make some pretty fine movies. So instead of prepping for Oscar weekend by celebrating winners, I want to pay tribute to some losers. The beautiful likes of The Tale of the Princess Kaguya and Song of the Sea are (probably) about the join the 36 films to have so far been nominated for the Best Animated Feature Oscar and lost out, and that's some fine company to be in. Here are some of my personal favorites.

The Triplets of Belleville (2003; lost to Finding Nemo)
Even after 11 years, the jazzy "Bellville Rendez-vous" remains one of the most memorable original songs in 21st Century filmmaking (it also lost a competitive Oscar). It's a brilliant component of a movie that I'm generally inclined to regard with fetishistic adoration, and will start recommending to people on even the slightest pretext. Like this one, for example. It's one of the most essential animated features of the last 15 years, easily, combining warped slapstick humor with an elegiac sense of melancholy, expressed in a scratchy graphic style that turns everyone into a grotesque caricature while given all of them full, vibrant personalities. Not bad for a film with less than a dozen spoken words in its entire running time.

Persepolis (2007; lost to Ratatouille)
Marjane Satrapi's adaptation of her own graphic novel memoir is a little redundant, perhaps. But taken on its own terms, this story of life during the Iranian Revolution, told in soft lines and crisp black-and-white, is terrific animated cinema both aesthetically and politically. Overtly feminist stories and animation for an appreciative adult audience are both rare, combining them is rarer, and using it all in the service of putting a human face to life in Iran that doesn't pander or beg for special pleading makes this one as bold as any animated film I can ever name. And yet it's so sardonic and brisk that it never feels capital-I Important in a boring way. A total success that deserves infinitely more attention than it's ever received in the U.S.

Kung Fu Panda (2008; lost to WALL·E)
When the first How to Train Your Dragon came out in 2010, it was greeted with critical hosannas as the movie that finally proved that DreamWorks Animation could make a movie that as every bit as good as its best competition. But then, the studio had already proven that with this brightly-colored, poppy tribute to Asian landscape paintings and schlocky '70s kung-fu movies. It's silly as hell, and the jokes have all the smirking anachronism of DreamWorks at its worst. But it's also funny and disarmingly sweet, and the company's fixation on all-celebrity voice casting never worked out as well as it did here, with Jack Black, Angelina Jolie, Dustin Hoffman, and Ian McShane among the many familiar faces we don't see.

The Princess and the Frog (2009; lost to Up)
The financial success of the following year's Tangled immediately swallowed up the small splash made by Disney's first-ever animated feature centered on an African-American protagonist. And then the behemoth of 2013's Frozen left it almost totally forgotten as the first attempt in a generation to make a classic Disney Princess musical. Neither of which is at all a fair fate for an earnest attempt at correcting the company's long history of representational yuckiness with a warm suite of Randy Newman songs, top-notch voice acting, and beautifully old-school 2-D animation. It's a sop to the studio's fans, sure, but as a fan, I am greatly pleased to have it in my life even now, far more than either of its bigger successors.

What are your favorite nominees to have missed on on the Best Animated Feature Oscar?

Reader of the Day: Keir

Hope you're enjoying getting to know The Film Experience community with me. Some times I pick up bits from comments but this has been a much fuller picture, and so fun. I hope you've enjoyed. We wrap up tomorrow.

Today's featured reader is Keir.

Nathaniel: Do you remember your first moviegoing experience?
KEIR: Yes I do. Unfortunately for me, it wasn't a glorious experience. My Grandmother took me to see E.T., and I suppose I was a little wimp because every time E.T. would appear on the screen I would cry. I guess I thought he was scary. I think I remember her laughing a bit, then asking me if I want to see something else.

OMG. I went with my grandmother to E.T., too. Scout's honor. I remember she didn't like it and the rest of the year when everyone was like 'the whole world loves E.T.' I was like 'Um... Grandma 'Bel didn't!'

So... when did you start reading The Film Experience?
After the Brokeback Mountain mess. I wanted to vent my anger. (I knew that you were a big supporter, and couldn't wait to see what you had to say about it.)  I especially love and appreciate your tribute to actresses.

You work or worked for Disney as a performer, right?
Yes, I'm a dancer first and foremost. I also worked for Royal Caribbean, and did the national tour of "Contact". I also sing, but dancing is really my love and passion.

Keir (left) in a number based around Dr. Facilier (right) from "The Princess and the Frog"

What's your favorite musical number?
I was a soloist for the number "Mr. Bojangles" from "Fosse". It remains my favorite piece that I ever did. It took everything out of me each time I performed it. There was always a sense of accomplishment whether or not I executed the number technically perfect. Bob Fosse is by far my favorite choreographer and my favorite style.

What film genres besides musicals do you love?
Well, actually I would say that Dramas are my favorite film genre, I suppose because I'm such a drama queen myself.  I'm always affected the most by a film that stirs my emotions and makes me think.

A guilty pleasure for me are horror films. I know that 9 times out 10 it's going to be a bad film, but I love the thrill of it. It's always good to see a horror film with a date as well. I once went on a date to see The Notebook, and it was so awkward after.

Three favorite actresses. Go!
Hmmm...well, it will be hard to pick just three, but I would have to say: Meryl Streep is by far my favorite actress. I know it's such a typical answer, but that's for a reason. She is so versatile and natural in everything she does. I also look forward to her speeches, because she always makes me laugh. She is my acting God, for sure.

I've always had a thing for Gwyneth Paltrow. I'm in the minority that thinks she was absolutely the right choice back in '98. She is sophisticated and charming. I really had no idea that she could sing as well, which makes me like her even more. Sally Field is amazing as well.

He likes her. He really likes her. (So does Nathaniel!)

She has the right mix of humor and drama in her scenes. I've loved every single performance of hers.

On a side note, I LOVE Natalie Portman now. I'm biased in my belief that she was the rightful winner this year for obvious reasons. I love when an actor/actress can surprise you and knock your socks off.