TIFF '23: A Dozen of Festival Highlights

by Cláudio Alves

The 48th Toronto International Film Festival ended last Sunday, but this coverage continues. Even so, it's time to bring things to a close, so here's the last batch of reviews, all capsules because we're running out of time. They span five continents and a dozen nationalities, comprising a trip around the world through the vehicle borderless vehicle of cinema. Directorial approaches are as distinct as the cultures depicted, from meta-cinematic musings to modern noir, from magical realism with a spring on its step to the slowest of slow cinema. Still, all the works deserve your attention. They are shining gems that prove how, despite assertions to the contrary, cinema isn't dying. At TIFF, it's alive and thriving…

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TIFF '23: Getting into the Christmas Spirit with ‘El Sabor de la Navidad’

By Abe Friedtanzer

It always feels a little strange to watch a Christmas movie long before the holiday season, but that just means getting into that wintry mindset ahead of time! El Sabor de la Navidad, a Spanish-language comedy from Mexico, is notable because it’s produced by Salma Hayek Pinault and stars Mariana Treviño, who is the best reason to watch last year’s A Man Called Otto. It’s a lighthearted portrait of an extended family and others connected to them trying to get through a holiday that brings far too many conflicting personalities together…

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TIFF '23: The Best International Film Oscar Race

by Cláudio Alves

The Toronto International Film Festival represents an excellent opportunity to get in touch with cinema from all over the world. For Oscar obsessives, it provides a great chance to catch up with Best International Film submissions, especially as they're announced throughout the festival. I already covered some of them – Australia's Shayda, Bhutan's The Monk and the Gun, Brazil's Pictures of Ghosts, Chile's The Settlers, Finland's Fallen Leaves, Germany's The Teachers' Lounge, Romania's Do Not Expect Too Much from the End of the World, South Korea's Concrete Utopia, and Turkey's About Dry Grasses. However, there are still some more TIFF titles to review.

They are the Netherlands's Sweet Dreams, Tunisia's Four Daughters, and Morocco's The Mother of All Lies. Though they haven't been officially selected, I also saw two of Norway's three finalists, A Happy Day and Songs of Earth…

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TIFF '23: Queer Way of Life

by Cláudio Alves

The 48th Annual Toronto Film Festival may have ended already, but my coverage here at The Film Experience is still going for a few more days. This time, let's talk about the program's queer offerings, highlighting three projects that range from an award-winning World Premiere to a beloved Spanish auteur's first foray into the Western genre. They are the dragged-up double feature of Sophie Dupuis' Solo, which took the Best Canadian Feature prize, and Unicorns, directed by Sally El Hosaini and James Krishna Floyd. Finally, there's Pedro Almodóvar's Strange Way of Life, bound to hit American theaters on October 4th, released by Sony Pictures Classics…

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TIFF ’23: Baby, It’s Cold Outside

by Cláudio Alves

In narrative constructs, intense emotions, especially romantic ones, tend to be associated with high temperatures. It’s as if the feverous feeling escaped the body into the atmosphere. Or, maybe it’s the other way around, hearts and libidos inspired by the surrounding heat to burn hotter than ever. And yet, there’s something deceptively powerful about the flame of attraction sparking alive within the bitter cold. In those cases, one almost desires human connection as a physical need. The body calls for the warmth of another person. The mind yearns for companionship, a panacea to the frozen solitude of every day.

At this year’s TIFF, two films explore this dynamic, allowing the frigid climate to become as strong a force as human arrogance or the heart’s most ardent desires. In both examples, a love triangle emerges from the snow. They’re Nuri Bilge Ceylan’s About Dry Grasses and Anthony Chen’s The Breaking Ice…

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