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Entries in Topsy Turvy (4)

Tuesday
Feb202018

Mike Leigh at 75: On Wallpaper, Topsyturvydom and Empire

"THE FURNITURE," by Daniel Walber, is devoted to Mike Leigh this week for his 75th birthday. (Click on the images to see them in magnified detail.)

Topsy-Turvy is a subtle, even deceptive film. It moves like a light-hearted showbiz comedy, almost a Victorian Waiting for Guffman. Yet there’s much more going on. Why is it so long, for example? What is Mike Leigh trying to express with so many characters? Why "The Mikado"?

These are questions that can be answered by paying close attention to its production design, the Oscar-nominated work of Eve Stewart and Helen Scott. This is a film about London at the peak of the British Empire, a metropolis gobbling up the riches and the bric-a-brac of the entire world. And the chosen entertainment of its people, eager to take in the sights and sounds of their imperial fantasies, were the operettas of Gilbert and Sullivan.

The first to appear in Topsy-Turvy is "Princess Ida", a fantastical lampoon of Victorian mores that took place in a sort-of Pre-Raphaelite, Medieval court. 

The version presented here involves a stage flanked by a traffic jam of trees, vine-covered Classical architecture and a great many helmets and snoods...

Click to read more ...

Tuesday
Mar142017

Showbiz History: Topsy-Turvy, Quincy Jones, and Broadway Babies

On this day in history as it applies to showbiz...

1874 silent film regular Mary Carr (who played Auntie Em in the silent Wizard of Oz) born in Pennsylvania). She lived to be almost 100 and appeared in nearly 100 silent films
1885 The Mikado, Gilbert & Sullivan's beloved comic opera, premieres in London. The Oscar winning film Topsy Turvy (1999) depicts its production in exquisite detail...

Click to read more ...

Wednesday
Apr132011

Links. Episode #14,001,382

I apologize for my uncharacteristic absence today. The day is just not really working out for me. Enjoy these links while I try to shake the mood off.

Frankly My Dear... Captain Adama Edward James Olmos honored at the Florida Film Festival. He's still very proud of his contributions to Blade Runner and Stand and Deliver.
My New Plaid Pants
signs on to the Saoirse Ronan bandwagon post Hanna. People keep asking me if I have seen this. I have not seen this. I need a reason as I'm so not enjoying this teen assassin pop culture craze. It makes me so queasy.
Slash Film Robert Richardson, one of our favorite DPs will shoot Brad Pitt's World War Z movie.
Sunset Gun on an unusual choice in heartbreaking Woody Allen pictures: Take the Money and Run.
The AV Club looks at the new Mike Leigh Topsy-Turvy DVD.
The Wrap the BFCA has a spin off group now BTCA which will host Emmy style awards. Hopefully they'll use their powers for good and not try to predict the Emmys. The Emmys, way more than the Oscars, need pushes towards quality tv when they are often so content to vote for whatever they voted for the year before, even when shows take quality downturns.
Celebrity Blend Kelly McGillis is working at a Rehab Center. Good for her.
Slate with Arthur in the pop culture air again -- albeit sobered up -- here's a piece that looks on artists before and after sobriety including Stephen King and Martin Scorsese.

One of the things that makes The Shining one of the best books ever written about alcoholism is that it doesn't know what it is about. It was an act of urgent self-diagnosis, conducted in the pitch dark.


Finally...

Tribeca Film asks if movie theaters should think more like Netflix. I L-O-V-E this idea. I really think subscription models are the way to go in many business.

Would you buy admission to your favorite movie theater on a subscription basis?

 

Tuesday
Mar292011

New on DVD: Black Swan, Topsy-Turvy and More

Hi everybody. Michael C here again. A quick drop in to remind everybody that Aronofsky’s Black Swan, a film I consider the finest of last year, is hitting DVD shelves.

Having seen the remarkably in-depth behind the scenes featurette on the Swan DVD I can report that the real contribution that got screwed out of recognition was not Portman’s dancing double (igniting recent controversy) but Swan’s special effects team. On a limited budget, the effects of Black Swan are just as skillful as Inception’s. Swan's effects are often invisible (few stop to think how they are able to film in rooms filled with mirrors), but when they are intentionally noticeable they contribute to the film’s artistic vision. Why doesn’t that factor into award recognition? (Although I should point out that small scale f/x are no obstacle to Film Bitch Award recognition)

Though technically flawless I doubt the invasion of killer robots during Iron Man 2's climax is going to linger in anybody’s memory, yet I can confirm that Nina’s legs snapping violently backwards with a sickening crack has lingered since the film first screened. 

So I encourage folks to check out that DVD doc to fully appreciate the craftsmanship that went into this amazing film, although there may be a few points you will want to cover your eyes in order to preserve the magic.  And as long as we're shopping for movies another masterpiece hits Blu-ray today, under the Criterion Collection umbrella: Mike Leigh's Topsy-Turvy. Leigh's ode to the creative process is the staid and dignified white swan to Aronofsky's wild and subjective black.

Also hitting DVD or BluRay today: