Top 10: Nicole Kidman Vanity Fair Covers

by Mark Brinkerhoff

Australian Gold Rush. La Femme Nicole. Thoroughbred. The Lioness. Beguiling. Intoxicating. Spellbinding. Legend. Star.

Since first appearing in the pages of Vanity Fair as a newly-arrived, 23-year-old, soon-to-be breakout Hollywood star (circa July 1990, pictured above), Kidman has become one of the magazine’s favorite cover girls. In fact, the June 2019 issue marks the 10th time Kidman has graced the cover—seven solo and three as part of an ensemble (i.e. the annual Hollywood Issue)—not to mention assorted V.F. Hollywood portfolios over the years.

To commemorate Kidman’s milestone, let’s count down to the finest of our Vanity Fairest — a Tuesday Top 10...

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List-Mania: Tim Burton x 5

by Nathaniel R

Since our Dumbo review didn't soar, or even materialize at all (oops), we should definitely turn some attention to Tim Burton today. Instead of a regular Tuesday Top Ten list... we're just going with LISTS plural. To make up for the lack of a proper Dumbo review, we're throwing FIVE of them at you today. While it's true that this decade of his work has left much to be desired, he's actually always been an uneven auteur. All throughout his filmography magic blooms in unexpectedly dire places OR weeds sprout up in otherwise magically lovely gardens if you catch our drift.

Burton is only 60 years old and since he's made films at a roughly one-every-other-year clip for his whole career, we hope he manages to rally his artistic instincts for one more classic before he retires in say, 2031 after another five pictures (spitballing!). He has directed 19 movies and we'd rank them like so...

ALL 19 TIM BURTON PICTURES RANKED

1. Edward Scissorhands (1990)
2. Ed Wood (1994) 
3. Pee Wee's Big Adventure (1985)
   Tier 1. Masterpieces of their genres really...  spectacularly niche genres but still! Few films have this kind of consistent magic and uniquely memorable visuals from first frame to last...

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Nathaniel's (Belated) Top Ten List of 2018

by Nathaniel R

Given that we're two months into a new year, the best cinema of 2018 is receding in our mind's eye, still shimmering but moving out of focus. But so much vivid color and feeling remains. Before we are fully blinded to its beauties (until, that is, they are "old films" and we can revisit) by a whole new batch of cinematic images to obsess over, here's one last post to honor the year that was. Here's your host's choices for the 25 best films of 2018.

This year's HONORABLE MENTIONS are a varied bunch taking us from horny self-discovery in Swedish woods to a trash-heap island in Japan. Strangely, grief was the year's most defining theme across genres as diverse as horror, tragicomedy, bopics, thrillers, character studies, and romantic dramas.

The films are listed in loosely ascending order, though we always reserve the right to change our minds where lists and rankings are concerned:

• Paddington 2 (Paul King, UK) If all franchises were crafted with this much heart and warmth and wit, Hollywood wouldn't feel souless at all.
• Border (Ali Abassi, Sweden) A refreshing oddity which totally commits to its own hybrid identity as its protagonist discovers hers.
• Spider-Man: Into the Spider-Verse (Ramsey, Persichetti, and Rothman, US) If all superhero movies were this fun, inclusive, and inventive, they'd deserve their now automic success in the marketplace.
• First Man (Damien Chazelle, US) A nation's epic ambitions paired with a marriage's intimate drama. So elegantly crafted.
• Burning (Lee Chang-dong) as elusive and mysterious as a cat that doesnt want to be seen, until it saunters boldy into sight to stare you down.
• First Reformed (Paul Schrader, US) The year's most disturbing drama. Hard to shake and necessary.
• Widows (Steve McQueen) Overstuffed and strangely paced, but reverberating with provocative ideas and juicy characters. 
• Capernaum (Nadine Labaki, Lebanon) For all that urgency and visceral feeling, not to mention one of the great child performances.
• Support the Girls (Andrew Bujalski, US) for its ramshackle charms and subtle character-portrait
• Hereditary (Ari Aster, US) What a calling card debut, from that dollhouse opening shot all the way through that psychotic break ending, a new horror classic. 

RUNNERS UP. Oh, if there were room in the top ten for all of these...

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Months of Meryl: An Epilogue

John and Matthew watched every single live-action film starring Meryl Streep. 

Meryl has been a superstar for 40 years now

MATTHEW: You never forget the performers who first reach out to you from an illuminated screen and lay claim to your gaze, mind, and devotion. Before I knew anything about the art of screen acting, I knew about the miraculous and almost mythic marvel that is Meryl Streep. Months of Meryl was an undertaking that exhausted and aggravated me without end: for every unparalleled Silkwood in Streep’s filmography, there are at least two The House of the Spirits; for every forgotten or underrecognized gem like The Seduction of Joe Tynan, One True Thing, or A Prairie Home Companion, there are at least three Still of the Nights, Primes, or Dark Matters. But, more importantly, this project illuminated a great deal about a veteran artist whose empathetic interest in the lives of others moved me at such an impressionable age and will never cease to do so.

Watching and writing about Streep’s films side by side by side for well over a year has not taught me a single overarching lesson, but only deepened my appreciation for her mastery...

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AFI Top Ten plus "Roma" but "Where is Crazy Rich Asians"?

The American Film Institute has announced their top 10 of the year... well top 11 since they did a bit of cheating this year. Well, more than a bit of cheating. Though their raison d'etre is to honor American films (see: their name), they included The Favourite, which is clearly a UK/Ireland production with a Greek director (even if some of the money is American). They also felt the need to give Mexico's Roma a special award. Can you blame them? Otherwise those two movies would have gone without awards this season. [Editor's note: Sarcasm!]

Their top ten is as follows...

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