Baz's The Get Down Gets A Trailer

Manuel here. Can it be possible that it’s taken us this long to talk at length about the trailer for Baz Luhrmann’s upcoming Netflix series The Get Down? I guess we’ve been busy, what with writing up our year end review, following all the precursors (including last night’s Golden Globes), counting down the shortlisted docs, and of course, obsessing over who’ll be nominated this Thursday. Well, let’s remedy that because nothing will cleanse your palate from the always fun/frustrating gamble of Oscar predictions than some flashy Baz.

All I really needed to know about The Get Down was that it comes from, as the trailer below states, the Australian “visionary director.” Even when his films don’t quite hit the mark (see Australia, The Great Gatsby) they are never nothing short of fascinating and as his Fitzgerald and Shakespeare adaptations show, few directors can match his cinematic vibrancy when it comes to using music to infuse his own storytelling.

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3 Hateful Links. 16 Nicer Ones.

As you may have heard The Hateful Eight expanded a smidge early today into nearly 2000 theaters after the success of its roadshow weekend. So here are 8 links about the movie because we're feeling masochistic...

Variety The Hateful Eight is leading current movies in spending the most for TV ads
Deadline an interview with Hateful Eight's costume designer Courtney Hoffman. (Everyone knows I hate the movie but I actually liked her work in it a lot!)
Awards Daily Sasha struggles to suss out what Tarantino is doing with Daisy (Jennifer Jason Leigh) in The Hateful Eight and tries to make sense of the many journalist opinions on whether its an inherently "misogynist" work. I'd love to defend Tarantino on this front personally but I have to face facts. He hasn't written a good female character since Inglorious Basterds. He's lost that particular skill. But I don't think he's misogynist so much as betraying his ultimate misanthropy with his ugliest most masturbatory movie.

Escape From Minnie's Haberdashery (for more hospital climes)
Gothamist Russell Crowe throwing tantrums again -- this time about hoverboards 
Guardian I'm eager to hear what our resident Australian Glenn thinks of their choices for best Aussie films of the year 
Gawker "the year in Gay"
Empire first look at Michael Fassbender in Assassin's Creed
Vanity Fair picks the best new TV characters of the year from series including Daredevil, Empire, UNReal, Fresh Off the Boat and more
Antagony & Ecstasy Tim's razor sharp review of 45 Years is a must-read but then so is his...
Antagony & Ecstasy ...review of Carol. Basically he continues to be one of the web's most underappreciated frequently inspired film critics.

Meanwhile on Jakku...
Variety Carrie Fisher on her body shamers 
imgur "how BB-8 works"
NPR Nigerians are getting excited about Star Wars... in large part thanks to John Boyega 
i09 going to see Star Wars: The Force Awakens a second time? i09 has a list of 23 things to watch out for
LA Times talks to the designers of Mad Max, Star Wars, and Mockingjay sequels on their dives into genre work
LA Times and here's a dissenting voice on the cultural phenomenon if you're not feeling the love 
Reverse Shot has an amazingly insightful lengthy review of The Force Awakens that grapples with the film only speaking its own Star Wars language and impatiently exploiting old adventures to venture out on new ones.  

Ryan Gosling and Russell Crowe are "Nice Guys" - Movies are make believe! 

2016?
We're so not ready to go there. It's not really our practice at TFE to look ahead to the following year before the Oscars wrap (the true end to the film year) but I have bookmarked this article "61 Original Movie We're Dying to See in 2016" because it's cute on the rare occasion that people realize that non-sequels exist. The Guardian has no such anti-sequel slant in their "75 films we're excited about" and they go full in for any movie that drives traffic so say hello to the superhero films even the ones that are daring us to agonize over how bad they might be like the scowl-a-thon of Batman v Superman. 

Best of '15: The TV Experience

Dancin' Dan here to take a look at 2015 on the small screen. When I moved to NYC late last year I thought that I would be going to the movies all the time. After all, so many more movies play here than my previous home in the middle of Connecticut! But the sheer glut of movies to see, both old and new, caused a lot of second-guessing and a bit of paralysis, leading to a less robust slate than I had imagined.

But the plentiful offerings of television were there for me in my indecisive, paralyzed state. I didn't watch everything, but I did watch a lot. And these are...

15 Favorite Things About TV in '15
after the jump... 

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HBO’s LGBT History: Behind the Candelabra (2013)

Manuel is working his way through all the LGBT-themed HBO productions.

Last week we dipped our toes into Todd Haynes’s Mildred Pierce only to find that it’s oddly divisive, as is its leading lady, Ms Kate Winslet. Who knew? This week we look at a high profile project that was intended for the silver screen but given the current film market found itself in the not too shabby quarters of HBO: the Liberace biopic Behind the Candelabra, written by 2016 WGA Ian McClellan Hunter Award honoree Richard LaGravenese and directed by Steven Soderbergh.

Released in 2013, the project was perhaps the gayest project on HBO’s roster since Kushner’s Angels in America. Indeed, if you’ve been following us these past few weeks you’ll notice we’ve dealt with low-key flicks like Bernard and Doris and Cinema Verite. Documentaries it’s where it was until Soderbergh brought his glittering film to the Home Box Office. Upon its release (it premiered at Cannes), the film was showered with praise not only for Soderbergh’s visual flair but for its central performances, with Michael Douglas earning some of his best reviews in years. [More...]

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Viola & Edie

Viola Davis and Edie Falco, who are both in their early 50s and SAG Award nominated again for their show carrying work on How to Get Away with Murder (S2) and Nurse Jackie (S7, the final season) were interviewed together for the New York Times on their early days as actors and success coming when you're older.

Here's one interesting tidbit on embracing acting in their youth.

You both had rough childhoods. Viola lived in extreme poverty, and Edie’s parents kept marrying and divorcing, lots of family instability. Why choose careers that put you right back in that place?

EF: It seems cuckoo, doesn’t it? I haven’t seen Robert [Iler], who played my son on “The Sopranos” since the show wrapped. We come together so intimately as actors, then break apart, which was the exact narrative I grew up in.

VD: I stumbled onto the best profession to heal my childhood. The only one that lets you release and express whatever is ugly and messy and beautiful about your life. We’re in the business of creating human beings. The more we spew, and the more honestly we do it, the better. Try that on Wall Street. It’s why they throw all the kids with bad behavior into drama. We don’t care how screwed up you are. We actors love it. You can use it.

You felt that release as kids?

VD: No, I just wanted out. As much as I loved my parents, I wanted an escape.

EF: Same here. My parents did the best they could. But I grew up with so much craziness and turmoil at home, and I was in charge of fixing all of it. Being at school, or in plays, was a relief to me. I had such responsibility beyond my years at home.

You can read the whole interview here.