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Monday
Dec162013

Linkomaniac

Pajiba Frozen/Star Wars poster mashup
Total Film
now that the Weinsteins have access to their Miramax back-catalogue expect sequels. Shakespeare in Love 2 is coming at you (no, this is not a satirical Onion style post)
Variety Disney is planning a Jesse Owens biopic centered around the 1936 Olympics in Berlin. Rich subject though it will obviously be easy to slide into pandering "inspirational"
/Film
at press conference James Cameron compares his Avatar sequels to The Godfather trilogy. Oh Jimmy. I love you more than just about anyone but less talking (you're no good at it!) and more filmmaking (you're great at it!)
Cinema Blend
first teaser for Gregg Araki's White Bird in a Blizzard with Eva Green and Shailene Woodley
In Contention Kris Tapley's top ten list featuring Mud, All is Lost, The Place Beyond the Pines and more

small screen and miscellania
Towleroad first images from Ryan Murphy's adaptation of The Normal Heart
Slate
on the big problem with Masters of Sex. I absolutely agree with this but for me the show is great enough to overcome it... which is saying a lot since Bill Masters (Michael Sheen) is the lead
BuzzFeed 24 reasons why Cher is the Queen of Twitter 

Today's Best Movie Anything!
God bless Screen Daily for uncovering this gem...

In a week when American film critics organization have been tripping over each other to bestow awardage which, even when thoughtful can feel totally boring, a Danish Film Critics group have shown the world how it's done. They've mocked themselves up in character posters a la Lars von Trier's Nymphomaniac to promote their awards (on February 1st) - note their outlet instead of character name on the posters. Nymphomaniac will be eligible for their prizes since it opens for Christmas in Denmark. This makes me want to read every single damn one of these critics weekly so a job well done!

Tuesday
Nov192013

Hello Linky

In Contention talks to Saoirse Ronan about Grand Budapest Hotel, How I Live Now and acting for Ryan Gosling
DP/30 Chiwetel Ejiofor from 12 Years a Slave
Instagram James Franco's 'all the kids are doing it' selfie. (I love seeing celebrity mirror shots because that's how they see themselves. Ever notice how different you look in photos -how other people see you- versus how you look to yourself in the mirror?)
The Hollywood Reporter TIR wins the top prize and Matthew McConaughey (Dallas Buyers Club) and Scarlett Johansson (Her) the acting awards at the Rome Film Festival

In Contention doublestuffed Oscar season coming at'cha
Pajiba on the highest grossing black directors. I expect Lee Daniels will keep moving up this list since he's prolific.
Coming Soon the German trailer to a new animated Tarzan

Off-Cinema
Playbill Carol Channing and Justin Bond for a little Hello Dolly 50th anniversary special? YES PLEASE
Salon are confused earnest celebrities the best at Twitter?
Variety Spider-Man Turn Off The Dark will (finally) close on Broadway in early 2014
Television Blend Arrow could lead to The Flash getting his own tv series. (I wish I liked this show but I've given it more than a fair try and it's dull/lame.)
Towleroad Warren & The Bening's son Stephen is so adorable (and totally looks like a blend of them if you ask me). Good for him becoming a reliable trans activist these past couple of years.

Today's Watch
The artist Anders Ramsell has "paraphrased" Blade Runner (his words) with 12,597 paintings. 

I've done nothing with my life!

Sunday
Nov172013

Podcast: Dallas Buyers Oscar Club (with a side of kale)

After a week break in which the team was on separate coasts, Nathaniel reunites with Nick, Katey and Joe to discuss Matthew McConaughey & Jared Leto's Oscar-seeking duet in Dallas Buyers Club.

That's the focus but we also make time for talking about previously tweeted adventures: Nathaniel's AFI celebrity encounters (including Saving Mr Banks) and Joe's Doc NY screenings (We Steal Secrets and We Always Lie to Strangers). We chat about Megan Ellison at Annapurna, James Schamus's departure at Focus, and Katey and Joe's new jobs at Vanity Fair and The Atlantic Wire. Joe tries to start a fight between Nick and Katey about Ron Howard's Rush.

Finally we talk about the unloved (this year) Best Animated Feature category and The Croods. And we reveal what we've been watching as far as older films go: Danny Kaye in The Court Jester, Bernardo Bertolucci's The Last Emperor, Robert Altman's The Last Goodbye, the hard-to-find classic Killer of Sheep, and Carol Kane in Hester Street.

You can listen at the bottom of the post or download it on iTunes. Join in the conversation in the comments.

P.S.

 

 

Dallas Buyers Club and More

Sunday
Oct202013

Remember When... We Didn't Know Who Would Star in "Gravity"?

I've been spending a great deal of time thinking about Sandra Bullock in Gravity lately. It's only natural when an actress is headlining an unqualified blockbuster that I'd do that but some of the time spent making like a contemplative Rodin-statue is my disconnect with the performance. I didn't love it or dislike it. I fall right in the middle. She's up to the task but no more or less.... to me. It doesn't remotely feel like an actor's movie to me -- though in all honesty I actually expected it to be given its one character focus. As a result I've been rather at a loss for explaining all the performance raves that have flown 'round ever since. And I've been stubbornly reluctant to concede that she was an Oscar lock. [Updated Best Actress chart]

My disconnect was aggravated by the fact that on the day it premiered and the explosion of "give her a second Oscar!" tweeting began... I had such a hard time imagining Cate Blanchett's hurricane force work in Blue Jasmine as a runner-up in this "versus!" contest in terms of quality. What's more Sandra's star turn wasn't even among the five best performances I had seen that month... let alone the whole of the year. While everyone was enjoying Sandra's survivalism on opening weekend I was still: reeling from Luminita Gheorghiu's savage mom in Child's Pose which would be a film-carrying nomination threat if it were in English along the lines of a Anjelica Huston in The Grifters (...and if it were being released in time); marvelling at Marion Cotillard's technique in The Immigrant which would be a threat if Oscar had shown any interest in Marion post-Oscar win (...and if it were being released in time); and falling head over heels in love with Paulina Garcia in Chile's Oscar entry Gloria, a performance so good that it'd be a threat to win the statue if it were in English, and if Oscar loved leading ladies over 50 (they don't)... and, say it with me now... if it were being released in time. That's too many "if"s, I know. 

So I asked on Twitter, Guy Lodge thought too aggressively!, what people saw in Sandy's performance that I was missing. Why were they so enthused? (And I probably should have asked the lot of you as well!)

The most common answers I received were for 'selling the illusion' and for her 'game physicality'... both of which are valid points, I concede. But I find that the performance is lacking in vocal nuance and in the eyes (beyond terror). I just didn't feel like it transcended the simplistic characterization in the screenplay in any way and when you're talking FIVE BEST OF THE YEAR you'd better transcend! Otherwise just enjoy solid respectable "we love you, you superstar" reviews and leave it at that. Joe Reid was teasing me earlier today with the internet's binary thinking that this makes me a Sandra hater and no one should ever believe that i've ever enjoyed her in anything. But I have! I've just never though she was a "great" actor, only -- and this is not an insult -- a super likeable and talented one. She's the kind of star for whom global popularity and bottomless coffers of gold coin feel like just rewards. 

This is all a long way of saying that I'm happy for Sandra's success since she seems like such a good person and she's so likeable, but that I still don't get why she's now an "Oscar Actress" as opposed to a Beloved Movie Star. Sometimes those things should go totally hand in hand of course, don't misunderstand. But in this case...?

Why am I bringing this up now, three weeks after Gravity has conquered the world and has the loudest Oscar fanbase this year?

Well, while looking for something else entirely in the Vaults of The Film Experience I came across this old post about the casting of Gravity after Angelina Jolie passed in 2010 and this strange "what if" visual detail...

actual reported studio interest when they were trying to find Gravity's female lead in 2010

IT'S SUCH A TIME CAPSULE.

These women were all actually mentioned in the trades as viable Angelina Jolie replacements!  It's hard to imagine Gravity with most of these girls (if not quite all of them) in the role. Funny, right, that the studio were so invested in the futures of Blake Lively, Abbie Cornish, and Sienna Miller... or that they thought Scarlett or Natalie were old enough to play a scientist with expertise that the space program needed, or that they allowed for the possibility that Naomi Watts or Marion Cotillard might be bankable enough?

Now that Gravity has settled in as our possible nomination leader, how are you feeling about it? And Sandra's place in the Best Actress race? Whether you think I'm crazy or only half-agree, do chime in. 

Monday
Oct072013

Jessica Chastain ♥ Viola! Does Jessica Chastain ♥ Gravity? 

Hayden, a faithful reader, commenter, and fellow actressexual, alerted me to Jessica Chastain's latest love-fest on Facebook. That girl does emote with girlie gusto and I love her for it (as previously noted).  I follow her so I'm not sure how I missed this one but if I were Sasha Stone at Awards Daily I'd be feeling pretty spectacular that such a great actress described me as "amazing". No world class actress ever said that about me [commence sobbing]...

I was busy picturing Jessica Chastain in an astronaut suit when I read this status update. Picturing Jessica Chastain in movies she's not in is an AMAZING time waste. Try it some time. After I was done with that I realized that Jessica said nothing about Gravity in this post, despite the link to Sasha's article. Maybe she hasn't seen it because if she had wouldn't she have said so?

Meanwhile Hayden was busy obsessing over the last sentence. He writes:

It really bothers me when people IN the industry talk about Viola Davis' career like some charity case. *cough* meryl *cough* But especially since Viola Davis is such a non sequitur to what Chastain was even talking about.

It's like she shouted "Mandy Patinkin, holla" at the end of her post.

LOL. 'Mandy Patinkin, holla' -- voiced by Claire Danes for her first Homeland win -- is surely one of the greatest things ever uttered in an acceptance speech and I think of it EVERY time that I see Mandy Patinkin being awesome. Which is often, in fact, since he is. I've loved him since the skinny-dipping in Yentl and that didn't even turn out to be the highlight of his cross-platform career.

Are you watching the new season of Homeland? This tweet made me laugh so hard last night...

 

 

Regarding Viola Davis...

Listen... I say what Jessica Chastain said all the time and it's true that it's a charity case. BUT NOT FOR VIOLA.

 

This charity is for audiences because she's a freaking GREAT actress and we need much more of her than Hollywood seems willing to give. Put her back in a spacesuit actually and we'll talk again. She was so good in Solaris in a typically small role. Remember that? Honestly I'd watch her in anything. Even when the movie is terrible (*cough* Beautiful Creatures) and her role is thankless, I'm happy to be watching her. 

P.S. If you missed my post on Jessica & Viola's latest collaboration, Eleanor Rigby, check it out.

P.P.S. Wow is this post a ramble. Viola. Mandy. Homeland. Facebook. Sasha Shout Outs. So much to discuss. Go!