"All the Beauty...", "Banshees of Inisherin" and "Bones and All" win big at Venice

by Nathaniel R

Cate Blanchett, Director Laura Poitras, and Colin Farrell all took home prizes

While The Whale and Don't Worry Darling hogged a lot of the press here in America, they weren't favourites of this year's Venice jury, both going home empty-handed. Julianne Moore presided over this year's jury which included Mariano Cohn, Leonardo Di Costanzo, Audrey Diwan (the Golden Lion winner last year -- our interview!), Leila Hatami, Kazuo Ishiguro and Rodrigo Sorogoyen. They gave the top prize to a buzzy documentary about Nan Goldin, All the Beauty and the Bloodshed. Though they didn't win the top prize both Martin McDonagh's The Banshees of Inisherin and Luca Guadagnino's Bones and All took home two prizes each...

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Venice Gowns '22, Round 4

Ooops. We've been neglecting the fashion-watching duties so this is an abridged version of the gowns from the past few days before the closing ceremony (very soon). So who gets your vote for Best Dressed?

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Venice Diary #10 - Saints and martyrs

by Elisa Giudici

It's the last full day of Venice with the awards about to be announced as you're reading this... or maybe they've already been announced depending on when you clicked over. Yesterday, I was chatting with some Italian colleagues. Our country's films in competition ranged from distinctive to very good. We were quite proud... but then two more Italian films arrived and some of us had to rethink our position.

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Venice at Home: Day 10 – The Artist Is (Not) Present

by Cláudio Alves

Well, it's time to say goodbye to the Venice at Home project. Maybe it'll return next year as other cinephiles flood the Lido and those of us who don't share in the FOMO.  There are three remaining directors in the official competition. First, Jafar Panahi, incarcerated since earlier this year but no less capable of dazzling cinephiles with his political, profoundly personal work. No Bears sounds like another triumph. Also vying for the honor is Susanna Nicchiarelli, whose Chiara completes an unofficial trilogy about historical women (Miss Marx and Nico, 1988 also screened at Venice). Finally, Roschdy Zem jumps behind the camera after having graced festival audiences with his acting in Other People's Children. For Les Miens he does triple duty as star, director, and screenwriter.

This miniseries was always intended to celebrate great artists, so it's fitting that the last three films are about them as we focus on an Iranian filmmaker (This is Not a Film), a German singer (Nico, 1988), and a French clown (Chocolat) of Afro-Cuban heritage… 

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Venice Diary #9 - "Blonde"

by Elisa Giudici

Today was Blonde day, at least until one of the most iconic royal figure from the last century died, stealing attention and coverage away from Venice movies and all other events. Considering the reviews for the biopic (and the spike in views The Crown will get), Netflix should probably be relieved. So for today's diary, a controversial take on the life and death of Marilyn Monroe and two movies that reiterate how healthy French cinema is.

BLONDE by Andrew Dominik
Overlong, indulgent and hyper-focused on the most tragic aspects of the life of Marilyn Monroe, Blonde as a biopic is a thanks but no thanks...

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