Pi Dominates the VES Awards

The Visual Effects Society awards held their 11th annual awards ceremony last night and Life of Pi dominated the proceedings with four awards, including the top prize for Best Visual Effects in a Visual Effects-Driven Film and Best Animated Character in a Live Action Film (Richard Parker). Ang Lee's film is a visual treat and I fully expect it to repeat the feat at the Academy Awards later this month. 

For the past four years, the winner of the best visual effects award has been a best picture nominee and there's little reason to assume the streak will end this year. Meanwhile, The Impossible won in the Best Supporting Visual Effects category, though it was left off Academy's lineup in favour of more CGI-heavy titles. In the animated races, Brave managed to win both Outstanding Animation and Character Animation (Merida) in addition to two other prizes. No other animated film managed to snatch anything away from Brave, but The Avengers and The Hobbit rounded out the winners on the live action side of things. 

Full list of winners after the jump...

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♩To see- to sell- to get- to bring- to make- to LINK- to go to the Festival! Into the Woods ♫

Slate Why do people hate Anne Hathaway? Might it be sexism?
Yahoo Movies Roundtable on the Supporting Actress. I'm quoted here defending Hathaway naturally. One person even disses her for being so isolated as an actress like she's in her own movie. Um... THAT IS HOW IT SHOULD BE. Fantine's tragedy is that she's abandoned by the world and utterly alone. No safety nets or support systems.
Yahoo Movies Roundtable on Supporting Actor. This one is less divisive.
Variety's The Vote this is pretty horrifying. The Hobbit was added to the visual effects Oscar bakeoff without the committe actually seeing it. Terrible slippery slope there, Academy. Fix yourself! 

Kevin O'Keeffe on the twin protagonists of The Hurt Locker and Zero Dark Thirty
Pajiba this is so freaking sexy - 47 leading ladies in mannish clothing
Guardian Penelope Cruz is pregnant again... at least we'll see her a couple of times this year before she's gone again (Ridley Scott's The Counsellor and a cameo in Pedro Almodovar's I'm So Excited)
Billy on the Street "It's Spock! Do You Care?" haha. Zachary Quinto is a good sport. 
Awards Daily Mark Wahlberg and Ted will present at the Oscars. It's going to be a Ted heavy night what with the Norah Jones song, the host, and this presenting duo.
The Film Experience my choices for "best poster design" are up in the Film Bitch Awards 

Hollywood by now you've surely heard that it's official that Meryl Streep will play The Witch in Into the Woods. The film will be directed by Rob Marshall so expect lots of terrible reviews since the world probably hasn't forgiven him for Nine yet. Anyway I thought this called for a poll for all my fellow Sondheim fanatics out there. I've listed my favorite musical phrases from the Witch below and you tell me which you're most excited to hear Streep singing? Got it? Okay... Into the woods with you...

poll by twiigs.com

Off Cinema
Boston Globe "Smash" refashions itself into a show about the making of Broadway musicals for its second season. Promises promises, people. We shall see... (I'll be writing about the show weekly again this year)
Rasky Baerlein When pop culture and politics interlock: Obama and Jay-Z

An Evening with Naomi Watts

Jose here to talk about Naomi Watts. She's having a great month. First, she won Best Actress nominations from both the Screen Actors Guild and the Golden Globes for her work in The Impossible (opening today!). Then she got a hell of an endorsement from Reese Witherspoon who promised she'd "tap dance on Sunset Blvd." to get her an Oscar for this movie. If other people in Hollywood start feeling she's as good as Meryl in Sophie's Choice (Reese's words) Naomi's stars might be finally aligning for a statuette.

Earlier this week I attended a preview screening of The Impossible (hosted as part of 92Y's Reel Pieces series) which was preceded by a Q&A with Watts. She discussed working with green screens, working with boy wonder Tom Holland (nominated for Best Young Actor at the "Critics Choice" Awards) and spent a surprising amount of time discussing her work in Mulholland Dr. But, hey, a lot of us have been talking about that for years as well!

[Mulholland Dr, King Kong and The Impossible after the jump]

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Visual Effects Finalists: Superheroes Rule, Subtlety Drools

Yesterday the finalists for Oscar's Visual Effects prize were announced. In the end there will be five nominees but for the next month ten films can dream of winning the nomination before the great culling on January 10th, 2013. Once again we see a preference for computer generated imagery with only Skyfall and The Dark Knight Rises as obvious examples of films which tried mightily to rely on in-camera practical effects and stunt work. At a recent "Evening With Christopher Nolan" here in NYC (more soon) Nolan revealed his preference for in camera work with computers relegated to touch up work. 

Did you know that that infamous collapsing football field that led into the seige of Gotham was actually, in part, a collapsing football field (!) and not a figment of a computer artists imagination!? 

Snubs: Generally speaking you can expect the more subtle fx work to be shut out each and every year. This is why Skyfall probably won't be nominated in the end. But my eyes were instantly drawn to the absence of Looper which is a shame, since it's most effectsy sequences, like that finale in the cornfield, were weirdly hypnotic and even the tiny touches like the frequent telekinetics were unfussy and unshowy but totally served the film. Plus, it's a good film which is more than can often be said about nominees in this category. It's also strange, at least in a multi-year context, to see The Impossible miss the finals when Hereafter's less impressive tsunami (in a less impressive film at that) went on to actually be nominated. More traditionally nominatable CG heavy movies shown the door were Battleship, Men in Black III, and Dark Shadows.

Which 50% of the films still standing will prevail? 

still hanging. I hate this film more and more in retrospect.

• The Amazing Spider-Man
• The Avengers
• Cloud Atlas
• The Dark Knight Rises
• The Hobbit: An Unexpected Journey
• John Carter
• Life of Pi
• Prometheus
• Skyfall
• Snow White and the Huntsman

Your guess work in the comments, please.

Oscar Horrors: "What's This?!?" an Animated Visual FX Nominee

Here lies… The Pumpkin King of The Nightmare Before Christmas, and the visual effects that made him dance.

The work of Pete Kozachik, Eric Leighton, Ariel Valesco-Shaw and Gordon Baker holds a unique place in the history of the Academy’s visual effects category. As the first – and as of 2012, the last – soley animated film to receive a nomination in this category, it earned the visual effects branch’s respect like none before or since. Oh sure, Mary Poppins and Who Framed Roger Rabbit? won the category in their respective years, but those trophies came predominantly for the way they integrated animation with live action. The Nightmare Before Christmas, however, earned its nomination for the way Henry Selick’s stop-motion universe came to life thanks to innovative camera techniques.

While many may think this film’s idea of “visual effects” lays exclusively at the floating ghosts and shape-shifting shadows that pepper Henry Selick’s visual palate, the Oscar nomination was more a reward for the way the cameras were developed with computer technology to help navigate the heavily-designed “claymation” world.

More on this 1993 Oscar Race after the jump...

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