Links: Movies (and TV) Matter, Garrel Picks Pics, Oscar's Centennial

Thrillist "Why everyone was wrong about Warcraft" - the summer's most underrated movie?
MNPP great moments in movie shelves hits Young Frankenstein
The Wrap looks at Colton Haynes winning an HRC award. Why Colton, exactly?

Criterion Louis Garrel chooses movies from the Criterion closet. He likes Jacques Tati, Loves of a Blonde, and Amarcord among others
FlavorWire looks back at Madonna & Sean's Shanghai Surprise in its Bad Movie Night column
Telerama (in French) Alain Guirardie talks about his filmography - he thinks he can do better than Stranger by the Lake! 
SBS hilarious satire video on White Fragility in the Workplace
Slate pits Bad Moms against Ghostbusters because women have to be pitted against each other!
NY Times on current film restoration anxiety asking the following question which I swear is going to give me regular nightmares:

What happens to an art when its foundational medium disappears? 

Today's Must Read
Richard Brody at the New Yorker wrote a great piece called "Why Movies Still Matter?" that examines the critical circularity that leads people to write things like "Could This Be the Year Movies Stopped Mattering?” We're all inside this ororborus! Help. My favorite part is his contention that the rise in popularity of serial television is actually emulating the college experience. Interesting.

The experience that the watching and the critique of new serial television resemble above all is the college experience. Binge-watching is cramming, and the discussions that are sparked reproduce academic habits: What It Says About, What It Gets Right About, What It Gets Wrong About. There is a lot of aboutness but very little being; lots of puzzle-like assembling of information to pose particular kinds of questions (posing questions—sounds like a final exam), to explore particular issues (sounds like a term paper). For these reasons, television’s actual competition isn’t movies or museums or novels but nonfiction books, documentary films, journalism, radio discussions, and general online clicking. Serial television is designed to gratify the craving for facts to piece together and analyze. The medium seems created for the media buzz that’s generated by the media people who are its natural audience, and to whom the shows owe their acclaim, their prestige, and their success.

Then he goes on to investigate the personal versus the public in our cinema experience. Love this piece. So much to think about and not judgmental about those film or television! Or to quote another great writer...

TV and movies have been coexisting for decades, yet the number of people insisting one must vanquish the other remains constant.

— Farran Nehme (@selfstyledsiren) August 29, 2016

  

News
EW Emily Blunt hears what Julie Andrews says about her casting as Mary Poppins Returns
Guardian Anne Hathaway to star in Live Fast Die Hot  the adaptation of a bestseller about new motherhood and responsibility
Variety Richard Linklater is making a sequel (of a sort) to The Last Detail (1973) called Last Flag Flying
/Film early photos from Woody Allen's Crisis in Six Scenes, his new streaming series
Towleroad Matt Bomer has signed on to play a trans sex worker in a new film called Anything. They're still not casting trans actors for trans roles which is a shame. Especially since we actually have famous trans actors now, proof that there's no reason to not cast them or think they can't win media attention themselves 
Variety Stranger Things renewed for Season 2. (I liked Season 1 but a continuation of that story seems like a mistake to me. Better an anthology template!)
Comics Alliance Stranger Things' breakout "Barb" (Shannon Purser) will guest star on CW's Archie adaptation Riverdale
Awards Daily Warren Beatty's Rules Don't Apply will open the AFI Fest this year in November 

FINALLY
In case you haven't heard ABC and Oscar have extended their contract. The Oscars will now be held on ABC through 2028 now. In extremely related news: 2028 is when the 100th Academy Awards will be held so imagine that centennial. If you'd like TFE to be around for that (so far away) please consider joining our monthly donaters --see sidebar -- because it's so not easy to keep making this site work each year, financially speaking. 

Halfway Mark: The Good, The Bad, and the Ugly (So Far)

Mainstream cinema is having a rough summer, qualitatively... but let's honor what mainstream cinema often does best, for this episode of the Halfway Mark Review. Which is to say the broad strokes of Good vs Evil.

Not that mainstream movies always ace this low bar, mind you: Marvel remains mostly terrible at crafting villains, Batman v Superman was so inept that it didn't even understand that you need heroes in superhero movies. X-Men Apocalypse was a crowded repetitive mess on either side of the good/bad divide. But enough about stinkers - happy thoughts:  BESTS! 

Heroes of the Year

• The Avengers (Chris Evans, Cast & FX Team) in Captain America: Civil War
Can't they all just get along? While it'd be silly to say that Civil War doesn't tell you which team to be on (Hint: it's in the title) it does offer up enough sympathetic furrowed brow angst when looking at Team Iron Man that it's easy to understand both sides of this argument. That's half the battle in the selling the film. The other half is staging the battles so that everyone survives but looks deeply affected by the blows, which it also does well. Black Panther and Spider-Man are wonderful new additions, and Black Widow again demonstrates that she's the swiftest, most asskicking, and consistently double sided tape that arguably holds these movies together. If only Captain America, Marvel's most successful comic-to-film translation, weren't having to fight for so much attention in his own damn franchise; Iron Man never had to that. 

• Horus (Nikolaj Coster-Waldau) in Gods of Egypt
What's that you say? 'Gods of Egypt is a terrible movie!' Why yes, Yes it is. But that doesn't mean I can't honor Nikolaj's well shaped silly/serious turn as a blinded God. He's one of only two actors who knows what kind of movie he's in (the other is Geoffrey Rush, even better with the heightened camp) and he's fun to watch, helping to make this a sort of enjoyable terrible movie insteaad of just a terrible movie.  

Zootopia, Warcraft, The Conjuring 2 and more after the jump...

Click to read more ...

Warcraft. What were they thinking?

Six questions that trouble me still from the Warcraft screening last week...

What on earth does Glenn Close need the money for?"

For some reason they only hired sexy men to play these monsters

That's just one of many questions I screamed into the abyss whilst watching this expensive, silly, over-stuffed but under-nourished video game adaptation. What's more this was only one of about 7 questions I screamed to which no answers came in a single scene of the movie. I couldn't even begin to tell you what was going on other than it was important enough to precede the climax of the movie. But I'll try. A young sorcerer (Ben Schnetzer) enters some sort of black gooey CGI cube and meets some sort of anthropomorphized supernatural force with sounds just like Glenn Close and finally looks just like Glenn Close as it solidifies and turns to camera upon which she/it/they bestow(s) on the young sorcerer some sort of magic that they've been withholding from some sort of bureaucrat mystics association so that he can return to battle another sorcerer to become "The Guardian" of the world of Azeroth where this all takes place...and that's not even the A plot!

The A plot is slightly less confusing...

Click to read more ...

Patrick & Vera conjure up a big opening weekend

Don't be scared, Patrick. It's just money!

While The Conjuring 2 didn't quite equal its predecessor it came close which is saying a lot in this summer of underperforming sequels. It also helped that it's budget was only $40 million so it's already well on its way to profit. Contrast that to Warcraft's $160 million budget with a $24 million opening. Ouch. Still its foreign performance (nearing $300 million) should help it turn a profit. But one is reminded of The Golden Compass, another would be franchise that chose to end on a cliffhanger rather than telling a full story. Despite doing well overseas it never got a sequel.  Maybe let your audience decide if they like your movie before ending with "to be continued..."?

None of the new limited releases did particularly well including our beloved The Fits which earned $16K in just 4 theaters. Even Love & Friendship & The Lobster appear to have peaked last weekend but we'll see if they can hold screens or expand again next week.

Expect a ton of the current movies to lose all oxygen next weekend when probable behemoth Finding Dory swims into town.

arrows indicate gaining or losing screens

TOP TEN WIDE
🔺01 The Conjuring 2 $40.3 NEW 
🔺02 Warcraft $24.3 NEW
🔺03 Now You See Me 2 $23 NEW 
▫️04 TMNT: Out of the Shadows $14.8 (cum. $61) 
🔺05 X-Men Apocalypse $10 (cum. $136.3) )  Review, Podcast
🔻06 Me Before You $9.2 (cum. $36.8) Review
🔻07 Angry Birds $6.7 (cum. $98.1)
🔻08 Alice Through the Looking Glass $5.5 (cum. $62.4) 
🔻09 Captain America: Civil War $4.3 (cum. $396.8) Review
🔻10 The Jungle Book $2.7 (cum. $352.6)

TOP TEN LIMITED
Under 1000 screens. Excluding previously wide. 
🔺01 Love & Friendship $1.5 (cum. $9.5) Review, Podcast
▫️02 The Lobster $991K (cum. $5.1)  Reviewish, Podcast
🔺03 Maggie's Plan $690K (cum. $1.1)  Review
🔺04 Te3n $284K NEW 
🔺05 Weiner $166K (cum. $760K) Review 
🔻06 The Man Who Knew Infinity $161K (cum. $3.1) 
🔻07 The Meddler $135K (cum. $3.9) Review 
🔺08 The Wailing $133K (cum. $551K) 
🔺09 Sing Street $69K (cum. $2.9)  Review, Who's the MVP?, Podcast 
🔻10 A Bigger Splash $60K (cum. $1.8) Reviewish, Podcast
 

WHAT DID YOU SEE THIS WEEKEND? I caught Warcraft (don't judge) and The Conjuring 2 (fun scares and Patrick sings!!!!!) and the Lupita Nyong'o Tony-nominated play Eclipsed (heartwrenching). Busy weekend. 

Posterized: Duncan Jones

Duncan Jones has had a tumultuous few years so we wanted to honor him with a quick Posterized today. In January the 45 year old filmmaker lost his father David Bowie (he's the superstar's only son). His first child is due this month. His other new baby, the long-gestating video game big screen adaptation Warcraft is getting savaged by the critics.

And yet...

It wasn't so long ago that he was getting 'Hot New Director' drooling from the media, starting off strong with the sci-fi drama Moon. His second film Source Code wasn't as ecstatically received but performed decently. Three films isn't much to go on so we shall maintain high hopes. Do you think he will rally with a fourth film and make good on that initial promise? His next sci-fi film -- he's not straying from his preferred genre -- is called Mute, and stars Alexander Skarsgård as a silent bartender and Paul Rudd as some kind of mysterious doctor.  We don't generally think of Paul Rudd as mysterious but we're willing to give it a shot. (There's some internet speculation that Sam Rockwell will reprise his Moon character -- which would be very intriguing given the ending of Moon -- since Jones has indicated that Mute takes place in the same universe.)

How many of his films have you seen?
And if you've seen the first two, are you planning to hit Warcraft despite the reviews?