Q&A: Young Directors, Male Actresses, Awesome Marisa

My apologies straightaway that this week's Q & A is so late. A particularly nasty bout of insomnia derailed me for over a day. I was without rail. Back on track now and the time has come to answer your questions, 10 of them at any rate.

BBats: What young director (3 or less films) are you most excited about seeing over the next decade?
Nathaniel: This is a great question but difficult because then you have to really stop and think about who made which pictures when and you have to set aside people you've been rooting for forever that will seemingly be 70 before they birth a third feature (I'm talking to you Jonathan Glazer and Kimberly Peirce). It'd be weird to say John Cameron Mitchell since he's been making great movies for a decade now but in fact he's only made three. Still it's hard to argue with that diverse, unique and cathartically vivid trio: Hedwig and the Angry Inch (2001), Shortbus (2006), and Rabbit Hole (2010). I would follow him anywhere though I might be shoving him from behind while doing so because he's too freaking slow. 

My list would have to include 34 year-old Cary Fukunaga who has made two features but already has a great sense of the camera's place in storytelling as well as a place's place in storytelling (Sin Nombre) if you get me. On top of that he's got a steady hand with strong actors (Jane Eyre). 

Cary Fukanaga, Xavier Dolan, and Steve McQueen

I'd also go with 22 year-old Xavier Dolan who sure can make pretty pictures (I Killed My Mother, Heartbeats) and can also act inside of them. His influences are super apparent but he's very young and it should be thrilling to watch that already glorious image-making while on the soundtrack a filmmaking voice find itself. I'm very curious as to how Andrea Arnold's career will develop. She already has an Oscar from that gritty compelling short film Wasp (2003) and Fish Tank was so special. Finally, there are two filmmakers who are about to unveil their sophomore feature after a startling debut: 37 year old Joachim Trier (will Oslo August 31st equal Reprise or prove too similar?) and 42 year-old Steve McQueen (will Shame top Hunger... but then how could it?) which means that my list is already up to five and your question was singular so I'll stop there. But the three names in bold are the ones I can't stop thinking about this year.

Roark: What's your favorite movie in your least favorite genre?
Nathaniel:  I'm not crazy about westerns but I love Howard Hawks's Red River (1948). I was going to say "horror" but then when I stop to recall how many I do love (Psycho, Carrie, Rosemary's Baby being the holy trinity) it becomes clear that I far prefer horror to westerns. 

Luke and Adrian: Best Post Oscar move for Natalie Portman?
Nathaniel: Laying low now that she's had her money-guzzling year. Wait it out until something challenging but different than Black Swan comes around. I'm guessing it would be a lot easier for her to find her next Closer than her next Black Swan so if I were her management team I'd be looking for a high profile prestige ensemble drama... or even a highly stylized but lighter something... She was terrific in Wes Anderson's Hotel Chevalier and the short treated her like a star. Directors who know how to frame her spectacular face and amp up her sexuality in deeper than surface ways tend to get the best rewards; too many Your Highnesses and Friends With Benefits and that Oscar win won't age well.

Evan: What three movies are you most looking forward to from the remainder of 2011?
Nathaniel: Shame for the McQueen/Fassbender reunion, The Skin I Live In for the Almodóvar/Banderas reunion, and I Don't Know How She Doe.... KIDDING! and  A Dangerous Method for the Cronenberg/Mortensen reunion. Look at me all Director/ACTOR things instead of actresses. Where am I? WHO AM I?

Mr W: And are you going to revive you reader spotlights any time soon?
Nathaniel: Yes. The new fall season of The Film Experience kicks off on September 13th and we'll also go back to honoring you... the collective you, I mean. Not that Mr. W isn't worth honoring :) 

Tom M: Which Male Actors (past and/or present) come closest to having careers/images/appeals like the actresses you love? (Not necessarily asking about your favorite actors but if there are any actors that trip your actressexual wire...if that makes any sense.)

my answer, plus Woody Allen and an ode to Marisa Tomei if you click-to-continue

Click to read more ...

Curio: Woody's Women

Alexa here.  Matthew's question for today's Q&A ("Woody Allen has chosen a new, unexpected muse...Pick the actress") got me thinking about the special qualities of Woody's muses.  As noted in June's W, Woody surrounds himself (or his actor fascimilie) with fascinating, seductive, unnerving women. He told the magazine that "I have great adoration and lust and interest in all of the women in my films. It would thrill me to go out with all of them.”  Here are a few fan art celebrations of Woody with his dream dates.

Woody and Scarlett, hand painted on a t-shirt by ElenaDiNatale.

Woody's brain reflects on Scarlett, Mia, and Penelope. By Gabriel Moreno.

Click for more, including Annie...

Click to read more ...

Q&A: Resurrections, Musicals and "Julianne Pfeiffer"

I feel like if I talk about the Oscars anymore than I already do I will slowly become one! Gold plating, lopped off head, ... the works. This week's question were extremely Oscar focused. In order to escape my immobile sword-holding genital-free fate, I'm not answering them just yet. I'm also not answering any "top ten" questions but feel free to go on giving me top ten list ideas ;) 

I'm suddenly realizing this Q&A series is like writing 10 blog posts at once. Which is... well, must rethink this series! So only non-Oscar focused questions today and then we'll just gag on naked gold men tomorrow and Wednesday, K? 

Here we go.

Luiserghio: If you could resurrect one classic director to direct a modern actress/actor?
Nathaniel:  My first thought was William Wyler for just about any actor or actress that needs a chance to really nail a top flight dramatic adult piece. Who has a better track record for directing actors to grand serious performances with nuance and depth? Nobody. But then Vincente Minnelli directing Anne Hathaway popped up and I'll go with that. Not because she wants to play Judy Garland and he's the expert but because he understands color and musical numbers and Hathaway would soar under both conditions. Plus she seems to have an 'Old Hollywood' soul as it were so she'd be perfect for any resurrection.

Mandy Patinkin, Eartha Kitt and Toni Collette in "The Wild Party"Robert G: If you could guarantee one stage musical from any time in history would be adapted to a film, what would it be?
Nathaniel: If you'd ask me this five years ago I would've said Sweeney Todd. 

This is such a tough question as there are so many great ones. Many stage musicals I love wouldn't transfer well like A Choru -- whoops! I regularly try and picture "The Light in the Piazza" and "Caroline, Or Change" as feature films. I think a masterpiece could be made from Sondheim's "Follies" but what director alive is both genius enough to handle the complexity of it and has enough industry muscle to demand that only extraordinarily gifted singing actors handle the vocally demanding songs? So maybe I should just say Michael John LaChiusa's "The Wild Party" because I am weirdly obsessed with it and because there's more room for error. By which I mean it's busy with noise and dancing and banter and that's easier for modern Hollywood to understand than pure singing musicals. If they made a mistake here and there they wouldn't destroy a masterwork and we'd still get an entertaining film. Please note: This guarantee wish comes with Toni Collette reprising her lead role as alcy showgirl "Queenie".

Queenie was a blonde and her age stood still and she danced twice a day in the
... vau-de-ville ♫ 

Sean C: Which of the four actors do you think has the biggest opportunity to drop the theatrical dramedy-ic ball in CARNAGE?

John, Jodie, Christoph and Kate checking out TFE's Oscar charts!

Nathaniel: Such a mean-spirited (or maybe just worried?) question. I'll give you my answer after the jump.

Click to read more ...

Why, O Why, Don't I Love "Paris"?

Hallo folks! Ester here. You might remember me from such previous forays into Film Experience as my "Reader Spotlight" and my Two Stars, One Slot tribute piece, "Waif vs. Waif: Mia Wasikowska vs. Saoirse Ronan." Today I come to you with a feminist chip on my shoulder and a spark of rage in my eye, and my target is Woody Allen -- specifically his tepid time-travel fantasy, Midnight in Paris.

It's not surprising that Hollywood, the quintessential vehicle of nostalgia, is obsessed with landmarks. Jack Nicholson has only to get up in the morning and put his shoes on the right feet four shooting days out of five to get nominated for an Oscar, because Hollywood is just so gosh darn grateful an old-school movie star like him is still gracing films with his presence. Similarly, Woody Allen has only to make a movie that is not truly godawful terrible to make every film critic in the US sigh happily about how the maestro has done it again. 

Even then, by the way, he still makes several insufferable stabs at cinema for every Vicky Cristina Barcelona (or Scoop, which I actually kind of enjoyed).  

I understand the impulse to make ourselves hoarse praising the man. After all, we're talking about Woody Allen, auteur extraordinaire, Oscar-winner, redefiner of comedy, granddaddy to a thousand less-talented copy-cat narcissists. He's so prolific he probably doesn't even remember making one of my favorites of his films, the wistful and imaginative Purple Rose of Cairo. (Such small, delightful movies are often called "gems," which confuses me as gems come in all sizes; in fact, a woman I know recently received one that may weigh more than she does. But that's neither here nor there.)

Friends, a mediocrity is a mediocrity, whether it comes from Shakespeare or Dan Brown. Why do we insist on grading Woody Allen on a curve?

Click to read more ...

Box Office: Crushed Cars, Ascendant Woody and Global Hits

We won't waste too much time on the American box office today as it's the usual stories: an animated film tops the charts (don't make me say the name), Bridesmaid barely dipped and Midnight in Paris is zooming up the "all time Woody Allen lists". On this last bit I wish we had "adjusted for inflation" charts at the ready. Those inevitable stories about it passing Hannah and Her Sisters at the box office are going to be annoying because $40 million in 1986 is a helluva lot more ticket-buying action than $41 million in 2011, you know? I'm guessing that Annie Hall, which really captured mainstream attention, would reign supreme if you adjusted for inflation. [updated: yep, ANNIE HALL is #1]

And yes I normally do a new drawing for the box office but I hate drawing cars and the only picture I'd like to conjure in that realm is Cars 2's "Mater" squished flat in a compactor.

U.S. Box-Office (Actuals)
figures via box office mojo

01 CARS 2 new $66.1 
02 BAD TEACHER new $31.6 
03 GREEN LANTERN $18 [review] (cum. $88.9)
04 SUPER 8 $12 [thoughts] (cum. $95.1)
05 MR POPPER'S PENGUINS  $10.1 (cum. $39.2)

the rest of the top twelve are now losing screens... 
X-MEN FIRST CLASS $6.6 [review, top ten X] THE HANGOVER PT II $5.5, BRIDESMAIDS $5.2, PIRATES OF THE CARIBBEAN: ON STRANGER TIDES $4.9 [review], KUNG FU PANDA 2 $4.1, MIDNIGHT IN PARIS $4.1 [podcast] and TREE OF LIFE $1.3 [overheard & thoughts]

Worldwide Action
It's all about the 4th Pirates film worldwide unfortunately, reminding us that the US hardly has the strangehold on lemming-like sequel culture. Johnny Depp on loop nears another 1 billion gross. Crazine$$.

But let's talk about movies that never get any attention on movie blogs!
I looked at the global charts at box office mojo and thought it was worth sharing. Here are the top grossers that aren't Hollywood for 2011 (Please note: Bollywood does not give figures to B.O.M. so who knows with those films)

2011's Top Grossers (Non-English Language)

01 Hankyu densha 
This Japanese film is based on a best-selling novel about intersecting lives (it uses a public transport line as connecting backdrop). Starring Miki Nakatani and Erika Toda. It's nearly as big a hit as, say, Rango across the ocean but it's Japan only thus far. [Trailer]
02 Rien à déclarer (Nothing to Declare)
Directed and written by and stars (whew) Dany Boon who you might remember as the lead actor from last year's chaotic farce Mic-Macs (which was from Amélie's director). It's a comedy about customs officers during the elimination of the French-Belgium border in the 1990s. This is a bigger hit than True Grit or No Strings Attached overseas and has distributors in various markets but nothing for the US as far as I can tell. 
03 Che bella giornata (What a Beautiful Day)
A very complicated sounding comedy starring Checco Zalone (who also co-wrote the movie) as a security officer in Italy who gets mixed up with an Arabic girl posing as a French woman. Italy only thus far. [Official Site]

04 Kokowääh
German star Til Schweiger (Inglourious Basterds) co-wrote this family comedy and co-stars with his daughter. Warner Bros handled the very very successful German release. Will we see it... or some English language remake here?
05 SP The Motion Picture
Japanese film about Security Police that's based on a TV series.
06 Gantz
A genre film about two teenagers played by Ken'ichi Matsuyama and Kazunari Ninomiya hunting and killing aliens. This one has distributors in some European countries in addition to Asia but the only US plans (at the moment) is a spot in the New York Asian Film Festival which is just about to start (July 1st). 

Here's the trailer for the festival as a whole (cute). If you're in NYC are you seeing anything?

After that in the global charts when its not Hollywood films it's mostly Asian films (they have their own strong markets) but there's one film in particular that our actress-loving heart is thumping for longingly. That's Les Femmes du 6ème étage (Service Entrance) which is a French film about Spanish maids from director Jean-Philippe LeGuay. The Spanish cast includes Carmen Maura and Lola Dueñas (Volver reunion alert!) as the help and Fabrice Luchini and Sandrine Kiberlain as conservative wealthy French employers.

Service Entrance

Strand Releasing has US distribution rights but given that the film is the 79th most popular overseas for 2011 with a $15 million gross (thus far), we hope it gets a hearty US push.

Do you like hearing about foreign hits or did your eyes just glaze over?