The Best Exotic Marigold Hotel (For the Elderly and Beautiful)

This review was originally published in my column at Towleroad

Outsource your elders. Ship them off to India!

Though some media pundits scoffed last weekend when The Best Exotic Marigold Hotel opened for business the same weekend as The Avengers (previously reviewed) it turned out to be a savvy move. Where else were the spandex averse or Downton Abbey addicts to go? (Rather perversely, The Best Exotic Marigold Hotel denies Abbey addicts additional showdowns between Lady Crawley and the Dowager Countess; Penelope Wilton and Maggie Smith's stories don't intertwine much) In fact, this British retirees in India dramedy should have opened even wider since they had the nation's second best per screen average and could have cracked the top ten with far fewer theaters than the other movies.

But enough about money. Hotel manager Sonny Kapoor (Slumdog Millionaire's Dev Patel) is a dreamer, not a businessman. His family is losing patience with his dream and time is running out for the hotel. It's running out for the guests, too, as they near the end of their lives. The name of Sonny's establishment is actually “The Best Exotic Marigold Hotel for Elderly and Beautiful People”. The movie's title lops off those last five words which only proves Sonny's business model's point: he believes that most countries don't care about their elderly so he'll outsource old age. Come to India and live out your autumn years. [More after the jump]

Dev Patel, drinking the hotel's entire coffee budget before each take.

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Review: "The Avengers"

This review was originally published in my column at Towleroad...

If Agent Natasha Romanoff can interrupt an espionage interrogation to attend...

If Thor can find a way back to Earth without his rainbow bridge...

If Tony Stark can stop erecting enormous arguably phallic odes to himself for a moment...

If Captain America can get back in shape now that he's out of deep freeze...

And if Dr Bruce Banner can come out of self-imposed exile to join Marvel's THE AVENGERS, than I really ought to be able to review some movies again. Let's go.

After roughly four years of movie-length commercials for The Avengers (formerly known as: Iron Man 2, Thor, and Captain America: The First Avenger) "Earth's Mightiest Heroes" have finally assembled. To fans of the superhero genre, this probably feels like an impossible dream realized. To non-fans of the superhero genre this might play like the perfect time for a showstopping climax -take a bow and give mere mortals some movies again! The latter group should brace themselves. This particular blockbuster is lively enough to greenlight an even bigger movie family of men (and hopefully some women) in tights. MORE AFTER THE JUMP...

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Smash: "Hell on Earth" and "Understudy"

Continuing our coverage of our favorite new show "SMASH" the only musical on television that makes any cohesive sense from epiosde to episode and is tangentially about the movies, too.

Karen and Ivy are slowly becoming frenemies. I'll drink to that 

In "Hell on Earth" the long form narrative gets back up on its feet after that episode that felt like it didn't happen: Ivy's sour downward mood continues as we see her phoning it in amusingly and then disastrously in the hit musical comedy "Heaven on Earth" (with special guest star, the awesome Norbert Leo Butz... who recently won the Tony for the Tom Hanks role in the musical adaptation of "Catch Me If You Can"); Eileen continues to push when others would have given up; Ellis continues to scheme and even puts out to get an "in" with a movie star; Debra Messing continues to make a case for an Emmy - holy hell she's great on this show even though her storylines have the least to do with the actual creation of a musical; Tom continues to clash with his Republican boyfriend; Karen continues to prove Ivy's point that everything comes easily to her when she books a national commercial.

Set Lists, Gayest Moments, and UMA THURMAN! 

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Review: "Mirror Mirror"

This review was originally published in my column at Towleroad.

Once upon a time there lived a director with big canvas visual ideas. He would stretch them across just about any surface and start painting. Serial killer craziness (The Cell), muscle queen mythology (The Immortals), and uncategorizable period fantasy (The Fall) were all fair game. Any topic would do including a comic spin on Snow White because why the hell not? 

His name was Tarsem Singh or Tarsem or Tarsem Singh Dwandwar or Tarsem Dwandwar Singh because he could never settle on a signature. He would halfheartedly skim screenplays until inspiration struck. Once the spell was cast, he'd toss the script into the fire, chug absinthe, and speed dial Eiko Ishioka. He'd sketch until the last of the words had turned to ash and only his drawings remained*. The end. 

*not his real process.

Whether you live happily ever after from watching his movies depends on what you go to the movies for. [Continue]

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Review: Hunger Games

This review was originally published in my column at Towleroad. Congratulations to Towleroad for winning Outstanding Blog at the GLAAD Awards

"The Hunger Games," now in their 74th year, began as a way to punish an uprising against the government. The totalitarian regime of Panem (in what remains of the former United States) maintains total control over the outlying districts. Each of the 12 districts is required to send forth two "tributes" annually, a boy and a girl between the ages of 12 to 18 chosen by lottery. They are shipped to the Capital where they are paraded about and then shipped off to die for the amusement of the masses. Everyone in the nation watches. There are no alternatives in this dystopia. Only one adolescent will live bringing supposed honor (and maybe food?) to their starving district... or so claims the capital. What honor there is in forcing teenagers to kill each other is not a question the Capitol asks itself.

Any similarities that The Hunger Games has to the Japanese classic Battle Royale (2000), which also features schoolchildren forced to kill each other by a totalitarian regime -- only one survivor allowed -- are, according to The Hunger Games author Suzanne Collins, entirely coincidental. Another film in this subgenre, the little seen Series 7: The Contenders (2001) also features mandatory lotteried killing for televised amusement. In short, the ideas are nothing new, just the treatment; these are topics we're obviously grappling with in popular culture in this era of televised "reality" and winner takes all capitalistic vice. The gap between the haves and have nots grows and this dystopia gives it steroids.

"The Reaping" Effie chooses tributes from District 12

When 12 year old Primrose Everdeen (Willow Shields) is named as tribute in "The Reaping" ceremony, her protective sister Katniss (Jennifer Lawrence) volunteers to take her place. The district also sends Peeta (Josh Hutcherson) a sweet strong baker's son who Katniss knows a little. Will they kill or be killed? 

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