True Blood 4.7 "Cold Grey Light of Dawn"

She hurts him to save him. Unless they're silvered all the vampires will walk into the sun.With Sunday night's episode, fang-bangers are now past the hump. This season's witchy storyline is now on its way to resolving itself. The halfway mark also suggests that from here on out we might have droppings that set things up for Season Five. 

Cold Grey Light of Dawn
We begin where we left off with Marnie (Fiona Shaw) wreaking havoc. Controlling vamps, as it turns out, seems to be getting easier and easier for her. With a whisper of "Resurrection" her former rapist Luis (Peter Macdissi) stakes himself with Bill's silver weapon after a scuffle. One vampire down, all the rest of them to go. Marnie wants them all to meet the true death. After the burst of action that opens the show (Tara also narrowly avoids death at Pam's rotting hands), things slow down considerably. We stop in on unhappy couples (Alcides and Debbie) still shaky couples (Sam &) and new ones (Sookie & Eric). Meanwhile, Tara dumps her lover and signs up with Marnie's vampire slaughter plans, Jason tries to avoid Hoyt "I'd rather be cooking then talking anyhow" and realizes (again) that he's hot for Jessica. Most oddly, Bill tells Jessica the Antonia story which seems like a really strange storytelling move. We've heard and seen this storyline via Marnie and Luis so many times now it felt like a "previously on..." in the middle of the show.

But any scene with Deborah Ann Woll's Jessica gives us great visuals. Such a screen face [spoiler image after the jump]

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Judy Fest: "The Harvey Girls"

Silly me. I had the greatest time at the Judy Garland festival at Lincoln Center this week and the movie I didn't write about Presenting Lily Mars was probably my favorite viewing experience. Rent it! Judy was just so funny in it, it was really charming and I liked her chemistry with Van Heflin (I confess I had to look him up since Shane had slipped my mind and I'd never seen his Best Supporting Actor Oscar performance for Johnny Eager (1941). Have any of you seen that one? Is it worth checking out?

But enough about Lily Mars... on to Judy in another incarnation. The Lincoln Center portion of the festival ends tomorrow though the celebration continues at the Paley Center for Television (since Judy did a lot of variety work on TV in the 50s). The last two films I caught were period musicals and here's the first of them.

The Harvey Girls (1946)
I always forget that Judy Garland and Angela Lansbury were contemporaries. They were just three years apart in age (Angela is younger) though in this western musical, Lansbury is clearly meant to be the older woman. Or at least the more experienced one, if you know what I'm saying. Angela is a hardened showgirl (i.e. prostitute) at a rowdy saloon (i.e. casino/brothel) and she's just about the only person in the frontier town who isn't thrilled when Judy Garland arrives "On the Atchison Topeka and the Santa Fe".

In fact, that first big ensemble musical number hilarious stops halfway through just so everyone can gawk at Judy as she steps off the train, like she's the most famous beloved celebrity in the world. The showstopping entrance makes no narrative sense whatsoever -- Judy's "Susan Bradley" being a nobody who is about to start work at Harvey's restaurant -- but it makes perfect movie-movie sense because Judy Garland IS famous and beloved. And if there's a musical number already in progress when Garland arrives at the scene it's basically the Red Sea to her Moses.

The town is divided too, right down the middle, between the wild saloon and the proper restaurant. It's basically a battle for both the soul of the town and the town's most powerful man (John Hodiak) with Lansbury and Garland representing for either side. Guess who wins: The good girl or the bad one? The headliner or the newbie (this was only Lansbury's fourth picture)? I'll give you one guess.

The Harvey Girls hasn't aged as well as some of Garland's output. It's pretty creaky and I don't think it's only due to the print we saw that badly needed some restoration and color correction. Part of the problem is that the film grinds to a halt whenever the typically able Garland isn't front and center. Plus, the songs aren't as memorable as those from her other films. Though the young Cyd Charisse is all porcelain loveliness and Angela Lansbury's perma-scowl is amusing the plot points connecting their numbers and several other characters feel insufficiently developed to hold interest in The Harvey Girls as an ensemble piece. It's always "Can we please get back to Garland?" Still, you can't beat that rare opportunity to see Dorothy dance with her Scarecrow again (Ray Bolger). I think she had missed him most of all. B-

10 Word Reviews: Maids, Apes, Robots

A few movies we haven't yet said much about. In the interest of saying something -- more will definitely follow in the case of The Help and The Rise of the Planet of the Apes both of which I suspect we'll be talking about thru Oscar season -- here's two handfuls of words for each.

2011... the year of the put upon maid?

The Housemaid (Im Sang-Soo)
in which a nanny/maid contemplates her own Fatal Attraction
10WR: South Korea continues its Actressy roll. Classy/Trashy, expertly shaped. B+ 

The Help (Tate Taylor)
Maids in the South tell their provoactive stories to a feisty young writer
10WR: Ungainly in telling yet super compelling. Well seasoned cornpone acting. B 
UPDATE: FULL REVIEW 

Transformers Dark of the Moon (Michael Bay)
giant fucking robots return so that visual f/x may occur and billions may be made
10WR: Surprisingly coherent explosiveness. But debris clears immediately (i.e. totes forgettable) C+ 

Cars 2 (John Lasseter & Brad Lewis)
in which Mater the tow truck, the Jar Jar Binks of Pixar, travels the world.
10WR: Noisy unfunny lemon stuck in traffic jam of easy gags. D-

Septien (Michael Tully)
in which..., no, I don't know what happens. Something about three abused backwoods brothers.
10WR: Incomprehensible indie auteurism. Masturbatory but at least someone's getting off. D

Rise of the Planet of the Apes (Rupert Wyatt)
a science experiment gone awry has deadly simian consequences
10WR: Overly familiar beastie, schocked back to life by superb staging. B+
10 Word Bonus Thought: As new directors go, we suspect Rupert Wyatt could "A"  

COMING SOON: I know that everyone is already talking about Andy Serkis's killer work as "Cesar" in terms of its Oscar battles to come. But I want to let the film settle before I sound off. Anyway, I already suspect this conversation will make me crazy because it'll end up being a "supporting" discussion and "Cesar" is the lead of the film. James Franco's stardom is a red herring ;) 

True Blood: "Me and the Devil" & "I Wish I Was the Moon"

So get this. I offered up True Blood reviewing duties to the entire Team TFE last week when I was out of town and noone bit. What's up with that? No fangbangers in this house? Which means we've got two episodes to chat up today. Ratings for True Blood are strong this season and deservedly so. We're only halfway in but -- at this point -- it's much stronger than Season 3. It also isn't as repetitive as Season 2. We definitely approve thus far.

"Drink now."

4.5 "Me and the Devil"
Here we have a perfectly titled episode as everyone is battling their personal demons (Tara and Eric specifically) or actual demons as the case might be (Arlene & Terry who hold an exorcism of sorts in their house, still worrying about their spooky baby).

This is also another terrific rangey episode, with fast pacing, surprises and character bits. It kicks off with a violent family squabble (Tommy vs. his parents), moves expertly through tense comedy including the aforementioned exorcism, Bill glamouring his latest fling to "scream" and run whenever she sees him, and Lafayette's post Pam-cursing reaction to Marnie's 'who? me?' act.

That's some catchy shit for your headstone!"

Despite the abundance of actual plot there's graceful tightening of story threads as Sookie's finally braids to Marnie's when the women meet under the false pretenses of a reading. It doesn't turn out how Sookie or Marnie OR the audience expect.

Best Sookie Moment

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Review: Captain America The First Avenger

Exhausted by superpowered heroics yet? The summer has already brought us Norse gods (Thor review), dangerous mutants (X-Men review), and intergalactic policemen (Green Lantern review) and we still haven't reached the finish line. Here comes Captain America: The First Avenger, the last superhero to storm the box office beach. Summer's end goal: total world domination by the spandex nation. 

Cappy might be arriving a month too late for his own good, if he was hoping to be greeted by cheers and patriotic parades. The new would be blockbuster would've made a great fit for Fourth of July opening -- damn those giant robots! Given that the studios like to frontload the summer they didn't do this on purpose but I'm pleased to report that they saved the best hero for last. No, really. Cappy is just swell. 

And not just because of that spectacular literal swelling that you've already seen in the TV spots when Chris Evans emerges newly muscled from that sci-fi silly metal cocoon.

... read the rest at Towleroad

P.S. OSCAR POSSIBILITIES?
I didn't discuss this in the review but Oscar hopes for genre pictures are always based on the perceived merits of said pictures only after they're multiplied by box office success. If the film isn't a substantial hit, you can probably count only on Best Original Song, a fun pastiche "Star Spangled Man" by Oscar favorite Alan Menken, which I've included below for your listening pleasure, and some random technical nod. But if it is a hit AND they prefer it to Thor (which I'd bet they will given the World War II period angle IF it's a hit) you could see Make Up due to the Red Skull (that category though... anything goes... impossible to know from year to year what they're actually looking for), Visual Effects if they like Chris Evan's transformation and the shield action... and maybe Sound or even Costume Design. Anna B Sheppard is a true wizard with this time period -- though they weirdly ignored her for Inglourious Basterds -- and the evolution of the good Captain's look is well handled. Can't wait to see how they update this look for The Avengers next year. "Avengers Assemble" and so on. Carry on.

"Star Spangled Man"