The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
Who or what was your MVP of this past week on your tv screens?
A couple of weeks ago we polled Team Experience to share their MVPs from shows they were currently watching. You liked it so we'll attempt to do it weekly or at least bi-weekly. In this new world of infinite screens and schedules, whether you're bingeing, right up-to-date, or on demand surfing, we're all probably on different time tables so please do share yours as well.
If you watch these shows would you pick the same most valuable player?
MVPs of the Week
Agents of S.H.I.E.L.D.'s Director It's taken this showa while to get to a place where it feels confidence in taking artistic risks, but last week’s episode, ‘4,722 Hours’, saw the once meek show taking its most audacious move yet under the helm of director Jesse Bochco. When Simmons (Elizabeth Henstridge) was snatched by the Monolith in season two’s brutal stinger, I never expected that the show would tackle the aftermath in such sober, thoughtful form. Bochco even dares to omit the regular title card, using a simpler, more elegant logo atop a vista of the deep blue planet.
Immediately, then, Bochco marks ‘4,722 Hours’ as a singular artistic endeavour, a quite remarkable thing in a Marvel Studios empire that has continually driven away individualist directors. Alright, so the episode still fits within the show’s larger template and is constructed with tropes familiar from many lone survivor sci-fi tales, but it feels full of personality, submerged in the midnight blue light of eternal night, allowing Henstridge to dig into Simmons’ psychological trauma that the show had presented to us in the previous episodes. It’s an episode full of confidence and trust in both character and audience. Let's hope it’s one that signals an even brighter future for a series going from strength to strength. - David Upton
The Walking Dead's Executive Producer Thank you, Robert Kirkman, for backing the hell off. [More...]
Silver Screen Pajiba on the way the media is handling Kristen Stewart's current love life. Somehow I had missed this story (cuz I don't care about celebrity dating) but this is a joy to read. MNPP Apparently this new movie Beyond the Reach features Jeremy Irvine in states of undress for basically the whole movie but all I can think watching him run barefooted in the desert is what I felt watching Atanarjuat: The Fast Runner sprinting across ice in the nude: OUCH Grantland Mark Harris on all the Wonder Woman movie creative shuffling, director and script(s):
I use the word “movie” reluctantly because right now, Wonder Woman is certainly not one: It is a release date (June 23, 2017), and it is a promise to stockholders (as the third of 10 upcoming connected DC Universe films that are meant, between 2016 and 2020, to show that DC can play on Marvel’s field), and it is a recognizable — albeit dusty — title. Right now, that’s all it is. It’s certainly not a movie in the sense of being an entertainment product that starts with an idea and then results in a script that is good enough to attract a director and stars.
MNPP has a great costume design suggestion for Ewan McGregor now that he's been cast as Lumiere in Beauty & The Beast Shadowplay revisits Sinbad and the Eye of the Tiger (1977) on Bluray. I loved those Harryhausen movies when I was a wee bairn Cartoon Brew here's a new contender for Best Animated Feature this year - The Boy and the Beast. Kidding - they don't really like anime and there's no US plans just yet In Contention reports from Cinema Con with breathless response to a clip of Johnny Depp in Black Mass
The Rock with a little TayTayOther Screens & Surfaces The Snap talks Lip-Synch Battle which is fun if you ask me: the complete Hathaway vs Blunt episode is glorious and The Rock doing Taylor Swift's "Shake It Off" --what has been seen cannot be unseen. Louis Virtel compares it to RuPaul's Drag Race and finds it considerably lacking. I myself find their goals and souls as shows so different as to only see comparison in the extreme basics (i.e. people move their mouth to other people's recordings) IndieWire TV's obsession with remakes, revival-sequels (Hello, Fuller House) may well end the Golden Age Playbill Lily Tomlin wants to do a new one woman show. Yes please. Boy Culture remember these Raoul Bova kisses Madonna commercials? I didn't! So cute EWDaredevil renewed for season 2 with a slight change in show runners (basically an exit and a promotion) Comics Alliance Adrianne Palicki and Nick Blood, who play former lovers and badass SHIELD agents may lead the Agents of SHIELD spin-off. Two-part question. 1) Since they're the best part of the existing show this side of Ming Na Wen, you sure you wanna hobble your still creatively struggling original? 2) You already have a spin off of sorts (Agent Carter) which is better than the original show. Why not pour resources into that?
Amy Schumer is back ...and it is a glorious thing. Here are two sketches getting attention right now, "Football Town Lights" a Friday Night Lights spoof as hilarious indictment of rape culture and "Last F**kable Day" guest starring Tina Fey, Patricia Arquette and Julia Louis-Dreyfus on Hollywood sexism and ageism. Cue the think pieces en masse -- never mind they're already all over the place.
Finally... The Eisner Award Nominations (basically the Oscars of comic books) have been announced and it's a great year for female driven series especially the celebrated title Ms. Marvel. I find it strange that they don't have a superhero specific category since comic books have changed so much to include so many types of stories but if you're looking for traditional superheroes Hawkeye, Batman, Daredevil. Elektra, and Silver Surfer were represented in some way or another with a nomination or two.
a page from "The Last Mechanical Monster"Sadly, it's really hard to find solid info about the Eisner Awards. Many webpages are out of date and they don't have their own as far as I can tell so it's difficult to know which series have been nominated previously. Obviously they aren't followes as rapturously as other awards! I'm always personally most curious about the webcomic prize because I always want to do one and I rarely get anywhere (sigh). Those nominations are as follows -- I'm only familiar with Nimona but it's pretty great, so I'll be sampling these others.
With every studio hopping on the "universe building" trend that Marvel perfected for cinema -- too bad Pixar's early "all original concept / few sequels" success didn't translate to cross-studio trends -- cinema will be becoming a lot more like television. It already has, of course, with those annual editions of popular franchises playing like big budget TV miniseries with all their episodes smashed together for one bingewatch a year (think Hunger Games, Twilight, Harry Potter). With the Star Wars universe now planning annual showings and Bond & Star Trek till and that planned resurrection of the entire original iconic movie monsters, one has to wonder if Original Content will finally be put down by the 2020s. Or will the bubble burst and audiences will grow tired of continuing stories with overly familiar characters and often padded multi-part stories with no resolutions. You know, the kind they can get at home on television for free?!
This comic panel has been slightly altered to better illustrate my argument.
All entertainment trends are cyclical. This is a fact, however much people valiantly argue year after year that whatever's hot right then will live on forever. But when exactly will the bubble burst?
I was initially very excited about the growing genre of superhero movies -- like many boys I spent countless hours in childhood and adolescence dreaming of seeing my favorite characters on the page in live action environments (X-Men, The Avengers, The Teen Titans, Cloak & Dagger, Green Lantern and Daredevil figured chief amongst my fantasies in this regard). But even though I wanted this, I'm already kinda bored of seeing it actualized especially since so much of it plays more like a nightmare (see the first film versions of Green Lantern and Daredevil - or better yet, DON'T, if you've managed to escape them).
Backstage blog handwringing and the superhero glut after the jump...
Today's Must Read The Hairpin's "Being Maleficent", on play-acting, female aggression, and iconic villainy
'Me, please,' they said. 'I want to be Aurora.'
I chewed my fingernails and felt my glasses slip down my nose. I wanted to be Aurora too. I wanted to be the center of the play. I wanted the woodland creatures to dance around me and the whole room to talk about my beauty, even if it was just pretend. But at seven, I was already hyper-aware of my skinned knees, my knobby elbows and my boy haircut. I stood up. 'I’ll be Maleficent.'...
More Recommended Links de film Krant loved this impassioned vote for Brian de Palma as a sensibility shaper and the problems with "greatest of all time" lists Grand Old Movies looks back at a Norma Shearer movie I hadn't heard of - Let Us Be Gay (1930). With deglamming!
/bent Tilda Swinton reteaming with her Teknolust director and she will reportedly play a "phosphorescent talking cat" rather than the female lead. Um... Pajiba the first teaser for Kenneth Branagh's Cinderella if you feel like looking at a shoe for a minute The Stake has a response to that much discussed MZS article on how boring/interchangeable superhero movies are VF smart piece from Joanna about how Samuel L Jackson's star cameo on Agents of S.H.I.E.L.D. exposed the show's core flaw. Co-sign. Variety Harrison Ford for Blade Runner 2. I guess maybe he doesn't hate it anymore? Film School Rejects so they're making a Morrissey biopic that's not called Morrissey and won't include any of his music and which he didn't approve. okay....
Fonda and Ziyi at the Grace of Monaco premiereWe Cannes Cannes Cannes And here's a reminder to check out our extensive Cannes coverage. I'm so happy we've gone full French. Now to pester Diana again for more info on what she's up to... Diana's Diary - we finally have someone on the ground Opening Gala Tidbits - in which critics attack, buyers buy, and Kidman still owns my heart Best Palme D'Or Winners ever? - we made a group list Competition & Un Certain Regard - Nick and I chatted up the lists of mouthwatering possibilities
I had the pleasure of returning as guest on the Panel Culture podcast. It's a weekly comics podcast but they do movie episodes every once in a while and this one is on Captain America: The Winter Soldier. If you've read my review you might feel I'm repeating myself but it bears repeating. It's a fine movie and we discuss why.
Towards the end of the podcast, Charles mentions that he thinks the blockbuster is helping Agents of S.H.I.E.L.D. finally find its voice on TV. I've been hearing that a lot. It's true that the last two episodes have been newly energized, but two episodes is not much to go on. If the corporate mandated Marvel Universe show can sustain this new tension through the end of the season maybe Season 2 will actually be worth watching and not something you tune in to out of habit and because you're tired after a long day at work?
I also ask the guys which female superheroes they'd like to see get a solo picture. Because I am me, these guys know comics, and I couldn't help myself.
In case you missed the announcement, The Film Experience's own podcast returns this Sunday. That's my little Easter gift to you. It is risen
Tuesday, November 3, 2015 at 1:00PM 
