Links: Irish cacophonies, crowded rooms, and guild prizes

• IndieWire did you see SNL's sketch lampooning Ammonite and Portrait of a Lady on Fire as "Lesbian Period Drama"
• Towleroad Tom Holland to play Billy Milligan the first person to successfully use Dissassociative Identity Disorder as a criminal defense in the series The Crowded Room
• The Guardian asks a very real and interesting question: which films have missed their moment given the pandemic. Lots of films benefit from feeling 'of the moment' and not all of the films coming out in 2021 and 2022 will.

 More after the jump including trouble for film production in Georgia, Bowen Yang's Titanic hilarity, and the Art Directors Guild Awards...

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A rollicking good Tony Awards this year with "Hadestown" dominating

by Nathaniel R

The Tony Awards are -- very generally speaking -- the best produced awards show of the majors. Though their Emmy category keeps changing consider this: In the past 12 years of the Emmys, the Tony Awards have won their category 8 times from 11 nominations, missing a nomination only once. The Oscars and the Globes and the Grammys could never; Their combined total of wins and nominations in that same 12 year time frame is 0 out of 20. Last night at the 73rd annual Tony Awards, the American Theatre Wing demonstrating again why they're always a threat as "Best" with a remarkably sincere but funny and entertaining show with a plethora of fantastic acceptance speeches and exciting musical performances. The musical Hadestown and the epic play The Ferryman were the big winners with 8 and 4 wins respectively.

After the jump some of our own 'Best' proclamations of the night, the full winners list, and awards trivia...

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Stage Door: A startling new take on "Oklahoma!"

by Deborah Lipp

Gabrielle Hamilton, nominated for a Chita Rivera award, for a very different take on the dream ballet in "Oklahoma!"

Wow, that was a lot.

Leaving the new Broadway revival of Oklahoma!, a reconceptualization of the show that pulls no punches, I felt a little staggered, like it was too soon to have a celebratory dinner afterwards. (Context: I’m assuming you know the basics of this classic of musical theater, and I won’t consider any of its points “spoilers”. I will hold back potential spoilers, though, for this version.)

Daniel Fish’s unique production changes not one word, either spoken or sung, but it all feels very new...

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