Almost There: Rita Hayworth in "Gilda"

by Cláudio Alves

Few movies define a star so completely as Gilda does Rita Hayworth. It's impossible to overstate the cultural impact that the 1946 noir had, how it made Hayworth an immortal screen legend and how controversial it was. Some countries even tried to block the release of the picture or censor it. Such feeble efforts only made Gilda more popular, its licentiousness transformed into a thing of myth. In America, audiences went wild, but the critics were more miserly in their praise. Overseas, however, among the European tastemakers and film scholars, Gilda was quickly viewed as an object of serious artistry and not merely a box office juggernaut. Beloved by the public, celebrated by the intellectuals, it's no wonder the flick became such a historical landmark. 

It's safe to assume it was also the closest the actress ever came to an Oscar nomination. It would have been a deserved nod, that's for sure. In Gilda, Rita Hayworth is movie magic made flesh…

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Almost There: Madeline Kahn in "What's Up, Doc?"

by Cláudio Alves

There's a generalized belief that the Oscars are allergic to comedy. While that's not completely accurate, there's a kernel of truth in the statement. The Academy tends to prefer weighty dramas that signal their importance instead of light comedy. Considering the inherent subjectivity of humor and the way people tend to rile against any comedic Oscar champion (Birdman, The Artist, Shakespeare in Love, etc.), it's easy to understand why so few funny pictures get the most desired golden statuettes in Hollywood. Even this very series has been guilty of overlooking great comedic performances and focusing mostly on heavyweight drama, preferring tears to guffaws.

Well, it's time to change that and there's no better way to do it than by examining the hilarity of one of cinema's funniest women in one of New Hollywood's greatest farces. We're talking about the inimitable Madeline Kahn in What's Up, Doc?…

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Almost There: Ben Affleck in "Hollywoodland"

by Cláudio Alves

Ben Affleck may be one of Hollywood's A-listers, but he's not quite respected as an artist. More precisely, he's not often celebrated for being a performer, having otherwise received plenty of acclaim for his work as a director and producer. Just look at his awards history. He's gotten very little love for his acting skills but won two Academy Awards, for writing Good Will Hunting and for producing Argo. Had he been nominated for directing the latter, as it was widely expected, he'd probably have added another little golden man to his collection. It's difficult to feel bad for the fellow, but, at the same time, Affleck's reputation as a subpar actor isn't completely warranted. 

While it's true his range is narrow, when cast in the right role, Ben Affleck can be quite impressive. You'll find no better example of that than 2006's Hollywoodland…

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Almost There: Alfre Woodard in "Passion Fish"

by Cláudio Alves

Alfre Woodard is one of the great American actresses of our time. If there were any doubts about that, last year's Clemency must have surely killed them for good. Still, for people obsessed with movie awards, Woodard's mastery might not be obvious. Her sole Academy Award nomination came in 1983 for a film that few remember, Cross Creek. The lack of recognition for that feature doesn't mean it doesn't deserve praise and it certainly doesn't reflect lackluster acting. But we're here to talk about a different performance.

The 1992 drama Passion Fish was up for Actress and Screenplay and it's easy to imagine that a third nomination for Woodard nearly materialized...

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Almost There: Donald Sutherland in "Ordinary People"

by Cláudio Alves

Donald Sutherland is one of those actors who seem to be Oscar nominees even if they're not. Like Mia Farrow or John Goodman, Sutherland has been in so many awarded productions that he feels like the sort of person who should have the words "Academy Award nominee" appear before his name in trailers. He's almost an institution of American Cinema, his filmography full of historically important titles such as MASH and Klute. To think such a respected actor is still without an Oscar nomination is slightly inconceivable, but the lack of accolades never shocked Donald Sutherland himself.

In 1980, he was the only main actor of Best Picture-winner Ordinary People to be ignored by the Academy. When asked about the snub, he said: "I'm not surprised. I know that community and I didn't expect a nomination." That doesn't mean he didn't deserve one…

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