Happy Halloween!
We're laying low today but will surely pick something scary to watch tonight. If you need something frightening to think about to get you in the holiday mood, though, imagine Jared Leto winning a second Oscar when...
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We're laying low today but will surely pick something scary to watch tonight. If you need something frightening to think about to get you in the holiday mood, though, imagine Jared Leto winning a second Oscar when...
• Bloody Disgusting design for a new steelcase edition of American Psycho
• Screen Crush Sonny Chiba, legendary martial arts star, has passed away at 82 from COVID related pneumonia
• IndieWire Cinematographers speaking out about unsafe working conditions
• Deadline turns out Disney released that petty victim blaming statement against Scarlett Johansson when she was in labor delivering her new baby
• AV Club ...and perhaps to prevent another lawsuit, Emma Stone obviously got a *very* sweet deal for Cruella 2 aka... um, a second live-action 101 Dalmatians remake.
Julianne Moore, Maggie Gyllenhaal, Eternals, Anthony Mackie, Billy Eichner, Manny Jacinto, Gloria Swanson, Denzel Washington, and The White Lotus after the jump...
by Jason Adams
I don't think there's any good faith argument to be made that Mary Harron's American Psycho, which turns 20 today, is not Christian Bale's movie. His serial killing investment banker Patrick Bateman, now an icon for the ages for better or for worse, is in very nearly every scene -- Harron cuts away from his perspective only twice (both pointed moments I'll dig into below). We are, terrifyingly, trapped inside this most beautiful madman for every dissection and Whitney Houston diatribe -- it's much like Bret Easton Ellis' book that way.
But Harron, bless her, found ways to make the experience survivable, hell even somehow giddy and a deranged sort of fun, whereas Ellis' book is an undertaking swathed in ugliness and despair I've had no desire to revisit since my one and only traumatic read-through a good 25 years back. Harron navigated a supernaturally exquisite balance between her satire and horror, a vital "looking in from the outside" set of eyes that escaped the burden of Ellis' prose. And I think the key to it, besides Bale's brilliantly sweaty bananas work of course, is the vibrant gallery of women that Harron surrounded Bateman with...
As is our practice we've selected a handful plus of new-to-streaming titles and frozen them at utterly random moments without cheating (whatever comes up comes up!). After those selections we've listed all the movies from each of the streaming channels. What should you queue up for SEPTEMBER 2019 ?(★ means we definitely recommend catching them.)
OH and also we're very excited to announce that we have added THE CRITERION CHANNEL to this monthly roundup because good god but it's worth the money. Ready? Here we go...
Boy. Boy. Will you come with me?
Jungle Book (1942) on Criterion Channel
True embarrassing story: I've never seen this Korda brothers film which was the first complete movie adaptation of Rudyard Kipling's book (though there were earlier films using portions of it) and it's got to be better than the subsequent versions, nearly all of which I have seen of this oft-regurgitated story. It was nominated for four Oscars: Cinematography (losing to Black Swan though this image above makes me want to restart our Hit Me With Your Best Shot series), Art Direction (losing to My Gal Sal), Special Effects, and Score
Anyway, this is the finish. Me and showbiz.
In Stage Door we talk theater, usually making some form of movie connection because that's how we do things...
I don't know anything about Bluegrass music but I wouldn't have connected it to the Melodrama form. If I tried to tell you the plot of Steve Martin's Broadway show "Bright Star," you wouldn't even believe it, so I shan't. Let's just say that if the plot were a movie it would be a silent film with wild eyed pantomiming it's so BIG with oversized emotional rug-pulling. I was just crazy about the music but the book not so much. (On the night I attended it was all worth it because Steve Martin made a surprise appearance. There he was as the curtain raised for Act 2, playing on his banjo. He was loving it and so was the very very appreciative crowd. How lucky that he picked our night to show up!)
Aside from the Original Score which just won the Drama Desk Award, the show's MVP is its Tony nominated lead actress Carmen Cusack who plays her character, beautifully, at two separate ages as a gangly uninhibited teenager and a much stiffer heartbroken woman in her 30s; when she fuses their temperaments at the end into the same woman, it's divine. Her voice can soar gorgeously and crash down to earth with equal potency. The Original Cast Recording is now available which might be the best way to experience the otherwise uneven night of theater. The highlight of this particular lucky night out on Broadway was the surprise appearance of Steve Martin playing his banjo as Act 2 began. He was loving it and so were his appreciative surprised fans in the theater that night. I was lucky enough to be among them.
Bright Star is up for 5 Tonys: Musical, Book of a Musical, Score, Actress, and Orchestrations.
More Theater
54 Below Molly Pope is doing a one night show in July based on A Star is Born. She's a stunning live performer -it's pricey but I have to be there
NY Times An ode to Broadway replacements Heather Headley & Marin Mazzie
NY Post Michael Riedel predicts a mini Hamilton backlash at the Tonys. It will lose in at least a few categories
Theater Mania Once frequent Oscar nominee Marsha Mason is directing a production of Steel Magnolias in Pennsylvania (now running through June 18th). Jessica Walter is playing Ouiser which is great casting, don't you think?
Broadway Blog Cheyenne Jackson has a new album out "Renaissance"
SEEING @APtheMusical AND THIS LOVELY LADY CAME PRE-SPLATTERED @dorsia_BATeMAN pic.twitter.com/5NULUdeJ4w
— Bryan Fuller (@BryanFuller) June 4, 2016
P.S. Jason and I also caught American Psycho again the day before it closed and during intermission, while chatting with Pushing Daisies / Hannibal TV genius Bryan Fuller (who also enjoyed the show) we all met a crazy fan who was wearing an American Psycho dress . A second time through I'm even more convinced of its brilliance. The Tonys really stiffed it but at least it picked up 3 well deserved Drama Desk Awards (Lighting, Projections, Design)