The Furniture: Lost in Space and Time with "Passengers" and "Arrival"

"The Furniture" is our weekly series on Production Design. This is the second of two columns discussing this year's Oscar nominees. Here's Daniel Walber...

On the surface, Arrival and Passengers appear to be the most similar of this year’s Best Production Design nominees. They’re both science fiction films set in the near future. Yet the similarities end there. Passengers is set entirely on an extravagant, colorful spaceship. Arrival splits its scenes between the interior of a minimalist UFO and densely packed military tents.

There is also one more essential difference...

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20 Days til Oscar. Beyond Meryl...

Everyone knows that Meryl Streep is Oscar's all time acting nomination queen. This year the queen received her 20th nomination, this time for playing the worst opera singer Florence Foster Jenkins. But Streep's astonishing numbers get a little less intimidating if you break them up into supporting and lead categories. So let's do that to place Streep in a slightly different context in the history of Oscar'ed actresses.

I begged for this Crayola set as a child. pic.twitter.com/uB5CDBkXup

— Louis Virtel (@louisvirtel) February 3, 2017

We'll ignore wins in this particular exercize. Streep isn't #1 in the supporting sweepstakes, but she remains #1 by a very comfortable margin for leading actresses. More details after the jump...

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Team Experience: Mourning the Snubbed, Pondering the Head-Scratching Nominees

I polled Team Experience this morning about the Oscar nominations. Here are the first two related questions on absences and curious inclusions. We expect your answers to add to the conversation in the comments. 

What omission in this morning nominations most upset you?

Matthew: Like everyone else on here, I am devastated, first and foremost, for the outstanding Annette Bening, an exclusion for which I hold A24 accountable. Finally, I'd like to imagine that Pharrell and Sing Street composer Gary Clark are off together somewhere getting hammered and slinging insults at the tire-fire that is "Can't Stop This Feeling."

John: The intense excitement at Isabelle Huppert's name being read first, chased quickly by the sad reveal that Annette Bening lost a nomination is a perfect capsule for this Oscar morning...

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The Oscar Week: Who was the MVP of Phase 1?

In this weekly feature from Murtada we follow Oscar contender appearances and interviews. With Oscar balloting closing today, who did we enjoy on the campaign trail.

This was the last week of campaigning and contenders did not disappoint. Some got a boost from the Golden Globes, while everybody continued to cram in appearances. Amy Adams got her star on the Hollywood Walk of Fame. Natalie Portman made headlines about gender wage disparity, for No Strings Attached of all her films. Many sang “I Will Survive”.

Today ends what is termed as Phase 1 in Oscar campaigning, the nomination portion. This phase started on Labor Day Weekend as films were unspooled at the Venice and Telluride festivals. So who made it through almost 5 months of interviews, appearances and came out on the other side surprising, charming and endearing to those of us who follow these things closely? Here are our favorites...

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Interview: Denis Villeneuve on "Arrival" and his Future with Sci-Fi

by Nathaniel R

Though awards season is a roller coaster of emotion each year, one of its purely happiest annual trends is the sudden recognition of talent that have been doing consistently fine work all along. This year's "it's about time!" contender is surely 49 year old French-Canadian director Denis Villeneuve. A famous director at home with six wins at Canada's own Oscars, "the Genies," people are still learning his name in Hollywood and beyond. His international breakthrough was Incendies (2010) about twin siblings journeying to the war torn Middle East. It was nominated for the BAFTA and the Oscar for Best Foreign Language film. Since that breakthrough his profile in Hollywood has steadily risen and he's shown a gift for directing movie stars, versatility with genre, and a particularly refined skill at building and maintaining tension at feature length which has provided thrilling moments in all of his recent films from Prisoners (2013), Enemy (2013), Sicario (2015), and on to his current biggest hit yet  Arrival (2016).

Today he received a DGA nomination for Best Director, the surest awards season sign that a movie will be a Best Picture contender at the Oscars. Our conversation follows...

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