Will "Anatomy of a Fall" sweep the Césars?

by Nathaniel R

a snapshot from "Anatomy of a Fall"

The nominations for the 49th annual César Awards came out nearly simultaneously to the Oscar nominations so we accidentally missed them. Je suis désolé. As you would surely expect, Justine Triet's Oscar nominated Anatomy of a Fall is also a big deal across the pond. But it didn't top the nominations. That honor went to Thomas Cailley's mutant adventure The Animal Kingdom. Perhaps the biggest surprise / disconnect for those of us viewing from overseas is that France's unfortunately not-nominated Oscar submission The Taste of Things shows up in only two craft categories; if it wasn't well-loved at home, why did they submit it? But also: why didn't they love it? It's exquisite.

The ceremony will be held on February 23rd this year in Paris. The nominations, some trivia, and a few comments are after the jump...

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11 Quick Observations about the Oscar Nominations

Did you toon into the Oscar nominations this morning. Jack Quaid and Zazie Beetz (in particular) did a fine enthusiastic job of announcing the nominations in Oscar's 23 categories. There were surprises and shut-outs and overperformers as per usual. You can see the complete list of nominations at the Oscar Charts Index Page (though the individual charts per category are not yet updated).

Herewith 11 quick obversations about the nominations before we dive in to individual categories.

1. BARBIE FATIGUE (SORT OF)
While America Ferrera nabbed the Oscar nod we predicted for her in Best Supporting Actress (we went 5/5 on that volatile category in our predictions) Barbie received just 8 nominations overall. That's a lot, of course, but it isn't a lot in terms of expectations and how well the film had been performing at precursors...

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Oscar Volley: Is There Room for Surprise in Best Original Screenplay?

Team Experience is discussing each Oscar category as we head into the precursors. Here's Eric Blume and Nick Taylor to talk Best Original Screenplay...

Portrait of Nick and Eric discussing the Best Original Screenplay race

ERIC:  Hi Nick, we have some great options in the Original Screenplay category this year.  It feels like there's two guarantees for a nomination:  Greta Gerwig's Barbie (unless it changes categories and is nominated for Adapted instead) and David Hemingson's The Holdovers.  I like both of those pictures enormously, and both films succeed largely on the words and structure of their screenplays.  The Holdovers is essentially out of a Screenwriting 101 class, in the best way possible, in that it has all the classic elements (inciting incident, minute 30 turn, minute 60 turn, etc.) that scripts are built upon, but Hemingson executes everything very artfully so it feels satisfying rather than him hitting points...

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For the LAFCA, the Future is Female

by Cláudio Alves

The Los Angeles Critics LOVE actresses, and Sandra Hüller most of all.

Many bristled (and still do) when some awards bodies started changing their acting awards to genderless categories. One of the principal complaints was that this would mean fewer artists awarded and that men would dominate. Or, in the LAFCA's case, a new name on the same system since having two winners each for Lead and Supporting meant they could go on giving prizes equivalent to the gendered divide of yore. That happened last year when Blanchett and Nighy took the Lead, Quan and de Leon Supporting. This year, however, the Los Angeles Film Critics Association decided to forego tradition altogether. Their four acting prizes went to women, making this their first edition without a single male actor among the honorees. 

Come discover the complete set of winners and a lot of statistics, after the jump…

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European Film Awards: "Anatomy of a Fall" Sweeps!

by Cláudio Alves

Photo by Sebastian Gabsch | © European Film Awards

The European Film Academy loves itself a sweep, and this year did nothing to disprove their inclination. At the same time it keeps winning critics honors stateside, Justine Triet's Anatomy of a Fall took home four prizes, adding to the trophy it already earned for editing. Sandra Hüller even defeated herself since she was also nominated for The Zone of Interest, a first in EFA history. In her speech, the actress asked her audience to imagine peace in these troubled times while her director joked that making the film was a test on her relationship with partner and co-screenwriter Arthur Harari. The ceremony took place in Berlin this year, presided by Agnieszka Holland and host Britta Steffenhagen. 

Discover the complete list of honorees after the jump…

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