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Entries in Ann Reinking (5)

Monday
Dec142020

Ann Reinking (1949-2020)

Ann Reinking in "All That Jazz" 

The musical form has lost a bonafide legend. Ann Reinking, actress, director, choreographer, mentor, Roxie Hart revivalist, and Fosse expert nonpareil, passed away this weekend in her sleep at the age of 71...

Click to read more ...

Friday
May312019

Fosse/Verdon - Finale!

by Eric Blume

Michelle & Sam as Gwen & Bobby

Fosse/Verdon wrapped its 8-episode run this Tuesday, and here’s a quick recap on the final three episodes, and some overall thoughts on this captivating mini-series.

Episode Six, “All I Care About is Love” 
Episode six concerned Fosse’s heart attack during the editing of Lenny (1974) editing and rehearsals for Chicago on Broadway.  It was one of the weaker episodes of the series, especially coming off the previous episode, the almost-staged-play episode with the characters locked in a Hamptons house, arguably the show’s high-water mark.  That episode gave director Thomas Kail (who went from Hamilton to TV with graceful ease) the opportunity to put in the nails early on and keep screwing tightly, with all the actors laser-focused on their objectives and obstacles.  Episode Six, on the other hand, contained some material handled directly in All That Jazz, and it felt more like a transitional episode for the final narrative haul of the show...

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Sunday
Jun072015

Podcast: Smackdown Companion 1979

You've read the new Supporting Actress Smackdown. Now hear its companion podcast. Our panel widens its view from the supporting nominees to talk about the unique cinematic landscape of the late 1970s, the women's lib movement and concurrent movie gender wars, and which movies give the best period punch and which we've misremembered completely.

Host: Nathaniel R
Special Guests:  KM Soehnlein,  Kristen SalesBill Chambers, and StinkyLulu.

Contents

  • 00:01 Introductions and memory vs. reality w/ Breaking Away
  • 03:20 Gender Wars of 1979. Misogynistic or merely non-coddling and complicated? 
  • 09:00 Cynicism and Optimism in Starting Over and Manhattan, which is particularly self-critical and discomforting
  • 15:50 Contextualizing the movies. 1979 versus what was to come with shifting tastes. Do people still make movies about "how we live now?"
  • 21:00 Meryl Streep's command of subtext and Kramer vs. Kramer as a film 
  • 28:00 The oddity of Starting Over's comedy - we recommend
  • 31:30 Movies we wish we had had to watch for the Smackdown: Alien & All That Jazz and non-nominated supporting actresses
  • 36:45 Final random observations: valium, money in 1979, and new actors who weren't yet famous
  • 39:00 Meryl Streep then vs Meryl Streep now. Of course we spend the last five minutes on Meryl Streep.

And because we joke about it - Here is Candice Bergen's off-key hit single "Better Than Ever" from Starting Over.

Please to enjoy and continue the conversation in the comments. You can listen at the bottom of this post or download from iTunes tomorrow. THE NEXT SMACKDOWN IS AT THE END OF JUNE. WE'LL BE LOOKING AT 1948 SO ADJUST YOUR QUEUES ACCORDINGLY.

Smackdown Companion 1979

Sunday
Nov102013

True Oscar Stories: Ann Reinking

Today is Ann Reinking's 64th birthday so do some impossibly precise Fosse moves tonight whereever you are in her honor #andallthatjazz

When I tweeted that this morning the internet saw fit to remind me of her big Oscar moment performing Phil Collins' Against All Odds (1984) and though it was legendarily awful I personally have nothing but fond memories of Reinking from Annie (1982) and Micki & Maude (1984) and her foxy Roxie Hart (pre-movie version). Plus, of course, All That Jazz (1979) which would have been a better Oscar moment had they saw fit to nominate her for Best Supporting Actress that year.

I have only very vague memories of the 1984 Oscars (only my second ? time watching as a kid) and YouTube doesn't help since her Oscar night performance has never been online to my knowledge though I did discover some time-capsule LA Times items about that moment and this oddity from the Golden Globe nominated Movie Movie (1978) while searching for it.

Harry Hamlin's half aroused/half terrified Golden Globe nominated pretty mouth-face is so adorbs, don'cha think? I mean that's the only sane face to pull while watching Ann Reinking doing spread eagles and scissor kicks in a black tearaway gown and blonde afro.

-She sure can sing."
-With every bone in her body." 

I wish I could see her number from the Oscars and am suddenly filled with longing for the days of big awful Original Song production numbers on Hollywood's High Holy Night. Which are your "favorites" - scare quotes intentional? 

Wednesday
Aug142013

Morning Truth Tell: All That Jazz is a Freaking Masterpiece

If you haven't yet seen All That Jazz (1979) or haven't yet loved it -- you better stop and change your ways, daddy! Joe Gideon deserves the kind of hallowed cinema rep that Michael Corleone and Charles Foster Kane enjoy.

Live this truth. Carry it with you today.