Playbill recently announced that one of our very favorite Oscar nominees/hunks/great actors, Jake Gyllenhaal, will reprise his four-day stint from October as French painter George Seurat in Steven Sondheim’s Sunday in the Park with Georgefor an official ten-week Broadway run. Previews begin February 11th.
I was able to catch Jake in the initial staged-concert run of the show, and he’s a sight to behold...
Variety Keira Knightley in talks to star in the biopic about the French writer Colette. Crossing my fingers about this one. Colette is fascinating (she wrote Cheri!) Comics Alliance on Marvel, politics, and why corporations are not your friend Towleroad TitanMen has offered disgraced Congressman Aaron Schock (the one with abs and a Downton Abbey fetish) $1 million to star in a porn film. LOL Variety Clive Owen, Alba Rohrwacher, and more join Meryl Streep's competition jury at Berlinale
Kenneth in the (212) Shirtless Russell Tovey reportedly causes a Broadway audience member to faint. Ha! Pajiba checks in w/ the Trainspotting cast, 20 years on i09 Naomi Watts reunites with Lynch for Twin Peaks S3 i09 Noomi Rapace not returning for the Prometheus sequel IndieWire thinks "The Chickening," a short film remix of The Shining is insane and genius. Definitely the first part. As for the second... Towleroad a first for ESPN, actor Matthew Wilkas (Gayby, You're Killing Me) labelled "Gus Kenworthy's Boyfriend" during the X Games Coming Soon Tony winner Annaleigh Ashford (we ♥ her) has joined the cast of The Rocky Horror Picture Show the next TV musical (though this one won't be "live") Salon "Where are all the women in American Film?" a SAG-AFTRA member reviews her screeners
I had seen four films, 75 percent of which completely leave women out of the story. But maybe women really don’t feature in West African war zones. Or in the history of NWA. Or in finance.
But of course we feature. It just depends what story you want to tell.
TODAY'S WATCH Lady Gaga performering her and Diane Warren's Best Original Song nominee "Til It Happens To You" at the PGA Awards
LEFTOVER SUNDANCE BUZZ Variety 19 breakthrough performances from the festival Film School Rejects talks to the cast and filmmaker of the LGBT Korean-American drama Spa Night The Guardian Oscar buzz from the fest including Manchester by the Sea, Ira Sach's Little Men and Rebecca Hall as Christine
TODAY'S MUST (LONG) READ "Winona Forever" by Soraya Roberts for Hazlitt. It's a great history of the star's youth and her sudden generational iconhood. And how we've trapped her adolescence ever since.
Winona Ryder arrived at the perfect time. Film scholar Timothy Shary characterizes the teen genre as “cyclical.” Ryder’s first film, Lucas, was released at the end of the hyper-hormonal Porky’s era (AIDS and teen pregnancy ruined it for everyone), five years before the release of Boyz N the Hood. In the period between 1986 and 1990, during her teen career, there were about 250 American films about adolescents, the most memorable being nostalgic thefts of innocence such as Dirty Dancing (1987), Hairspray (1988) and Dead Poets Society (1989). Three of Ryder’s films—Great Balls of Fire, 1969, Mermaids—adhered to this theme. She was in a sweet spot: post sex-crazed, pre-violence crazed—the ideal landing pad for a wide-eyed alien.
“You’d be hard pressed to say who was an average girl in teen movies after the mid-80s,” says Shary. The Brats had moved on, and so had John Hughes (his last teen film, Some Kind of Wonderful, came out in 1987), though no one forgot about them. “[Hughes] showed that you could make sensitive teen films that didn’t have nudity that didn’t pander to the supposed teen sex urge,” Shary says. He thinks this was “a contributing factor in helping set up an actress like Winona Ryder who could come along in the later ‘80s and be taken seriously as a teen actress.” While Hughes muse Molly Ringwald pined for the rich guy, Ryder merely pined for herself...
It's a delicious read and for those of you who didn't live through the Depp/Winona years, a fine encapsulation of the generational fascination with their relationship.
Last week we kicked off a new weekly series in which we assemble a few rotating members of Team Experience to discuss various TV shows. Here's Dan, David, Deborah, and Manuel on discuss Masters of Sex - Editor
Dan: Hello everybody, welcome to our roundtable discussion on Masters Of Sex. I want to begin with a general topic: How do you all respond to time jumps in TV shows? Masters of Sex does this a lot, with several months often taking place offscreen either in between episodes or even during a single episode (S2's "Asterion" comes to mind). The second season ended in 1961, and this season began in 1966, skipping anything dealing with finding a publisher and marketing the study as a book. Did that throw you? Did you miss anything that would have been covered in the years we didn't get to see?
I was taken aback when it turned out Isabelle Fuhrman was Virginia's daughter Tessa, because last we saw Virginia had given up custody of her kids and Tessa was still a little girl. Now she's all grown and sneaking alcohol and drunkenly attempting to kiss Bill.... what happened to our sweet girl?
Deborah: Hi Dan and all! I'm a Mad Men fanatic, so I don't mind time jumps in theory. But Masters of Sex has been clunky with it. A big time jump at the halfway point of a season (Asterion) is awkward. At the time, I wrote "Halfway through Season 2, Masters of Sex decides 'to hell with this.'" It was strange. Jumping forward between seasons is a more elegant way and it makes sense. Here's what doesn't make sense: The show clearly wanted to get to the publication of the book, because all the years of research for the book were bound to become repetitive. That being the case, now that they've brought us to the book, why put so much attention on Virginia's kids and Bill's marriage?
The Best Picture winners of 1938 and 1953, which were based on hit plays and best selling novels respectively, have moved to the stage. Let's take a look...
Annaleigh Ashford dances up a comic storm in "You Can't Take It With You"
YOU CAN'T TAKE IT WITH YOU For this Broadway revival of the classic 30s comedy, famously moviefied by Frank Capra back in the day, they've gone all star: James Earl Jones plays the tax-avoiding follow-your-dreams grandfather, Broadway vet and A+ comic actress Christine Nielsen (recently Tony nominated for Vanya & Sonia & Masha & Spike) is the easily distracted mother of a large brood, Rose Byrne her gorgeous daughter (essentially the 'Marilyn Munster' of this band of eccentrics), Fran Krantz from Dollhouse and Cabin in the Woods her rich would-be fiancee and Annaleigh Ashford, who has been on such a brilliant role these past couple of years with her ex-hooker lesbian receptionist on Masters of Sex and as a factory girl in Broadway's Kinky Boots, is the dance-crazed busybody.
If you've boned up on your 1930s Best Picture winners you'll know that those are the roles once inhabited by Lionel Barrymore, Spring Byington (Oscar-nominated), Jean Arthur, Jimmy Stewart and Ann Miller; tough acts to follow all.
As it turns out the theatrical and farcical antics of this family play better on stage...
I'll be out of the country for the Tony Awards this year on a much needed vacation but before they arrive I thought I'd share with you my final theatrical experiences of the season, the first of which is way Off Broadway (though close to Broadway geographically) and the second is one of your major Tony contenders.
Both of them adapted from movies because that is what gets financed these days!
Elizabeth Berkeley (Nomi Malone) and Rena Riffel (Penny/Hope) in Showgirls (1995)
Showgirls: The Musicalis playing Wednesdays and Saturday nights at XL Nightclub. I raced to see it with friends since I love the movie so much. Plus I was fascinated that "Penny" herself, excuse me, "Hope" ("no one wants to fuck a Penny!"), the actress Rena Riffel, is reprising her role for the stage. She's self-aware enough to embrace Showgirls infamy as a career (she's also the star of the straight to DVD Showgirls 2: Penny's Revenge) the way C list stars of certain sci-fi programs end up as geek convention regulars hawking their wares. It's a honest living! I totally wanted to hug her or at least let her sign my ass or something. What a good sport! [more on Showgirls and "Kinky Boots" after the jump]
Monday, December 19, 2016 at 10:21PM 
