Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team.

This site is not for profit but for an expression of love for cinema & adjacent artforms. 

Powered by Squarespace
DON'T MISS THIS

Follow TFE on Substackd 

COMMENTS
Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Entries in Apichatpong Weerasethakul (3)

Thursday
Feb032022

Oscar Volley: Those DGA Nominees (and more) in Best Director

Our Oscar Volleys series is down to our last two categories. Here are Tim Brayton and Eric Blume to talk Best Director. (This volley was recorded before the BAFTA announcement but since those nominations are juried they probably won't have much bearing on Oscar outcomes.)

Eric Blume:  Tim, I'm thrilled to talk shop about the Best Director category. Let's start with Jane Campion, Denis Villeneuve, and Kenneth Branagh who all seem unlikely to miss.  I'm personally thrilled that Campion might ride her crest all the way to a win. Nobody else could have made The Power of the Dog work so layered and subtle, or told that story without it seeming heavy-handed, obvious, or silly. The film gives Campion the chance to do her specialty: embroiling us in a narrative and in character motivations so intensely strange yet fully human that we're transported by our own confusion and curiosity.  She has that special ability to deliver a rare grounded sense of whatthefuckery in her movies. There are moments where so much is happening psychologically, where so many meanings are transpiring simultaneously, that you can't even fully process it until it's passed you by.

I'm also a huge fan of Villeneuve, a natural-born filmmaker if there ever was one...

Click to read more ...

Sunday
Oct102021

NYFF: I Remember "Memoria"

by Jason Adams

You can quite literally say that Memoria begins with a bang, as its inciting incident is just that -- a loud noise waking someone from sleep. But as far as it ending with a whimper, well, the only whimper its end will summon will be your own, as the lights come up and you realize your mind's been blown and that you're desperate to get back into the zen dream-state that Apichatpong Weerasethakul and his on-screen co-conspirator Tilda Swinton have lulled you into. I've spent the past week since seeing the film in just such a state of want. And so the news of the film's not-normal release pattern (which was weirdly the film headline I saw upon exiting the film -- further proof this movie actually transports you into its own reality?) has brought me both joy and sadness. A melancholia of its own.

In case you missed the news Memoria will travel the country, one art-house theater to another, only screening on one screen at a single time and never, not ever they say, hitting streaming...

Click to read more ...

Monday
Oct042021

Armenia, Canada, Colombia, and Peru announce their Oscar submissions

by Nathaniel R

DRUNKEN BIRDS

We have four more submission for Oscar's Best International Feature Film race to share.

CANADA
Remember that nude asshole boyfriend "Fermin" from Alfonso Cuarón's Roma who knocked our heroine up and then abandoned her? The actor who played him, Jorge Antonio Guerrero, could be back in the International Feature Oscar race. Guerrero headlines this year's Canadian Oscar submission Drunken Birds, which is about a man on the run from a cartel leader who relocates to Quebec and hopes to find a woman there who fled from the same cartel. The film, in French and Spanish, comes from Canadian director Ivan Grbovic and just played TIFF...

Click to read more ...