Fargo: Kindness in an Unkind World

by Cláudio Alves

With Frances McDormand back in the Oscar conversation thanks to Chloe Zhao's Nomadland, I'm reminded of some discussions I had when Three Billboards Outside Ebbing Missouri was making its way through the festival circuit. On first viewing, I was more charmed by the movie than many of my friends and colleagues (subsequent re-watches killed that initial goodwill), finding myself defending some of the picture's elements to its impassioned detractors. Three years later, there's still a critique of Frances McDormand's second Oscar-winning performance that infuriates me, even though I'm no big fan of her turn as Mildred Hayes. 

According to people whose opinions I respect, McDormand was doing the same thing she always does. More alarmingly, I was told that the actress was just repeating her first Oscar-winning performance in Fargo. Whatever one may think about this thespian's pair of Academy Award-winning works, they are different, diametrically opposed even. In many ways, Mildred is the antithesis of Marge Gunderson…

Click to read more ...

Sally Kirkland's legendary Oscar campaign

by Cláudio Alves

The next Supporting Actress Smackdown will focus on the contenders of 1987. Before that celebration of great acting at the margins, we'll be exploring the cinematic year, its glorious pictures, and memorable Oscar races. Speaking of which, one can't discuss 1987 in the context of awards, without mentioning and paying respect to one of the ballsiest campaigns ever made by an actress. Through her sheer will, impressive determination, and tireless ambition, Sally Kirkland managed to conquer a Best Actress Oscar nomination for Anna, a little-seen American indie about an aging performer.

First things first, before we delve into Kirkland's pursuit of little golden men, we should appreciate the work for which she was recognized. The movie is discussed nowadays to snicker at the thirsty campaign, but it's a masterclass of acting...

Click to read more ...

Women of a Certain Age and the Best Actress Race

This list/trivia article is revamped from a 2014 article...

 

With Sophia Loren (86), Meryl Streep (71 if she campaigns in lead), Frances McDormand (63), Michelle Pfeiffer (62), Viola Davis (55), Amy Adams (46), and Kate Winslet (45) all looking like viable discussion points for the upcoming Best Actress race, it's time to look at one of our favourite research areas: Age and Oscar Trivia. If any combo of five from those seven women make it (unlikely of course) we'll have our oldest Best Actress lineup of all time by a big margin. If only three or four of them make it we're still likely to have the oldest line up of all time though younger contenders like Andra Day, Vanessa Kirby, Elisabeth Moss, Jennifer Hudson, and Carey Mulligan (all in their 30s) are surely hoping to spoil this 'most mature' trivia party. 

Good news: The Academy is getting less ageist. We know because we've researched this for years. In fact as you can see in the "top ten most mature Best Actress lineups" after the jump, a good deal of the top ten is from recent years. When this first started happening we chalked it up to an anomaly due to Meryl Streep, but she's hardly the only senior citizen actress that they've nominated in the last 20 years. Ready for the list? 

The Top Ten Most Mature Best Actress Shortlists

Click to read more ...

Yes No Maybe So: "Promising Young Woman"

by Lynn Lee

Could this be Carey Mulligan’s year?  When the first trailer for Promising Young Woman hit theaters last December, this viewer, at least, immediately sat up and took notice.  Mulligan plays emphatically against type as a modern-day nemesis aptly named Cassandra, self-packaged as a poisoned bonbon of sexual pliability, and spurred to vengeance by an unpunished rape that caused her to drop out of medical school.  Reviews at Sundance affirmed the power of Mulligan’s performance, and the movie seemed poised to remind the world that she’s still a formidable actress who deserves way more attention than she’s received since her breakout Oscar-nominated turn in An Education. 

Then the pandemic happened, and PYW’s release—originally set for April— was indefinitely pushed back.  Now it’s rescheduled for Christmas Day, and the movie poster and a second trailer have dropped.  Will it be enough to get Mulligan in the 2020 awards conversation?  Let’s break the trailer down, YNMS style...

Click to read more ...

NYFF: The sad, strange, incomplete "French Exit"

by Nathaniel R

Frances Price, the soon to be impoverished widow at the center of French Exit alarms everyone around her and puts them on edge. She will just not cooperate. Neither will Michelle Pfeiffer, the actress playing her, for that matter. Rather than dance around it, let's just state the conundrum up front. When you're watching your favourite actor star in a potential comeback role based on a book you've grown deeply fond of and have already visualized as a movie in your head, the conflicts between expectations and reality and dreams can be impossible to mediate. And disconcerting, too. You've got to watch the movie for the movie but also work through your own external actress-related issues while doing so.

I obsess over Michelle Pfeiffer, okay?! There's no avoiding it and little point not foregrounding it in this review. Complete strangers know this about me...

Click to read more ...