Almost There: Jodie Foster in "Contact"

by Cláudio Alves

This past weekend, Jodie Foster threw a wrench into the Best Supporting Actress race, surprising pundits when she won the Golden Globe for The Mauritanian. Maybe we shouldn't have been so shocked; The Academy hasn't acknowledged Foster since her 1994 nomination for Nell, but the HFPA never stopped loving her (8 nominations, 3 wins, 1 lifetime achievement). Three years after her last Oscar nomination, she was back on the hunt for a Golden Globe. The movie was Robert Zemeckis' Contact and the role was one of the most challenging in the actress' long career…

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Oscar Race: Best Actress won't settle!

by Nathaniel R

The Golden Globes threw a molotov cocktail at the Best Actress race last night. Pundits have mostly agreed that four spots were cemented with Viola Davis, Carey Mulligan, Frances McDormand, and Vanessa Kirby as the leaders. The fifth spot was deemed up for grabs with some growing sentiment that it would be Sophia Loren (The Life Ahead) emerging from behind (without precursors) to score that contentious final seat in the throne room. But last night the Globes did some very loud FYCing for both Rosamund Pike (I Care a Lot) and Andra Day (United States vs Billie Holiday), both of whom starred in 2021 pictures vying for the "best of 2020" honors due to the extended eligibility period. In other words, it paid to wait until the last second with the Globes this year.

Will these two wins affect the Oscar ballots which go out this Friday? Let's discuss after the jump...

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Almost There: Marlene Dietrich in "Shanghai Express"

by Cláudio Alves

A cabaret performer and silent film actress during the Weimar years, Marlene Dietrich left Berlin at the dawn of the 1930s. She abandoned Germany, traveling to Hollywood with director Josef von Sternberg who'd go on to make Dietrich into Tinseltown's most glamorous star. The pair of creative partners and off-screen lovers shot seven films together, all of them classics whose sensuous allure and grotesque opulence make for some of the weirdest pictures to come out of Hollywood at the time. Theirs was a cinema of provocation, hedonistic spectacles that overwhelmed the senses even as they moved at a lethargic pace as if the films themselves are bodies recuperating in the aftermath of an orgasm. As an avowed fan of Marlene Dietrich, this septet represents some of my favorite flicks, their dreams of celluloid working as siren songs that never fail to seduce and enchant.

The Criterion Channel is now streaming these seven glistening gems, so it's a good time to explore a Sternberg-directed Dietrich performance that came palpably close to an Oscar nomination. Let's talk Lily in Shanghai Express…

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Streaming Revisit: Pauline Collins in "Shirley Valentine"

by Baby Clyde

These days Driving Miss Daisy’s multiple wins for the 1989 film year are seen as a low point in Oscar history. Not only that the film itself is often criticised for its naïve take on race relations, but especially because 32 years later movie goddess Michelle Pfeiffer is still without a Best Actress award. Whilst no one critizes Jessica Tandy’s performance the win is viewed as a career award for someone who’s film career didn’t warrant one. Combine this with Pfeiffer losing for what is probably her most legendary part and no one’s happy. Especially me as I don’t sign up to either of those interpretations!

In my eyes there is only one possible winner in this contentious race...

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Goodbye, Cicely Tyson (1924-2021)

by Cláudio Alves

Cicely Tyson, who died earlier this afternoon at the age of 96, was one of a kind. "Legend" doesn't even come close to describing her grandiose wonder, her legacy, her impact. No words I can scrounge up are enough to summarize the greatness of this model turned acting sensation, icon, pioneer. Her career spanned more than half a century and Tyson made sure to leave her mark on the big and on the small screen, on stage too, earning countless golden accolades, much-deserved acclaim, and the adoration of millions across generations.

She was an inspiration to many, a woman who made sure to immortalize and celebrate Black History in her roles and embody Black excellence in her exquisite craft. I still remember the first time I ever saw her…

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