Almost There: Amy Adams in "Arrival"

by Cláudio Alves

With Hillbilly Elegy upon us, two of Oscar's perennial bridesmaids are back on the hunt for gold. Most of the movie's buzz has centered on Glenn Close's latest attempt at enshrining her career in the glory of Hollywood's most coveted trophy. However, one shouldn't ignore Amy Adams, an Oscar-hungry actress who's only one winless nomination away from tying her costar's record of seven nods and no victory. She'd have already tied Close if not for her infamous snub in 2016.

Despite starring in a Best Picture contender with eight overall nominations, earning citations from the Globes, BAFTA, SAG, and the BFCA, Amy Adams failed to conquer a place in AMPAS' Best Actress lineup for her performance in Arrival…

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If I Could Turn Back Time... How Cher Ruled 1987

by Baby Clyde

I’m not sure if I believe in life after love (whatever that means) but I definitely believe in love at first sight. I first saw the love of my life in a dingy dive bar 1981. She stood there, pint in hand surrounded by an intimidating girl gang, dressed to the nines in black leather with gold hoop earring and Jungle Red nail varnish. I watched in awe as she slunk over to the jukebox all back combed hair and gum chewing attitude. Her name was Cherilyn Sarkisian and she changed my life forever. 

I was not even 10 as I watched the video for Meatloaf’s single Dead Ringer For Love. A notorious flop in America it was a Top 5 smash hit in Britain at the tail end of 1981 in no small part because of Meat’s duet partner...

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Almost There: Norma Aleandro in "The Official Story"

by Cláudio Alves

One of the nominees from this Thursday's Supporting Actress Smackdown likely got her nomination due to thee Oscar buzz she had earned from a previous performance. While it was Gaby: A True Story that made Norma Aleandro an Academy Award nominee in 1987, it was her performance in 1985's The Official Story that put her name on Hollywood's lips. That Best Foreign Language Film winnere remains the crown jewel in the Argentinian actress' hallowed career...

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Ahead of "The Life Ahead," Actressing in Subtitles in the 2010s

by Juan Carlos Ojano

Cinema legend Sophia Loren makes a potential comeback with this year’s The Life Ahead this Friday on Netflix after more than a decade of career hiatus. Loren made history as the first Oscar winner for a performance not in the English language for 1961’s Italian film Two Women. Her second Best Actress nomination came with 1964’s Marriage Italian Style. If nominated for The Life Ahead, Loren would break the record for the longest gap between nominations with 56 years (though she'd only tie the record for most nominations for subtitled performances since her frequent co-star Marcello Mastroianni holds that record with three).

Loren is part of the longstanding tradition of Best Actress nominations for performances not in the English language (it happens far more often there than in other acting categories). Whether through sheer talent, strategic campaigning, and/or the dearth of quality roles for actresses in Hollywood, these performances overcame the one-inch barrier of subtitles and ended up with Academy recognition...

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Almost There: Faye Dunaway in "Barfly"

by Cláudio Alves

I confess myself surprised by the reader's choice in this last round of voting for the Almost There series. When it came time for you to select what 1987 performance should be explored this week, your votes decidedly indicate a preference for Faye Dunaway's post-Mommie Dearest Oscar bid, Barfly. This under-discussed Barbet Schroeder flick was made from a semiautobiographical script by the bonafide poet of the gutter, Charles Bukowski. It competed in Cannes but it didn't cause much fanfare, mainly valued as an acting showcase for its cast, led by Mickey Rourke as a tic-ridden sing-songy facsimile of Bukowski himself.

As for Faye Dunaway, she takes around 22 minutes to enter this picture about alcoholism and the addicts who scuttle from the light like bugs. Haggard-looking and sitting lonesome at the end of a bar, she's quite distant from the image of a glamourous diva many might associate with the actress' screen persona…

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