Almost There: Christopher Plummer in "The Insider"

by Cláudio Alves

Despite starring in two Best Picture winners and many other movies blessed by plentiful love from AMPAS, Christopher Plummer always struggled to be recognized by the Academy. While the actor earned a lot of golden accolades and nominations for his TV work, including two Emmys, his cinematic efforts rarely caught the attention of awards-giving bodies. It was only in the twilight of his career that such fate changed but that doesn't mean he wasn't deserving before. For example, in 1965, the year of The Sound of Music, I'd have happily nominated him both for his stern star turn as Captain von Trapp and for the malicious sensuality he brings to Inside Daisy Clover.

Still, the closest he ever came to an Oscar nomination pre-2009 was for Michael Mann's The Insider...

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Christopher Plummer (1929-2021)

by Nathaniel R

I thought Christopher Plummer would never die. Which is to say, I thought he wouldn't die for a long time yet. The last act of his career, running roughly from the one-two punch of his second Tony win in Barrymore (1997) and his much-praised Oscar-snubbed Mike Wallace in The Insider (1999) through his mischievously pleasing star turn as Harlam Thrombley the manipulative patriarch in the surprise hit Knives Out (2019), was like a gauntlet thrown down; dare to imagine the movies without me!

We'd rather not, thank you very much. But now we sadly must with the actor's death at 91 years of age...

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Oscar Charts - All acting categories two weeks before Globe & SAG nods

by Nathaniel R

Zendaya smiling because the camera is absolutely besotted with her.

As strange as it is to note, it's still worth reiterating that Academy voters don't begin to fill out their nomination ballots for another five and a half weeks (!!!) A lot of things can change in that long of a stretch of time. Films and performances can move in or out of favor in two weeks time, let alone five!  But here is where our crystal ball is right now...

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Oscar Chart Updates: Are the critical leaders in "Supporting" Oscar bound or not?

by Nathaniel R

Is there a stranger 'big eight' Oscar category situation this year than the Supporting categories? Both of them appear to have a weird dearth of mainstream contenders. Meanwhile the critics awards or "precursors" have (thus far) been laser-focused on upping the Oscar viability of just two (or three if we're being generous) arguably non-traditional options in those categories: Maria Bakalova's comic improv genius in Borat Subsequent Moviefilm, Paul Raci's weary mentor in the hard-edged indie Sound of Metal, and Youn Yuh-Jung's spirited grandmother in Minari. 

Which brings up the natural but loaded question of what part critics do or don't / should or shouldn't play in the televised awards races. There are no doubt complicated reasons why critics all across the nation vote so uniformly in some years but we'd argue that it's never from a lack of good options as hundreds of movies starring plentiful gifted actors come out each year...

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Almost There: Andy Serkis in "The Lord of the Rings: The Two Towers"

by Cláudio Alves

The particularities of screen acting make it a collaborative effort, even in the most low-fi of situations. What gets left on the cutting room floor, what reactions are chosen by the editor and director, the sound, the makeup, the way a cinematographer lights the performer's eyes, all shape what we see projected on-screen. Still, when it comes to awards, there's a belief that performance is the sole responsibility of the individual in front of the camera.

When the collaborative aspects of screen acting are made inescapable, it's  difficult to collect golden accolades. We see that happening to voice-only performances and motion-capture efforts, in particular. With The Lord of the Rings trilogy new to streaming on Hulu, we have a good opportunity to explore the mo-cap performance that came closest to Oscar glory. I'm talking about the paradigm-shifting work of Andy Serkis as Sméagol/Gollum in 2002's The Lord of the Rings: The Two Towers…

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