Smackdown '97: Joan, Minnie, Gloria, Julianne Moore, and Kim Basinger

Welcome back to the Supporting Actress Smackdown. 

In this monthly series we pick an Oscar vintage to explore through the lens of actressing at the edges. This episode takes us back 25 years to the landmark year of 1997 when Titanic and "Matt & Ben" were all rage.

THE NOMINEES  

Aside from an encore showing for comedic genius Joan Cusack, a surprise nominee in 1988 for Working Girl, the Academy went with all first-timers for 1997's Supporting Actress roster. Not that the actresses were "new" to the scene. There were two "comeback" narratives: Kim Basinger had been a leading lady for over a decade before LA Confidential but she'd taken a three year break from the movies (amidst multiple financial and legal troubles). Meanwhile Gloria Stuart who began in the early days of sound cinema was being celebrated in a way she hadn't been since 1932. The "breakthrough" nominations, were also two-fold. One went to Minnie Driver (who had two films out, In & Out  and Grosse Point Blank). The other went to ubiqutious Julianne Moore who kicked off '97 with a Sundance hit (The Myth of Fingerprints), and continued making news with a blockbuster (Lost World Jurassic Park) before her career-elevating role arrived in the fall in the unlikely package of an epic ensemble drama about the 1970s porn industry from a filmmaker barely anyone had heard of.

THE PANELISTS 

 Here to talk about these five films and performances are (in alpha order) author and entertainment jourmalist Kyle Buchanan (The New York Times, "Blood, Sweat & Chrome: The Wild and True Story of Mad Max: Fury Road"), podcaster Chelsea Eichholz (Cinema Gals), and comedian / podcaster Louis Virtel (Keep It!, Jimmy Kimmel Live). The Smackdown is hosted by the founder and editor of The Film Experience, Nathaniel Rogers.

SUPPORTING ACTRESS SMACKDOWN + PODCAST  

LET'S BEGIN...

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Almost There: Sigourney Weaver in "The Ice Storm"

by Cláudio Alves

As the 1997 Supporting Actress Smackdown approaches, our celebration of that cinematic year continues. But of course, this project wouldn't be complete without a deep dive into the performance that almost made it to the Oscar lineup, representing a previous Academy Queen's comeback after years of unheralded work. In the 80s, Sigourney Weaver seemed poised to be one of those names who'd inevitably win a little golden man. However, after 1988's double nomination, awards organizations lost interest. Because of that, Ang Lee's The Ice Storm felt like a return to form in terms of sheer prestige, positioning Sigourney Weaver as an expected contender for the Best Supporting Actress Oscar.

Unfortunately, the critical hit failed to secure any Academy Award nomination, a surprising result after a good performance that season. All these years later, Weaver's snub hurts the most…

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Almost There: Jamie Lee Curtis in "True Lies"

by Cláudio Alves

When announcing his honors for the year's first half, Nathaniel cited Jamie Lee Curtis among his Supporting Actress favorites. If Everything Everywhere All At Once keeps its buzz going into the awards season properly, we might see Curtis among this year's Oscar contenders. This Hollywood princess turned erstwhile scream queen has had a storied career full of outstanding performances, and it's about time the Academy pays her respect. Maybe the reason for her nomination-less state is that Curtis' best work tends to happen when she's playing in genre pictures – comedy, action, and horror. Such is the case of 1994's True Lies, a James Cameron-helmed action-comedy for which the actress got some buzz.

As we wait to see how Curtis' new Oscar hopes pan out, let's look back to the 90s and re-examine the actress' take on the character of Helen Tasker…

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Almost There: Bea Arthur in "Mame"

by Cláudio Alves

This past Sunday, the American Theatre Wing and The Broadway League celebrated the 75th Annual Tony Awards. Considering past intersections of Tony gold and Oscar success, it's fun to speculate which honorees might one day reprise their roles on the big screen and play a part in a different sort of awards season. Not that repeating an acclaimed stage performance for film leads to a surefire triumph with the Academy. For every Yul Brynner in The King and I and Viola Davis in Fences, there's a Robert Preston in The Music Man and Bea Arthur in Mame. That latter film saw 2022's Lifetime Achievement Tony Award winner Angela Lansbury ditched by Warner Bros. in favor of Lucille Ball, despite having originated the role to great acclaim on stage and already being a film star. It was a move everyone involved grew to regret. 

Thankfully, the studios didn't replace Arthur from the original Broadway cast, so there's still something to love about the misbegotten Mame…

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Almost There: Cher in "Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean"

by Cláudio Alves

What are you doing for Mother’s Day? The Criterion Channel marks the occasion with a collection inspired by Michael Koresky's Films of Endearment. In his book, the film critic details how he and his mother revisited the 1980s movies that she introduced to him, igniting a passion for cinema. The resulting selection comprises a varied offering of that decade's prestige cinema starring an array of acclaimed actresses, from Ellen Burstyn to Meryl Streep. One of the collection's most exciting titles is Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean, an underrated Robert Altman effort that gave Cher her first serious big-screen role. If not for this flick, her ascendance to movie stardom might have never happened, much less a Best Actress Oscar victory.

As one looks back at the 1982 play adaptation, the beginning of Cher's path towards acting gold is evident. Indeed, she almost got an Academy Award nomination right then and there…

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