Nicecore-palooza

by Cláudio Alves

Upon the US release of Paddington 2 in 2018, film critic David Ehrlich wrote about a new age of optimistic movies. He called this phenomenon, nice core. They were films that emerged in the era of Trump and Brexit, little rays of celluloid sunshine that celebrated the power of kindness and the wonder of humanity from filmmakers living in an increasingly cruel world. If you're looking for formalistic vanguard or challenging experiences, you won't find it in this type of cinema, though that doesn't have to be necessarily bad. Art of modest ambition whose main purpose is comfort shouldn't be undervalued.

One could almost say that, when ironic detachment becomes standard, the exaltation of sincere cinema can be a radical gesture…

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Box Office: "Good Boys" makes good - did you see it?

With 16 features in wide release -- which is a lot given that there's usually only 10-12 with today's tendency to pack movies on 4,000+ screens -- let's cover the whole field, shall we?  Plus the specialty titles in limited release because we think they're just as, if not more, important on the regular. After the jump the full chart...

Weekend Box Office August 16th-18th (Actuals) 🔺 = new or expanding / ★ = recommended
W I D E	PLATFORM / LIMITED
1 🔺 Good Boys $21.4 *new* REVIEW  ★	1 🔺 Mission Mangal $1.3 on 263 screens *new*

2 Hobbs & Shaw $14.1 (cum. $133.7)  REVIEW  ★	2 🔺 The Peanut Butter Falcon $287k (cum. $583k) on 49 screens REVIEW ★

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Review: Blinded By The Light

by Chris Feil

Bend It Like Beckham director Gurinder Chadha brings us another earnest and heartwarming delight with Blinded By The Light, a true story of a Pakistani teenager transported out of his British suburb by the music of Bruce Springsteen. Javed (played by charming newcomer Viveik Kalra) is an outsider inside and outside his home: he can’t abide his father’s rigid cultural expectations and struggles to be taken seriously as writer in a white-dominated community. But the film also speaks to the political and economic concerns of its time period, depicting a lower-middle class world oppressed by Thatcher and the ensuing racist resurgence and capitalistic dominance.

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Abe's Sundance 2019 Wrap

Abe Fried-Tanzer closing out his Sundance coverage for TFE. Thanks, Abe!

Holliday Grainger and Alia Shawkat in ANIMALS (2019)

The Sundance Film Festival is officially over, closing out a busy week and a half of nonstop movies. I managed to catch 46 titles this year, most of which I enjoyed. Among them were the Grand Jury Prize winners from the U.S. Dramatic Competition, Clemency, and the World Cinema Dramatic Competition, The Souvenir, both of which were written up by Murtada. While I appreciated both of those films, here are my choices for BEST of the fest in various categories... 

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