If you were a peculiar orphan with supernatural powers could you imagine anyone more perfect than Eva Green to be your guardian? Tim Burton may not be the director he used to be in quality or bankablity but he was smart to latch on to Eva Green as his latest pale skinned raven haired muse. She ran so many circles around everything else that was happening in Dark Shadows (2012) it's a miracle that it was her character and not the film that cracked apart and crumbled. Her reviews are strong again for this new fantasy film.
TOP TEN WIDE
01 Miss Peregrine's Home for Peculiar Children $28.5 NEW
02 Deepwater Horizon $20.6 NEW
03 The Magnificent Seven $15.7 (cum. $61.6) Review
04 Storks $13.8 (cum. $38.8)
05 Sully $8.4 (cum. $105.3) Review
06 Masterminds $6.6 NEW
07 Queen of Katwe $2.6 (cum. $3) Review
08 Don't Breathe $2.3 (cum. $84.7)
09 Bridget Jones's Baby $2.3 (cum. $20.9) Review
10 Snowden $2 (cum $18.7)
TOP TEN LIMITED
(Excluding Previously Wide)
01 M.S. Dhoni The Untold Story $1.2 NEW
02 No Manches Frida $380K (cum. $10.9)
03 The Dressmaker $357K (cum. $622K)
04 The Beatles: Eight Days a Week $355K (cum. $2)
05 I Belonged To You $325K NEW
06 Denial $102K NEW
07 Don't Think Twice $99K (cum. $4.1) Review
08 The Hollars $98K (cum. $910K)
09 American Honey $75K NEW
10 A Man Called Ove $61K NEW Sweden's Oscar Submission
In limited release it's clear by now that niche distributors need to study whatever it is companies like FIP and China Lion are doing because they keep managing strong opening weekend grosses for Bollywood films and Chinese films without so much as a sliver of traditional US media promotion.
What did you see this weekend?
I got a cold (boo) so I missed a screening or two (no one needs someone sneezing through a whole movie while they're watching it) but did manage to catch up with the Molly Shannon cancer dramedy Other People (and the review and interview right here) which were all quite enjoyable.
Friday, March 20, 2020 at 11:01PM ;)
Upon the US release of Paddington 2 in 2018, film critic David Ehrlich wrote about a new age of optimistic movies. He called this phenomenon, nice core. They were films that emerged in the era of Trump and Brexit, little rays of celluloid sunshine that celebrated the power of kindness and the wonder of humanity from filmmakers living in an increasingly cruel world. If you're looking for formalistic vanguard or challenging experiences, you won't find it in this type of cinema, though that doesn't have to be necessarily bad. Art of modest ambition whose main purpose is comfort shouldn't be undervalued.
