Box Office: Without Super Powers, You Are Nothing

The global love of superpowered young men hasn't even begun to decline as the star-less Chronicle, about three teenagers who develop uncanny powers opened at #1 for Superbowl weekend. It almost doubled its production budget on opening weekend. Harry Potter himself Daniel Radcliffe had to settle for second place with The Woman in Black but that's probably because he's no longer the most powerful wizard on earth.

Chronicle is unkind to cars.

BAKERS DOZEN (Estimates)
01 CHRONICLE  $22 new  
02 THE WOMAN IN BLACK  $21 new  
03 THE GREY $9.5 (cum. $34.7)
04 BIG MIRACLE  $8.5 new
05 UNDERWORLD AWAKENING $5.6 (cum. $54.3)
06 ONE FOR THE MONEY $5.2 (cum. $19.6)
07 RED TAILS  $5 ($41.3)
08 THE DESCENDANTS  $4.6  (cum. $65.5)
09 MAN ON A LEDGE $4.5 (cum. $14.7)
10 EXTREMELY LOUD AND INCREDIBLY CLOSE $3.9 (cum. $26.7)
11 CONTRABAND  $3.4 (cum. $26.7) (cum. $62.1)
12 THE ARTIST $2.5 (cum. $20.5)
13 BEAUTY & THE BEAST 3D  $2.4 rerelease  

Someone's wearing lifts... Janet McTeer is 6'1". Daniel Radcliffe is 5'5"

Talking Points
• It's a good weekend for Janet McTeer, huh? Not only did she finally feel some major industry love again post Tumbleweeds (1999) with her Albert Nobbs Oscar nomination, but she's co-starring in The Woman in Black. What's more Albert Nobbs held up well in limited release, according to IndieWire suggesting it has more life in it yet. Will it expand further now?

• The Descendants may soon surpass Sideways to become Alexander Payne's biggest hit yet. It's just 6 million behind it now.

• A Separation has crossed the 1 million mark which is a big deal these days for a foreign film. Hopefully they'll keep expanding since they've just been adding a tiny number of screens each week. 

• The Artist is slowing down a bit in wide release but it's already tap danced its way clear of being called "lowest grossing Best Picture winner ever" (should it win) since it's a bigger hit than The Hurt Locker. That said anything that wins this year beyond The Help is going to end up in the 10 lowest grossers list. The Atlantic did some tallying and adjusting for inflation a year ago and they claim that these are the lowest grossing Best Pictures ever. All of them are superpower free (unless you count Javier Bardem's "Chigurh" as a supernatural evil force which maybe you can):

1. The Hurt Locker (2009) $15
2. All The Kings Men (1949) $60
3. Hamlet (1948)  $61
4. An American in Paris  (1951) $67
5. Crash (2005)  $67
6. Marty (1955) $70
7. No Country For Old Men (2007) $85
8. lt Happened One Night (1934) $86
9. The Last Emperor (1987) $89
10. The Great Ziegfeld (1936) $95

What did you see this weekend?

Box Office: Kate Beckinsale Still Unstaked, Oscar Hopeful Money

There's just no killing Kate Beckinsale's career. No matter how many terrible movies she throws at you, her undead heart will go on. I think she avoids Heigl levels of hatred because she doesn't make as many movies. That's my theory. But nevertheless the fourth installment of her werewolf vs. vampire franchise Underworld Awakening took the top spot at the box office, besting the George Lucas' produced war drama Red Tails and the third week of the hit action film Contraband, and the wide release of the presumed to be failing Oscar hopeful Extremely Loud and Incredibly Close. Steven Soderbergh's Haywire (reviewed) had a rough first weekend coming in fifth but there were a lot of other action films fighting it for dollars. Plus wouldn't people who go "ooh!" when they hear 'Steven Soderbergh' have been seeing the Oscar contenders anyway?

What did you see this weekend?

Oscar Money Talking Points...
The Artist finally got a major expansion though it's per screen average is no longer something to celebrate. Nevertheless this is good news. Within the next couple of weeks it's likely to pass The Hurt Locker's gross so if it wins Best Picture it won't be the lowest grossing BP ever. The film has earned $33 million worldwide to date. That's pretty impressive for a black and white silent. It just passed one of its Weinstein stablemates My Week With Marilyn's in terms of domestic gross. Although it's roughly 47 times better than that film I think it only goes to show how mishandled Marilyn was ... such a small release for such a pre-branded "wide" topic! 

The Descendants just crossed the $50 million mark and will soon leapfrog Hugo and Midnight in Paris for the "Top Grosser That Isn't Named The Help" title among the predicted BP nominees. Unless Moneyball or Dragon Tattoo get nominated in which case this milestone is no biggie.

Best Picture Hopeful Grosses as of 01/22/2012

P.S. I was at a birthday party last night attended by a very international crowd (the birthday girl, a good friend of mine, is German). The movie everyone was talking about was... A Separation. I was surprised how many people had seen it and everyone seemed to love it... though one woman told me she just thought it was "good" until about 20 minutes after it ended when it hit her in full force. It just crossed the 1/2 a million mark at the box office but it's still barely at any theaters. One wonders how well it can expand with word of mouth so strong and potential Oscar glory coming? 

Naturally all of these movies are hoping for a boost next weekend to capitalize on their presumed Oscar nominations. How many of them will keep expanding and how many will wither from people losing interest?

Box Office: Dolly & Queen vs. Cher & Xtina?

I would have been all about Joyful Noise this weekend, had I not been suddenly ill. I even had to miss a bestie's birthday dinner. Boo! I think it's worth noting that Joyful Noise had a nearly identical debut to Burlesque in 2010.

Opening Day
Burlesque (11/24/10) | Joyful Noise (01/13/12)
Weekend Gross
Burlesque $11.9 |  Joyful Noise $11.3
Weekend Rank
Burlesque #4 | Joyful Noise #4
Theater Count
Burlesque 3,037 | Joyful Noise 2,735
Per Screen Average
Burlesque $3,934 |  Joyful Noise  $4,148

Given that Burlesque opened during holiday craziness (lotsa movie-going) and Joyful Noise opened in January's dumping ground, you might have to hand this battle to Joyful Noise. But will it be able to beat Burlesque's final gross of $39.4 domestic / $89.5 international? I say this with the caveat that I have not seen it yet but from the stills and trailer it certainly looks cheaper than Burlesque production wise so perhaps it'll turn out a much tidier profit. I can't imagine that it's better than Burlesque though. But we shall see. Or rather I shall see the second I feel like venturing out into the cold again.

poll by twiigs.com

Takeaway: $11.5 million opening weekends are the new decorative fanciful glass ceiling for dueling multi-media singing divas.

BAKERS DOZEN (Estimates)
01 CONTRABAND  $24.1 new  
02 BEAUTY & THE BEAST 3D  $18.4 rerelease  
03 MISSION: IMPOSSIBLE -  GHOST PROTOCOL $11.5 (cum. $186.7)
04 JOYFUL NOISE  $11.3 new
05 SHERLOCK HOLMES: A GAME OF SHADOWS $8.4 (cum. $170)
06 THE DEVIL INSIDE $7.9 (cum. $46.2)
07 THE GIRL WITH THE DRAGON TATTOO  $6.8 ($87.9)
08 ALVIN AND THE CHIPMUNKS: CHIPWRECKED $5.8  (cum. $118.7)
09 WAR HORSE $5.6 (cum. $65.7)
10 THE IRON LADY $5.3 wide (cum. $5.9)
11 WE BOUGHT A ZOO $5.2  (cum. $63.6)
12 THE ADVENTURES OF TINTIN $4 (cum. $67.7)
13 TINKER TAILOR SOLDIER SPY  $3.1 (cum. $15.1) 

Talking Points
• Beauty and the Beast had a successful first weekend but nothing compared to The Lion King. I hate rooting against such a great movie but the whole 3D craze? Oh, I hate it more and more each month. Do. not. want. I do not want to wear glasses while watching movies. I just don't. It never adds enough to the experience, even in its best moments, to justify changing the whole freaking experience of the movies. GO AWAY.

• A Separation continues to fill its theaters but it has yet to expand. Are SPC letting their tiny window on this one close? Let's suppose someone watching this week's awards shows (BFCA thursday & GLOBES tonight) wanted to see it after Thursday's win and tonight's possible win? Nope. They're out of luck. Just 6 theaters for this one in its third week. Carnage finally expanded in its 5th week but interest in it looks to have already crashed. Too bad it didn't open when competition was less severe for all-star adult-oriented films.

• Sherlock Holmes: A Game of Shadows just lept-frogged The Help and Bridesmaids on 2011's top box office chart. Now, the top dozen have no originals among them - only franchise movies allowed at the top of the charts. This is why we can't have nice things and it's also our fault as audience members. We need to stop chasing old highs at the box office. Seeking out familiar experiences is what television series are for. That's their whole raison d'etre, the same characters each week but with new twists on the same old via new chapters. That's not what movies should be for. Different strengths and different purposes for different mediums.

What did you see this weekend?

Complete Three Sentences (Box Office, Banner, Ballot)

• The new exorcism flick The Devil Inside shocked at the box office with a $34 million opening weekend (a bigger opening weekend than The Muppets! and as big as the entire domestic gross than Drive!) which only goes to show you that  ________________________. 

• My favorite back in your new banner belongs to _________ because ________ .

• If I could vote for ONE thing to see more of at The Film Experience in 2012 it would be _______________ .

I Link You Just the Way You Are

Just a heads up. I was pleased that people passed this around twitter after I posted it but DO NOT READ The New Yorker review of A Separation before seeing the film. I recently named the movie Best of the Year but one of the greatest things about it, that I was careful not to spoil in my review or any of my subsequent writeups or awards postings is how it keeps defying expectations and throwing more and more complications your way. That New Yorker review, which is meant to be an enticement to see it and is otherwise beautifully written, will significantly damage your viewing pleasure as it gives away several twists and nearly the entire plot. You're welcome. And for shame Anthony Lane! Why do that to readers and potential ticket buyers? 

Boy Culture Congratulations to actress Kristy McNichol, who is now out of the closet. That'll mean something to anyone over the age of like, um, 35 (?). Otherwise y'all might be like "who?". But she was a big deal in the late 70s/early 80s. Think "Family" or "Empty Nest" on television and summer camp classic Little Darlings (1980) wherein she was deflowered by Matt Dillon! 
Thompson on Hollywood Christopher Tellefsen on the rhythms of editing. He did such great work on Moneyball I think.
Hello Giggles has 100 Things You Should Know About Downton Abbey 
Deadline which films are popular in their home countries?
In Contention has the Central Ohio Critics film winners. But I can't deal with typing up ANOTHER list. No offense, Ohio!
Hey Deanie is not convinced by Bérénice Bejo in The Artist

NYT "Seeking the next red carpet knockout" interesting piece about young actresses trying to find the dress and what happens when they do. (Though it makes you appreciate actresses who never bother, too)
Rope of Silicon The biggest flops of 2011, budget to gross.
Flavorwire Audrey Hepburn's screen test for Roman Holiday. One of those first time's the charm Oscar smashes. Ah, I love that movie.
Electronic Cerebrectomy I love when people post super random extensive personal lists of their favorite things of a year. It's like a scrapbook of everything -- not just movies. I'd do that if I didn't have 100 other lists to make.
Serious Film 2011 Superlatives: Best use of profanity.
Google celebrates the centennial of Charles Samuel Addams best known as the creator of The Addams Family. 
City Arts Armond White releases his annually inane "better than" list. I shouldn't like. It's such obvious trolling link bait. But I can't help myself. I do find his distaste for Lars von Trier highly amusing since you'd think the provocations just for the sake of provocations (Jack & Jill > The Descendants et. all) would mark them as soulmates.

Ugh, I used to love blog-a-thons so much. And then there were too many of them and I gave up. But then every once in a while you find one that looks so fun and you didn't know about it and you just want to die a little inside. Have you seen the BlogalongaBond?

It's hosted by The Incredible Suit which I've been reading for a month (and love). But I didn't know about it. It's been going on for a year already! One Bond film a month counting down to the 50th anniversary of Bond with the release of SkyFall (2012)! They're up to Octopussy (1983) now which is the very first Bond film I ever saw so if I weren't a crazy OCD completist type person it would be a great time to join in but I already missed 12 movies and all the Connery ones. Boo! 

That said, how invested are you in James Bond movies, Bond Girls and the like? We might do something.