Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
DON'T MISS THIS

THE OSCAR VOLLEYS ~ ongoing! 

ACTRESS
ACTOR
SUPP' ACTRESS
ORIGINAL SCREENPLAY

COMMENTS

 

Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Entries in Cinematography (392)

Monday
Jul092012

Next on "Hit Me..."

I'm debating whether Hit Me With Your Best Shot will get a season 4 but it depends on how the rest of the summer goes. If you've always wanted to join in, please do. The more the merrier... the more the essential actually as it's meant to be a film club conversation with all eyes on one movie, making a case for the movie's single best shot.

Wednesday July 11th
ROAD TO PERDITION (2002)

*10th Anniversary*
Sam Mendes' stately and self-conciously "best shoty" gangster drama, adapted from a graphic novel, won Paul Newman his last Oscar nomination, introduced many moviegoers to both Daniel Craig (now very James Bond) and Tyler Hoechlin (now very grown up on Teen Wolf) and won the Oscar for Best Cinematography. How has it aged? 117 minutes.
Netflix |  Blockbuster | LoveFilm  

Wednesday July 18th
PINK NARCISSUS (1971)
Black Narcissus was one of my top three favorite episodes of this series, so why not? Hee. This NSFW underground indie classic about a rent boy's erotic fantasies was shot almost entirely in the then "Anonymous" director James Bidgood's apartment over a seven year period. But it's quite a lot more visually resourceful than its undoubtedly miniscule budget would suggest. 70 minutes.
Netflix |  LoveFilm (instant watch)  

Wednesday July 25th
THE ROYAL TENENBAUMS (2001)

Moonrise Kingdom would be a great option for this series but it's still in theaters. (Go see it!) Instead let's revisit Wes Anderson's greatest film about a wealthy, artistic, incestuous, funny, idiosyncratic, intelligent, stylish and manically depressed clan. Yes, lots of adjectives apply... and maybe this noun, too: "Masterpiece". 110 minutes.
Netflix |  LoveFilm | Blockbuster 

Wednesday Aug 1st
HOW TO MARRY A MILLIONAIRE (1953) 
*Marilyn Week*
The 50th anniversary of Marilyn's death (August 5th) will likely take up a lot of media space in August so we'll celebrate with one of her lightest confections, as three roommate friends (Monroe, Lauren Bacall and Betty Grable) husband hunt in this Cinemascope comedy -- very widescreen for lots of actresslicious three shots. Why this one? Oh, I haven't seen in a long time. 95 minutes.
Netflix |  Blockbuster | LoveFilm 

Depending on how those go, we'll wrap up on the 8th, 15th, 22nd or 29th. How's that for decisive?!?

Complete list of all 39 episodes thus far (with links)

Thursday
Jul052012

Hit Me With Your Best Shot: "Picnic"

In the Best Shot series we all watch a pre-selected movie and pick what we think of as its best shot.

If watching Picnic (1955) taught me anything it's that you really need to exercize caution. Caution about whose filthy shirts you'll launder, who you'll let kiss you in the car parked by the river, which daughter you'll vicariously live through, which college friend you'll drop in on unannounced and empty-handed, which man you'll drunkenly throw yourself at to tear off his clothing (Rosalind Russell you crazy bitch!), and so on. Above all else Picnic reminded me to use caution before renting DVDs! I had never seen this Best Picture nominee and had only heard tales of its beautiful photography but the version I got was a terrible transfer in *gasp* "Pan and Scan".

In this slinky sexy scene pan and scan robs us of the beautiful lines of Novak and Holden's bodies as they dance romantically around each other.

If that's what you watched I apologize profusely for assigning this movie. But let's talk about Young Beauties, Old Maids, and Hunky Men anyway. The movie demands it...

Click to read more ...

Wednesday
Jun272012

Hit Me With Your Best Shot: "Possessed" 

We return to Season Three of the collaborative series Hit Me With Your Best Shot with not one but two tales of love-madness. I hadn't meant to pair them but I was so late with Possessed and it was time to bring the series back with The Story of Adele H. So there they were, two brunette screen goddesses Joan Crawford and (today's birthday girl) Isabelle Adjani, double-teaming me with their crazy-making sob stories of unrequited love. We'll cover Adele H tomorrow (yes, I'm running behind) but tonight, the first of these two Best Actress Nominated pictures.

Possessed (1947)
This 1947 noir stars the inimitable Joan Crawford as Louise, a woman who we meet after the events of the picture have taken place, wandering around in a daze looking for a man named "David". She is soon in a mental hospital and her back story, the story, begins to emerge. David (the dependably caddish Van Heflin), as it turns out, is the love of her life who she met while both were under the employ of a rich businessman. Louise, a feminist's nightmare, tosses aside all her dignity to veritably beg David to love her back and when he won't, she marries the boss instead and spends the rest of the movie obsessing over David and prone to jealous rages over her step-daughter's budding romance with her former lover. Louise is one of Crawford's most famous Victim roles but the actress is sly enough to also understand that Louise is enough of a masochist to also qualify her as the Film's Villain. The movie's best passage takes on a dream-like quality which is appropriate since Louise is a walking nightmare. 

Crawford Goes Mental after the jump!

Click to read more ...

Saturday
Jun232012

Another "Prometheus" Mystery: Will There Be Oscar Play?

Ridley Scott's Alien franchise prequel Prometheus should probably be a film I take great objection to. The first reason I ever loved the series (beyond Lt. Ellen Ripley, queen of all action heroines) was how it doubled as an ever evolving adventurous launch pad for young auteurs. It's got the same premise virtually every time so you sit back and immediately see the director's vision in sharp relief against each previous or subsequent film. Even the lesser entries in the series have this to recommend them and in the 90s, even after Alien Ressurection I wanted them to keep making Alien films so we could see it through the different set of rising auteur eyes each time. I didn't really want Ridley Scott to go back for this reason. I especially didn't want him to go back back. Backstory and prequels -- conceptually, they are like safety nets for the imagination. Don't be afraid of wondering... we'll catch you!


Where is the mystery? Or rather, why don't people want more of it. Why do you they want so many answers?

Thankfully, Prometheus doesn't rob the Alien franchise of all of its mystery and magic. It's not midi-chlorian level obnoxious. And given the screenplay and execution, for better and worse, the new film creates its own mysteries. Some or these are intentional and some surely not, some internal some external. What did David⁸ say to The Engineer in the penultimate sceneIs the MPAA's request that Ridley Scott remove the entire abortion sequence -- not so coincidentally the strongest sequence in the film -- the dumbest thing they've done since Blue Valentine's NC17? Or is it just the thousandth priceless example of how aesthetically stupid they remain and or the millionth piece of case evidence that they should never be allowed anywhere near art!

This week since I know I desperately need to update the Oscar predictions I've been thinking of another Prometheus-specific mystery. Will it have an awards future? [Aliens & Oscars after the jump]

Click to read more ...

Thursday
Jun142012

The Lord of the Links: The Return of the Link

whoa. no link roundups in forever. time to catch up on movie news and/or must see web droppings

Yahoo Movies Fine Thelma Adams piece on Prometheus' "foreign object" sequence. [shudder]
24 Frames Noomi Rapace and Sigourney Weavers' Alien franchise screen tests
IndieWire six life saving tips for cinematographers from the great Darius Khondji (Se7en, Evita, Midnight in Paris, and more...)
Empire Penelope Cruz will star in her fifth Pedro Almodóvar movie Fleeting Lovers (title may change) which starts shooting this summer. Yay! Double Yay! All About My Mother star Cecilia Roth is also in the cast.
YouTube if there's anything I hate about YouTube it's the ability to name your videos "official". But this "Official" Les Miserable trailer starring (gulp) Katie Holmes is kind of a good prank... I mean Nightmare!
In Contention production designer J Michael Riva (Django Unchained, The Color Purple) has passed away at 63.

Awards Daily Singin' in the Rain is getting a 60th anniversary rerelease on July 12th. Just in time for the Gene Kelly Centennial. And yes, if I can manage it here at the Film Experience July and August will house a big Gene Kelly retrospective right here at the Film Experience. He's up there with Montgomery Clift in my favorite (male) movie star charts after all.
Life of Pi the tiger growls memorably for the first time on the official website. Also he looks amazing.
Movie|Line Better three years late than never. Xavier Dolan's award winning debut film (and Canadian Oscar submission in its year) I Killed My Mother is FINALLY getting a US theatrical release. 
Guardian hears that The Avengers might get a three hour version for theatrical rerelease this fall. Considering Joss Whedon's comments on the deleted material (indulgent, killing the rhythm) and his own feelings about different versions of the same story (no) perhaps this is a very bad idea.
Queerty the red band ass abundant Magic Mike trailer.

filmmaking tips
IndieWire six life saving tips for cinematographers from the great Darius Khondji (Se7en, Evita, Midnight in Paris, and more...) 
Movie|Line twenty-two pieces of storytelling advice from a Pixar artist
LA Times offers up awards show tips for the Oscars (hey, that's sorta filmmaking tips) via the Tony Awards though I will continue to hate everyone and especially every writer who suggests very publicly that we don't need to see Costume Designers winning their prizes. A pox on all your craft-hating houses!

casting news we don't have much to say about but we should probably share anyway...

Greer takes over for Buckley in the Carrie remake

  • Jean Dujardin is in talks to join Scorsese's The Wolf of Wall Street
  • Amy Ryan and Dane DeHaan may join an upcoming non-documentary take on West Memphis Three currently starring Colin Firth and Allesandro Nivola (my god how many movies will this story inspire by 2020?)
  • John Madden's "Exotic Marigold" follow up is a comedy called Murder Mystery and may star Charlize Theron
  • Judy Greer (recently interviewed right here) wins the gym teacher role in Carrie, previously played by the great Betty Buckley. I only wish I weren't so dreading the movie.

off cinema
Gawker an alligator eating a croc? 
Sound Cloud she may have lost the Tony but Jayne Houdyshell keeps giving it from Follies. She rerecorded "Broadway Baby" as a solo for a compilation. It's wonderful! 
Cinema Blend an amusing piece about that George Bush head on spike story from Game of Thrones 

Zachary Quinto, Claire Danes, Chris Rock, The Fanning Sisters... and that's just a tiny sample.Finally...

 Have you seen the Paramount Pictures celebration? They gathered 116 stars together -- NOT photoshopped, actually there -- for a Centennial Photo.

The photo is so big you have to scroll to get the whole thing on your computer. You can mouse over it to enlarge see who's in the shot but without doing so I spotted George Clooney, Jamie Lee Curtis, George Takei, Julianne Moore, Meryl, Mark & Marty, Jane Fonda and Eddie Murphy straightaway. Watching the video gives you a closer look at the star networking. Watching stars mingle is the best part of starry events... though they never share enough.

It makes you wonder who knows each other and who doesn't. And who really does or doesn't want to be talking to whom. Did the stars who haven't had a good role in decades bee-line to the directors present (Lynch, Fincher, Scorsese, etcetera) or have they given up but for anniversary shindigs to honor their past glories? All I know for sure is that photo events like this make me happy.