Tweetweek: Multiverse Madness and Patti Lupone Worship

Amusing and/or thought-provoking showbiz tweets curated for you so you don't have to waste time on twitter!

All movies should be rated R so that children can't go to them.

— Eric D. Snider (@EricDSnider) May 10, 2022

  More after the jump including Toni Collette, Top Gun Maverick, multiverse mania, and responses to that story about Patti LuPone ranting at a maskless theatergoer on Broadway after Stephen Sondheim's Company...  

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The Tweets Are All Right

90s movie reference humor for the win

I've gotten some confusing messages about zombies recently, so let's clear this up: my story is Dead Man Walking, not The Walking Dead!

— Sister Helen Prejean (@helenprejean) August 10, 2017

After the jump Barbra Stanwyck, Christopher Nolan's "perfection," Evita's MPAA rating, two Indiana Jones references and more ...

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Review: Hugh Jackman's Last Stand as Wolverine in "Logan"

This review was originally published in Nathaniel's column at Towleroad

Logan, the latest and last (for now) solo Wolverine movie, was not kidding around when it opted for Johnny Cash’s “Hurt” as its trailer music. It’s not just the severity of the title, but the elegiac lyrics, and the dying man as guiding spirit / inspiration. Some trailers lie but this one spoke world-weary truth. This is exactly the kind of movie James Mangold, who also directed the Johnny Cash biopic Walk the Line, delivers.

Wolverine’s mutation were never those iconic claws, which were a science experiment to weaponize him, but his ability to instantly heal which also slows down his aging process. The movie franchise got very silly about this, placing him in the civil war context in X-Men Origins as if the once feral Canadian hero was an immortal vampire rather than a mutant. 

But Logan is anything but silly about aging...

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Oscar Horrors: Patty McCormack is "The Bad Seed"

Boo! It's the "Oscar Horrors" finale with abstew

With her blonde pigtails, pinafore dress, spotless Mary Janes, and armed with an elegant curtsy, little 8-year-old Rhoda Penmark is hardly the most intimidating figure. But beneath that childish visage lies the heart of a cold-blooded killer! One that shocked audiences in the 1950s. The Bad Seed preyed on the idea that evil wasn't some devil or mythical monster, but that it lived next door in the most unassuming of places. And worst of all, that evil was a hereditary trait that could be passed on, with no control over your assigned nature. The evil child has now become a staple of the horror genre, from the towheaded Children of the Corn to the twins from The Shining, but one of the first to make her mark (literally - watch out for those deadly shoes!) was bad seed, Rhoda Penmark, brought to life by Best Supporting Actress nominee, Patty McCormack.

I was about Rhoda's age when I first saw The Bad Seed at my friend Vicky's house...

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Box Office Special: 1984 Hits

Rather than talk about this weekend's boring box office results (nothing new to see here beyond a big weekend for that new kill-the-trespassing-teenagers flick Don't Breathe) let's travel back to 1984 which was a hugely influential year for franchises of many kinds. What can the biggest hits tell us about the then and the now? 

TOP TWENTY OF 1984
numbers adjusted for today's dollars via box office mojo

01 Ghostbusters $589.6  
Two Oscar nods. Spawned 1 terrible sequel, two animated TV shows, and this year's reboot

02 Beverly Hills Cop $581.5
Led to two sequels, a TV remake, and a TV pilot that wasn't picked up. Beverly Hills Cop 4 has been in some stage of development for 20+ years and is still supposedly being made. We'll believe it when we see it.

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