Little Gold Men on 1934's "It Happened One Night"

by Nathaniel R

The year of guesting on podcasts continues (after no invites forever I'm suddenly mouthing off everywhere!) with Vanity Fair's "Little Gold Men" podcast. I join Katey and Joanna to talk about the early Best Picture winner It Happened One Night. The story of Clark Gable's bare chest sending undershirt sales plummeting is old school famous, of course, but Joanna's additional research nuggets kind of blew my mind. I'd seriously never heard the bit about Bugs Bunny before (whaaa?!). We also talk briefly about the 2021 Academy invitees previously discussed right here. 

Have a listen and even a watch (the movie is streaming free on Crackle with ads). What a great film.

Showbiz History: Milk baths, hit singles, and Montalban's centennial

7 random things that happened on this day (Nov 25th) in showbiz history... 

1932 Claudette Colbert infamously bathes in milk in Cecil B DeMille's The Sign of the Cross, new in theaters.

1947 The Hollywood Blacklist begins, denying employment to those with perceived Communist ties or sympathies. This period has haunted self-reflecting Hollywood since as witnessed in Trumbo, The Way We Were, Guilty by Suspicion, Good Night and Good Luck, and numerous other movies...

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"Get in here and tell me all about it."

by Jason Adams

Why not celebrate the 115th anniversary of the birth of Claudette Colbert today by taking a warm milk bath and then watching Cecille B Demille's infamously lascivious 1932 film The Sign of the Cross? The whole thing is online right here. One of my favorite things about this movie - besides Colbert, and besides Fredric March in short skirts, and besides Charles Laughton as a leering bisexual Nero (that's a lot of besides!), is this story about how Colbert got cast:

“On my way out of the executive offices at Paramount one day,” said DeMille, “I met a young actress named Claudette Colbert. She’d not done much, just playing pansy roles.” Colbert’s most recent part was as George M. Cohan’s daughter in The Phantom President. “I was bored with these roles,” recalled Colbert. “Because I happened to look like a lady, that’s all they wanted me to play.”

“I think they’ve got you wrong,” DeMille told her. “You should not be playing these little girls. To me you look like the wickedest woman in the world. Would you like to play her?” “I’d love to!” replied Colbert. “Claudette’s test was the shortest on record,” said DeMille. He brought her and Fredric March to a soundstage. “You harlot!” said March. “I love you,” said Colbert with a half-smile and a shrug. “That’s enough,” said DeMille from the camera. “You have the part.”

Colbert of course went and became a huge star after this - I just caught some of the 1934 version of Imitation of Life on TV the other day and while I vastly prefer Sirk's 1959 version with Lana Turner (not to mention Peak Hotness John Gavin) Colbert is always worth watching.  

What are your favorite Claudette Colbert moments?

12 Days Til Oscar: Best Picture Nominations by the Dozen

Tim here, with your daily dose of Oscar numerology. We’re now in the third year of the Academy’s undoubtedly well-intentioned "some random number that always turns out to be nine" approach to selecting Best Picture nominees, and for some of us, this is irritatingly arbitrary. But it could be so much worse. Think of how awful it must have been to been a rabid Oscar fanatic in the first decade of the award’s existence: depending on the year, there were anywhere from three to twelve Best Picture nominees, until it was finally nailed down at a nice, round ten at the 9th Academy Awards, for the year 1936.

The magic number of the day being 12, I'd like you to join me, for a closer look at 1934, the first of two years with 12 nominated films (for space reasons, I am alas compelled to leave 1935 to fend for itself) - the first year, as well, that the awards corresponded to a single calendar year. What can we learn about the Academy’s tastes and habits down the decades from each of these?

BEST PICTURE – It Happened One Night (released by Columbia)
What It Is: One of the greatest of all screwball comedies, in which the sexily odd-looking pair of Claudette Colbert and Clark Gable cross country and banter.
The Slot It Fills: The long-abandoned "comedies are a valid form of artistic expression like anything else" spot. But, of course, the period in which the film came out was unusually good at producing top-notch comedies starring the best movie stars of the day.

Only 11 more slots to fill after the jump

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