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Entries in Common (7)

Tuesday
Jan252022

Sundance Review: This 'Alice's Wonderland Is all Keke Palmer

by Jason Adams

Let's just start with what matters most: Keke Palmer is a star. If not quite yet in the technical terms of massive name recognition and box office numbers then in all of the ethereal qualities that makes one get to those places soon enough. (The Jordan Peele movie coming out later this year is probably going to kick all of this into proper gear.)  I have obviously noted Keke's razzle and her dazzle in earlier roles -- I remember thinking she was destined to be going places several years back with Scream Queens. But watching the premiere of Alice this weekend at Sundance, a proper star vehicle if ever there was one, this sense really grabbed me about the shoulders and shook me up -- she's got that It, baby. The reason why this was my biggest takeaway is that Alice simply wouldn't work without her...

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Wednesday
Apr252018

Tribeca 2018: Mary Elizabeth Winstead stuns in "All About Nina"

by Jason Adams

If you hear a sliver of Margo Channing's famous warning echoing across All About Nina you should know it's not just because the title's a riff on that Bette Davis classic. It is indeed going to be a bumpy night, a series of them actually, for Nina (Mary Elizabeth Winstead) and for everybody that comes into contact with her. Although there are interstitial daylight-breaks, Nina's life revolves around nights and the things that bump them. She's a comedian, and we know well by now how those lives are structured. Bump, bump, POW. Fasten them seat-belts, baby...

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Tuesday
Sep122017

Doc Corner: Emmy Awards Go to Meryl Streep, Ava DuVernay, and Somebody Close to an EGOT

Like sand through the hourglass, the Emmys gave out far too many trophies. I actually forgot that the television Academy’s ‘you’re not famous enough’ ceremony was on last weekend – because who wants to see RuPaul win an Emmy? Hello, anybody? Good call, Emmy! – and so my planned pre-Emmy focus on some of the documentary/non-fiction titles proved poorly timed. However, I thought we might look through the winners of the unfairly forgotten ceremony since at least in these categories, the voters are often forced to choose new winners every year. Meanwhile, the televised telecast could be a repeat and, truly, would anybody actually notice?

O.J.: Made in America, Meryl Streep, and which winner is just a Tony away from en EGOT after the jump.

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Friday
Aug142015

'The Wiz Live!' Has Its Full Cast

Margaret here with your live TV musical update. NBC has just announced the final principal cast members for its live production of The Wiz: R&B singer Ne-Yo as the Tin Man, Elijah Kelley (aka the showstopping dreamboat from Hairspray) as the Scarecrow, and Common as the Emerald City gatekeeper. 

The full cast, then, is set:

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Monday
Mar162015

Run All Night and the Liam Neeson Ass-Kicking Hierarchy

Michael C. here.  It has been over six years since Liam Neeson reinvented as filmdom’s reigning action hero by making “I will find you, and I will kill you” sound less like a threat and more like a statement of simple fact. Since then, a sort of unofficial franchise has formed around the concept of Neeson as a grim dispenser of violence. This series, not including would-be franchises launches like Battleship and The A-Team, breaks down into three distinct groups. They are:

  • Pure, unadulterated schlock. Only the faintest trace of plot or character. Just Neeson methodically throat-punching his way through an unending supply of sleazy Euro-Villains bent on doing unspeakable things to his loved ones: Taken 1, 2, 3
  • Still schlock, but with bonus bells and whistles. Supporting characters, a high concept premise, and a plot of rapidly escalating absurdity. Slightly less throat punching than the Taken films, but still a lot of throat punching: Unknown, Non-Stop
  • Actual films of substance smuggled into theaters. Under the guise of another Neeson schlock-fest, naturally. Little to no throat punching. Occasional implied wolf punching: The Grey, A Walk Among the Tombstones

For a while it looks like the latest entry in this series, Jaume Collet-Serra’s currently underperforming Run All Night, is poised to join Grey and Tombstones in that elite third group...

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