Deadpool Pulls a Burt Reynolds. (Don't Tell Archer.)

Ryan Reynolds posted the first "official" photo of himself (presumably) in costume for the forthcoming Deadpool movie, which is due in approximately 11 months (expected to open in February 2016). The synopsis goes like so:

Based upon Marvel Comics’ most unconventional anti-hero, DEADPOOL tells the origin story of former Special Forces operative turned mercenary Wade Wilson, who after being subjected to a rogue experiment that leaves him with accelerated healing powers, adopts the alter ego Deadpool. Armed with his new abilities and a dark, twisted sense of humor, Deadpool hunts down the man who nearly destroyed his life.

A gazillion bonus points for doing it so cheekily a la Burt Reynolds on a bear rug because costume reveals are usually SO unimaginative.

Burt Reynolds super-fan Archer Sterling would approve. Or be very jealous. 

But isn't it weird that Ryan Reynolds, who obviously works hard to maintain one of the most spectacular bodies in the movies, keeps getting covered for the movies that require men have great physiques - i.e. superhero movies? First it was that all CGI costume for Green Lantern (blargh) and now a full body suit with literally not one square inch of flesh showing. 

Burt Reynolds would not approve of the modesty (neither would Archer come to think of it) and if you are very young or tune out anytime anyone discusses stars from before your time, you'll see why after the NSFW jump...

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Q&A Part 1: No Actresses! Whatever Will We Talk About?

To try something a little different I asked y'all to ask me questions that were not actress related this week. Hold me, I'm scared.

But sometimes you gotta push out of the comfort zone. Some people disobeyed -- sorry, not answering those! Some people gave me ideas for much longer posts. Others took it quite literally just reversing the genders of a question they'd normally ask. But a lot of interesting questions were on offer this week so we'll split this baby into two this week, feeling generous. Part two tomorrow.

Here's the 8 questions we're answering today including but not limited to favorite (male) stars, awesome film sets, horror flicks, and costume dramas...

DAN: What film set, taking in mind color schemes, evocative moods, and lighting, would you most like to inhabit. Ignore modern conveniences like air conditioning and pleasant smells. 

NATHANIEL: This question is so open-ended so we'll start with the movie that popped into mind IMMEDIATELY whilst reading it and surprised me becasue it wouldn't leave: Vertigo.

There are so many great rooms you could imagine spending hours in. Midge's apartment is like bohemian artist / spinster heaven. And what a view. And who wouldn't make a multi-course dinner reservation at that red red  red restaurant that Scottie spots Madeleine in?

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Review: The New "Cinderella" Is a Real Beauty

This review was originally published in Nathaniel's column at Towleroad.

The Game of Thrones Stark family was fond of the imminent warning "Winter is Coming" but their King of North, actor Richard Madden, doesn't need to worry this time. He's due a much happier Royal ending as the latest charming Prince to hit the movie screens. Winter is most definitely never coming to Kenneth Branagh's luxe adaptation of the most beloved of fairy tales, Cinderella. From its opening vista of a well-to-do country estate, filled with warm yellows and verdant greens and one very happy family, a pleasant merchant and his sunny wife (Ben Chaplin & Hayley Atwell) and their kind daughter Ella (Downton Abbey's Lily James), this Cinderella screams springtime and summer.

Its timing couldn't be better after this particularly long winter.

Spoilers if you're freshly arrived from another universe: Ella's loving parents are not long for this world and after imparting their wisdom and reinforcing her enchanted goodness (yes, she talks to animals), they take turns dying. Lady Tremaine, the stepmother, is introduced inbetween those deaths in clever multi-tasking voiceover courtesy of Fairy Godmother Helena Bonham Carter. [More...]

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We Cant Wait! #12 "The Dressmaker"

Team Experience is counting down our 15 most anticipated for 2015. Here's abstew...

Who & What: Writer/Director Jocelyn Moorhouse adapts Rosalie Ham's 2000 novel about a 1950s Australian dressmaker named Myrtle "Tilly" Dunnage (Oscar winner Kate Winslet) who returns to her rural Outback home to care for her ailing mother (Oscar nominee Judy Davis). Tilly has not been home since she was 10 years old and forced to leave when she was accused of murder. With her return, she plans to bring the power of haute couture to the village...and seek revenge against those that wronged her.

Moorhouse has described the film as "Unforgiven with a sewing machine" and in addition to Winslet and Davis, stars an impressive Australian cast that includes Liam Hemsworth as Tilly's love interest, Hugo Weaving as the town's police officer, and Sarah Snook and Sacha Horler in supporting roles originally cast with Isla Fisher and Elizabeth Debicki. Creating the film's '50s fashions are Emmy nominated costume designer Marion Boyce with Margot Wilson in charge of Tilly's clothes and 2 custom-made gowns by French designer Sophie Theallet.   

This is apparently what she wears to a rugby game...DIVAWhy We're Excited About It: We love Kate Winslet here at TFE, but just last year I wrote about how Winslet was in need of a career comeback. Divergent was a hit with its built-in YA popular novel source material, but it was hardly her involvement in the project that made it so. (Can you even remember anything she did in it?) This year, on paper, is looking much more promising: the Divergent sequel is a likely hit; she has a supporting role in the all-star cop drama Triple Nine; and then there's a potential awards-buzzy role in Aaron Sorkin's Steve Jobs (directed by Oscar winner Danny Boyle). Her lead role in this film is most intriguing and will hopefully be a return to form for Winslet who hasn't received an Oscar nomination since her win. 

What If It All Goes Wrong? The fact that director Jocelyn Moorhouse hasn't directed a film since 1997's failed awards contender A Thousand Acres doesn't seem like a good sign. And she never really lived up to her exciting breakthrough with 1991's Australian film Proof. And it could be a tough balancing act tonally as a comedic revenge drama (those seem like 3 different genres). But at least one thing is certain - the clothes will be to die for! 

When: The film finished shooting back in late 2014 and this past February had footage shown to potential European distributors at the Berlin Film Festival. No US date is confirmed yet, but Universal Pictures International has already confirmed an October 1st release date for Australia. If buzz is strong, expect it at fall film festivals in time for awards season.

Previously...
#13 The Hateful Eight
#14 Knight of Cups
#15 Arabian Nights
Intro Pick a Blockbuster

Looking for Glory: “You’re not what’s wrong in the gay community”

Manuel here wishing I could borrow Kevin’s puppy sweater to discuss this week’s Looking episode. “Looking for Glory” begins just as “Looking for Returns” did, with the blissful domesticity of Kevin and Patrick, though the latter’s breakfast in bed disaster lets us know this won’t be a smooth return to normal after the events of the last two episodes. 

Thus, in an attempt to begin telling people that they’re now “a thing,” we get to witness the awkwardness that follows during a work meeting when they finally spill the beans. “I just hope it won’t affect our company culture of fairness and that heterosexuals won’t be discriminated against” says Meredith who later went to chat with HR; might this be a sign of more drama for Kevtrick? (Pattin? There really is no good couple portmanteau for them, is there?)

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