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TV Blend Mad Men Season 7 key art features a famous graphic designer - April 13th, y'all
My New Plaid Pants first pic of Dane Dehaan as James Dean in yet another bio of the actor
/Film gross... the proposed reboot of Zorro is going to be Dark Knight-esque. Good god, Hollywood, be smarter. Anyone interested in Zorro, its own brand which is why you're rebooting it, is going to expect light swashbuckling FUN.  

New Now Next Teen Wolf adding a third gay character for season 4. (Weird that they haven't expanded the opening credits sequence to feature the other regulars from the ever expanding show.)
Towleroad RuPaul teaches his Pit Crew to "Sissy That Walk"
Guardian Idris Elba providing the voice of Shere Khan in the new live action/CGI Jungle Book
Fashionista costume designer extraordinaire Janie Bryant on what's next for her after Mad Men wraps
i09 on 30 cult movies everyone should see once. I love this type of list except for when they put something totally mainstream on it. It's mostly solid until Lost Boys? nope. try again. Saw it in theaters opening weekend, had a major release not cult at all but standard grab for teen audience. I think it was even a minor hit.
Gawker Lindsay Lohan already complaining about her reality show's portrait of her 
Attitude Jamie Lee Curtis, suddenly busy again, in addition that pilot she's shooting is producing a biopic film about a gay baseball player 
/bent has a handy list of all the LGBT filmmakers on twitter. Follow! 

This is what Glenn Close was wearing underneath her long dress! She wins.Oscar Crumbs
... the internet is still sweeping up the party
Confabulations Brian (StinkyLulu) and Aaron discuss the Oscars
Gothamist Poor Leo. Now his 1990s teen self is appearing all over Manhattan 
My Space you must read this hilarious Oscar report from Jennifer Lawrence's bestie. 

❝I am one of maybe two non-famous people there. I kind of just sit there and smile creepily when someone catches me staring—shout out to Penelope Cruz.❞

wimp a pretty amazing video of the control room during an acceptance speech (Cuba Gooding Jr's in this case)... and this reminds me how glad we are that they didn't play people off this year
Guardian oh, so that's why Andrew Garfield wasn't at the Oscars! 
Dissolve on social media and the Oscars 
Slate really fun conversation about sexism and actress backlashes that's focused on Gwynnie, Hathaway, and the recent success of Jennifer Lawrence and Lupita Nyong'o 

Today's Watch
This video from the Oscars official account is titled in such a way that you think it's going to be a history of Best Actress but it's just about Oscar with famous Actresses educating you on the history of AMPAS: Katharine Hepburn, Olivia de Havilland, a brunette Grace Kelly (!!!) and Anne Bancroft who wins with a little winking trivia about Oscar gaining weight. 

7 Costume Sights to See Before The Oscars

I sent Anne Marie to the FIDM Museum to check out this year's costume design exhibit. Here's her report. (I'm seething with jealousy right now!) -Nathaniel

Michael Wilkinson with some of his Oscar nominated costumes for American Hustle

The advantage to being a cinephile in Los Angeles is that there’s a wealth of Oscars-related activities around this time to check out. Costume lovers, rejoice! The Fashion Institute of Design & Merchandising Museum has launched the 22nd Annual Art Of Motion Picture Costume Design. Here are 7 things you’ll see if you get a chance to go:

1) Sydney’s physics-defying gown from American Hustle - Which is, upon closer inspection, almost see-through. Kudos to Amy Adams and Michael Wilkinson (Oscar-nominated) for pulling off Sydney’s daring looks, which seem all the more daunting to flaunt in person. (There just must have been so much boob-tape.) It's impossible to tell the period pieces from the original creations, which is more than can be said for...

2) Jay Gatsby’s surprisingly striking pink suit - Away from the noisy CGI of Baz Lurhman’s anachronistic adaptation, I was shocked to realize that this suit is dapper as hell. The color is absolutely beautiful, not the alternately washed-out-or-bubblegum pink it had seemed to be in the film. DiCaprio should ask Catherine Martin (nominated for The Great Gatsby) to design his Oscars tux, because otherwise I guarantee he won’t look nearly so good.

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Interview: Patricia Norris on 12 Years a Slave, Scarface, Twin Peaks

Patricia Norris with her lifetime achievement from the Costume Guild in 2007Patty Norris is a national treasure but I believe she'd be the last person to say so. When I spoke to the enduring costume designer over the phone about sixth Oscar nomination for 12 Years a Slave, she shocked me again and again with her modesty and her absolute lack of sentiment about what I've always thought of as a very illustrious Hollywood career. But her honestly was, shall we say, refreshing.

The 82 year old's career, as we know it at least, began over just over 40 years ago with westerns like Rio Lobo (1970) and Support Your Local Gunfighter (1971) but she doesn't get misty-eyed or nostalgic about her filmography. "I think it was just luck. I started as a stock girl at MGM and I've always been comfortable with clothes," she explains. But to hear her tell it, her developing career wasn't born of and ambitious creative drive, but from practicality.  "I was married but I was left with five children and I had to support them! So you start taking almost any work. There are a few I would like not to think about!" 

I instantly worry (aloud) that I'll touch on one of those accidentally but if I do in the ensuing conversation, she doesn't let on.

I assumed her current flurry of work (Killing Them Softly, The Immigrant, 12 Years a Slave) was a sudden return from retirement but she corrects the impression. She's just picky since she's been frugal. "It's one of those things. Save your money and you don't have to do anything. I do just what I want to do. If it doesn't come along I just do housework." 

Happily for fans of costume dramas, The Immigrant and 12 Years a Slave came along. And these she definitely wanted to do. [more...]

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Interview: Michael O'Connor on "Fussy" Costumes & Principal Actresses

A curious reversal: I'm discussing Oscar-voting with costume designer Michael O'Connor, an Oscar winner for The Duchess (2008) nominated again for his work on the Dickensian romantic drama The Invisible Woman and he reveals that, though he takes voting seriously, he doesn't really think it's a good thing to know too much about the behind the scenes achievements on movies, beyond what you can see and judge visually. 

Michael O'Connor and one of his Oscar-nominated designs from The Invisible Woman

That’s why I don’t teach or do classes. I don't think it would be a good experience. I want the discussion when I’m doing it because it helps me work but when you watch [a movie] you shouldn’t know the discussions. When you watch a film sometimes and stay for the Q&A it’s changed the experience because now you know some of the secrets. Some of the magic is not knowing. 

And, yet, once you get Michael O'Connor talking about his craft, he doesn't quit (a wonderful problem in an interview) and his passion for Costume Design is always front and center. I'm not at all convinced that he wouldn't make a good teacher but his students would have to be quick, as he leaps from topic to topic, sometimes without warning. 

From our vantage point in 2014 his current status as an Oscar winning costume designer seems inevitable...

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14 Days Til Oscar: "All About Titanic"

[Our countdown to Hollywood's High Holy Night continues. Here's abstew with a fun "battle"]

We've only 14 days to go. It seemed like the perfect time to take a look at the two films that jointly hold the record for most nominations (in case you hadn't guessed, that would be 14). One is a fabulous Actressexual's dream about back-stabbing in the theatre world and the other a small indie about a boy and girl in love. Oh, yeah and something about a ship. 

Technically, Titanic holds a higher place in Oscar history, having won 11 of its 14 nominations while All About Eve went home with only six statues (though 12 was the most it could have won with double-nods in Lead and Supporting Actress). But haven't you always wondered what film would come out victorious if they had gone head-to-head?  No? Well, let's find out anyway

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